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Circus freaks. Transgressive desires. Murder and exploitation. 'The Demon of the Lonely Isle' is a fever-dream of betrayal and revenge, a gothic adventure story that along with Ranpo's 'Strange Tale of Panorama Island', inspired the 1969 cult Japanese film 'Horrors of Malformed Men'. Born as Hirai Tarō, Edogawa Ranpo (1894-1965) was an influential author and critic known for his tales of the mysterious and macabre. His pseudonym is a rendering of ‘Edgar Allen Poe’ using Japanese characters. Ranpo often dealt with themes of sexual perversion and the grotesque, as well as writing more conventional detective fiction. Alexis J Brown is a translator living in London.
Circus freaks. Transgressive desires. Murder and exploitation. 'The Demon of the Lonely Isle' is a fever-dream of betrayal and revenge, a gothic adventure story that along with Ranpo's 'Strange Tale of Panorama Island', inspired the 1969 cult Japanese film 'Horrors of Malformed Men'. Born as Hirai Tarō, Edogawa Ranpo (1894-1965) was an influential author and critic known for his tales of the mysterious and macabre. His pseudonym is a rendering of ‘Edgar Allen Poe’ using Japanese characters. Ranpo often dealt with themes of sexual perversion and the grotesque, as well as writing more conventional detective fiction. Alexis J Brown is a translator living in London.
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan. Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms. Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza
"Epic. Fast. Heroic. The Rogue Elf series is classic epic fantasy with none of the fluff. ★★★★★" War calls the elves of Urlas to battle. But Kealin, a young half-elf training to be a Sacred Blade, and his three siblings, are forbidden to go. They are not ready, or so they're told. But Kealin's lineage has a dark secret and the High Council of Urlas fears what he may become... Kealin is about to learn that secret and in the catacysm emerging, Urlas will wish they had embraced it. When the soothsayer of Urlas tells Kealin that doom comes for all that left for the war, he and his siblings set off on what may be a one way journey to the edge of the world. Darkness is upon them and a specter that dwells between the borders of the living realms has been waiting for them. The Rogue Elf awakens... but is it too late to save those he loves? A brave group of companions await you: Kealin- a defiant half-blood that has little care of the purist High Elves and their beliefs. Eager, skilled, and sometimes a bit cocky, he fights with furious zeal to protect those he cares about. Alri- The only female elf in the group. Her powers are far beyond her brothers. As a potent magic-user training under the best of the arcane masters, she knows much about her deadly art but necromancy is her natural gift. With her, a power unlike that taught in her homeland is just within her grasp yet she doesn't realize it yet. Taslun- A son after his father's image. Strong, loyal to Urlas, and at 800 years old nearly ready to go before the High Council and be christened as a Blade of Urlas. He is the last anyone expects to become defiant. As the oldest sibling, he naturally desires to look after the young ones. They'll need his skills if they are all to survive. Calak- The youngest of the males and with equal qualities of being cocky and honorable. While he is capable with a sword, his true gift is in his love of astrology, history, and ancient knowledge. Where he lacks in fighting ability he makes up for what his more 'violence-centric' brothers see as 'boring'. Valrin- Not an elf but also not a normal human. However, the greatest mystery to the half-elves is his level of knowledge of the vast Glacial Seas and what he seems to know but not say about their quest. A loyal companion that has known of the elven lands and the coming darkness on the seas far before the half-elves left their home, he is the key to much to come. He commands the Aela Sunrise, a not-so-simple sailing vessel crafted by the ancient Sea Peoples of the North.
A pioneering look at same-sex desire in Japanese modernist writing.
In this groundbreaking study of a subject intricately tied up with the controversies of Japanese wartime politics and propaganda, Maki Kaneko reexamines the iconic male figures created by artists of yōga (Western-style painting) between 1930 and 1950. Particular attention is given to prominent yōga painters such as Fujita Tsuguharu, Yasui Sōtarō, Matsumoto Shunsuke, and Yamashita Kiyoshi—all of whom achieved fame for their images of men either during or after the Asia-Pacific War. By closely investigating the representation of male figures together with the contemporary politics of gender, race, and the body, this profusely illustrated volume offers new insight into artists’ activities in late Imperial Japan. Rather than adhering to the previously held model of unilateral control governing the Japanese Empire’s visual regime, the author proposes a more complex analysis of the role of Japanese male artists and how art functioned during an era of international turmoil.
This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry—waka, haiku, senryû, kyôka, kyôshi—and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.
"A remarkable and sorely needed synthesis of the best of traditional historiographical documentation and critically astute analysis and contextualization. Cartographies complements and, frankly, exceeds any of the English language monographs on similar topics that precede it, and it represents significant contributions to several fields outside of East Asian history, including literature, gender studies, lesbian and gay studies, and cultural studies."—Earl Jackson Jr., author of Strategies of Deviance: Studies in Gay male Representation and Fantastic Living: The Speculative Autobiographies of Samuel R. Delany
Joseph Grubb is the newest member of the Demon's Watch. He and his fellow watchmen protect Port Fayt, where humans live in peace alongside trolls, elves and fairies. And now the town needs them more than ever, because the almighty League of the Light has sent an armada to wipe it off the map. Fayt's only hope is to persuade the magical merfolk to fight with them. But the merfolk won't go to war. Not unless their princess is returned to them from the clutches of the most dangerous nine-year-old in the Ebony Ocean. It's up to Joseph and his friend Tabitha to rescue the mermaid princess . . . But a secret from Joseph's past is about to change everything.
From debut author Van Hoang comes Girl Giant and the Monkey King, a tale packed with magic, adventure, and middle-school woes—perfect for fans of Rick Riordan and Roshani Chokshi. Eleven-year-old Thom Ngho is keeping a secret: she’s strong. Like suuuuper strong. Freakishly strong. And it’s making it impossible for her to fit in at her new middle school. In a desperate bid to get rid of her super strength, Thom makes a deal with the Monkey King, a powerful deity and legendary trickster she accidentally released from his 500-year prison sentence. Thom agrees to help the Monkey King get back his magical staff if he'll take away her strength. Soon Thom is swept up in an ancient and fantastical world in where demons, dragons, and Jade princesses actually exist. But she quickly discovers that magic can’t cure everything, and dealing with the trickster god might be more trouble than it’s worth. Kirkus Best Book of 2020