Download Free The Demure Union Buster Book in PDF and EPUB Free Download. You can read online The Demure Union Buster and write the review.

"The Demure Union Buster" revolves around the main character, Mike Paneccia. Mike is a middle aged, conservative man who owns a restaurant in Albany, New York. Due to the proximity of his restaurant to several government buildings, the vast majority of his customers are federal, state and local public sector employees. Over the years Mike has come to loathe the laziness, ineptness, greed and corruption of the public sector employees. These feelings are exacerbated when rising public sector union
On 17 September 1949, C.N. Annadurai (Anna) founded the DMK after his split with Periyar E.V. Ramaswamy. The DMK slowly but surely caught the imagination of the Tamil masses. In 1962, faced with the prospect of a ban, the party shed its separatist agenda and in 1967, the DMK attained power for the first time in Tamil Nadu. Since then, it has remained a potent political force, first under M. Karunanidhi and recently under M.K. Stalin, who succeeded him. Weathering many a political storm, including the 1972 split when its mascot, M.G. Ramachandran (MGR) broke away levelling corruption charges, its ejection from power in 1976 during the Emergency, the second dismissal in 1991 for its alleged dalliance with the Tamil Tigers of Sri Lanka, and the debilitating split in 1993, the party has proved resilient. It was voted back to power in Tamil Nadu in 2021. The DMK’s pioneering public distribution system and welfare populism have been a model for other states. Of late, the party has touted its ‘Dravidian Model’ of development as a viable national alternative. Its renewed emphasis on Tamil cultural nationalism and cooperative federalism aims to counter the current majoritarian political narrative. Yet, seventy-five years later, the DMK is more than ever under assault from caste and ultra-nationalist elements and persisting charges of unjust enrichment and dynastic politics. At this pivotal moment in history, as the ethos of Indianness is being redefined, veteran political observer and commentator R. Kannan explores the trajectory of the DMK and its future direction. Drawing on a substantial body of first-hand accounts, The DMK Years narrates the story of the party objectively and in its entirety, making this volume essential to understanding the contours of Tamil Nadu politics.
Tom Haley, a science teacher, is doing research on the effects of nutrition on maze-learning ability in white rats. He compares the maze-learning ability of malnourished rats with their well-fed peers. While working on his rat project, Tom visits his girlfriend, Joanie, who suffers from chronic headaches. In desperation, he visits the site of his deceased friend, Amon, and begs for his help. When alive, the charismatic young man had extraordinary powers of healing, clairvoyance, and compassion. Soon Joanie is home again, happy and healthy. To earn extra money during his sabbatical leave, Tom works as a Bradford guard at the pollution-spewing Con Ed power plant, guarding the rude tycoon Darren Troop. He also does odd jobs painting and repairing dilapidated houses with Harry the Horse and his close-knit group of blue-collar workers. In between these jobs, Curtis principal Lou Stout calls on him to fill in for absent teachers, covering classes on the presidents, unions, democracy, photosynthesis, nutrition, motion, energy, the elements, and even philosophy. While doing manual labor, Tom meets interesting characters like Billy and his invisible companion and Rosa, who epitomizes the everyday people who keep this country running. Most importantly, he masters the rhythm of work in which time works for you in the course of doing a difficult job.
'Femininity in Flight' considers flight attendants as cultural icons, looking at how attendants redeployed the 'glamourization' used to sell air travel to campaign for professional respect, higher wages, and women's rights.
This is a very thoughtful treatment of an important subject. It is accessible to both general and professional readers.Ray Marshall, Former Secretary of Labor Member, Commision on the Future of Worker/Management Relations
We all know what suburbia is, indeed the majority of us live in it. Yet, despite this ubituity, with no formal definition of the contept, the suburbs have developed in our collective imagination through representations in popular culture, from Terry and June to Desparate Housewives. Rupa Huq examines how suburbia has been depicted in novels, cinema, popular music and on television, charting changing trends both in the suburbs and popular media consumption and production. She looks at the differences in defining suburbia in the US and UK and how characteristics associated with it have shifted in meaning and form.
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
“A fine, fascinating book. John S. Sledge introduces us to four centuries worth of heroes and rogues on one incredible American river.” —Winston Groom, New York Times–bestselling author of Forrest Gump The Mobile River presents the first-ever narrative history of this important American watercourse. Inspired by the venerable Rivers of America series, John S. Sledge weaves chronological and thematic elements with personal experiences and more than sixty color and black-and-white images for a rich and rewarding read. Previous historians have paid copious attention to the other rivers that make up the Mobile’s basin, but the namesake stream along with its majestic delta and beautiful bay have been strangely neglected. In an attempt to redress the imbalance, Sledge launches this book with a first-person river tour by “haul-ass boat.” Along the way he highlights the four diverse personalities of this short stream—upland hardwood forest, upper swamp, lower swamp, and harbor. In the historical saga that follows, readers learn about colonial forts, international treaties, bloody massacres, and thundering naval battles, as well as what the Mobile River’s inhabitants ate and how they dressed through time. A barge load of colorful characters is introduced, including Native American warriors, French diplomats, British cartographers, Spanish tavern keepers, Creole women, steamboat captains, African slaves, Civil War generals and admirals, Apache prisoners, hydraulic engineers, stevedores, banana importers, Rosie Riveters, and even a few river rats subsisting off the grid—all of them actors in a uniquely American pageant of conflict, struggle, and endless opportunity along a river that gave a city its name. “Sledge brilliantly explores the myriad ways human history has entwined with the Mobile River.” —Gregory A. Waselkov, author of A Conquering Spirit
A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.