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MYSTERY AND MAGIC FROM A LEGENDARY MASTER Footloose nobleman Penric journeys from young lord to sorcerer and scholar in the Bastard’s Order—and solves mysteries along the way. Penric’s Demon: On the way to his betrothal, young Lord Penric happens upon a riding accident and stops to help. But the victim is a Temple divine, servant to the five gods of this world. Her avowed god is The Bastard, “master of all disasters out of season.” As she lies dying, she passes her strange powers to Penric—and changes the course of his life forever. Penric and the Shaman: Now a divine of the Bastard’s Order as well as a sorcerer and scholar, Penric must accompany a Locator of the Father’s Order assigned to capture a runaway shaman charged with the murder of his best friend. Penric’s Fox: When Penric—sorcerer, scholar, and divine in the Bastard’s Order—travels to Easthome, the capital of the Weald, he once again finds himself embroiled in a mystery. The body of a sorceress has been found in the woods, and it is up to Penric and his friends, Shaman Inglis and Locator Oswyl, to unravel a mystery mixing magic, murder, and the strange realities of Temple demons. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Penric's Demon: “A novella filled with a satisfying blend of strong characters and wry humor.”—Publishers Weekly About Lois McMaster Bujold: "The pace is breathless, the characterization thoughtful and emotionally powerful, and the author's narrative technique and command of language compelling. Highly recommended."—Booklist "If you love solid space opera rooted in strong character, you can't go wrong . . . The Warrior's Apprentice already displays the craft and the heart which would soon make Lois McMaster Bujold one of the most feted talents in SF."—SF Reviews “Bujold is adept at worldbuilding and provides a witty, character-centered plot, full of exquisite grace notes . . . fans will be thoroughly gripped and likely to finish the book in a single sitting.”—Publishers Weekly on Diplomatic Immunity
This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
A philosophical essay in support of the argument that progress in art is both possible and necessary.
Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ‘completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde. In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists. Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of his father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today.
The 3 volumes in this set, originally published between 1963 and 1980 include the first biography of Wyndham Lewis (1882 - 1957) by the award winning biographer, Jeffrey Meyers, and 2 volumes edited by personal friends of Wyndham Lewis which give a unique insight into the man, his output and his concern with the conflict between the artist-intellectual and the rest of society. Lewis is arguably one of the major intellectual figures of the 20th Century. Equally talented as a writer and painter, Lewis was innovative and controversial and well-known as the driving force behind Vorticism, the avant-garde movement that flourished in London before the First World War. A versatile painter, Lewis’ literary output was prodigous and he mastered a variety of genres – novels, poetry, philosophy, sociology, travel writing, literary and art critic. A leading revolutionary in British painting and a writer of creative genius, Wyndham Lewis also knew personally Augustus John, Ford Madox Ford, James Joyce, Ezra Pound and T. S. Eliot, who called Lewis ‘the most fascinating personality of our time’.