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This exhibition is a once-in-a-lifetime opportunity to see around 100 exceptional drawings created using the exquisite metalpoint technique. It features works by some of the greatest artists working from the late 14th century to the present including Rogier van der Weyden, Petrus Christus, Leonardo da Vinci, Raphael, Albrecht Dürer, Hans Holbein the Elder, Lucas van Leyden, Rembrandt, Edward Burne-Jones, William Holman Hunt, Otto Dix, Jasper Johns and Bruce Nauman. Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.--British Museum website.
In the visual arts of the 15th to the early 19th centuries in Europe, animals were understood in relation to the human world. At the same time, increasing investigation of the natural world engaged artists in the problems of accurate representation: prints were particularly important in distributing information across a wide audience. This illustrated book explores perceptions of the natural world as seen through the eyes of imaginative artists.
Reprint of the original, first published in 1876.
Since its arrival at the British Museum in 1891, the Aigina Treasure - a group of Greek Bronze Age gold jewellery and other objects that is believed to come from the island of Aigina - has been shrouded in mystery and speculation. The many uncertainties about the Treasure include: its place of origin; whether all the objects are from the same findspot; whether it should be considered as a homogenous group. Through examination of stylistic elements and comparison with objects from other collections, the contributors to this volume variously argue for the Treasures possible Minoan, Mycenaean, Near Eastern and Egyptian connections. Major discoveries in the field have been made since Reynold Higgins' 1979 publication on the Treasure, including the excavation of a warrior shaft grave in Aigina in 1981. The essays are complemented by a complete catalogue of the Treasure, which incorporates the results of an extensive technological examination and is accompanied by specially taken, beautiful colour photographs.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.