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In The Deflowered Garden, Natasha reflects back to the time she experienced the pain of sexual abuse as a child. She remembered the purity, beauty, and innocence in her garden. But in the very place where she felt safe and at peace, is the very place where evil crept in. She's on a long road of brokenness. Will her garden be restored? Or will she be lost in the wilderness forever?
The book puts forward a literal interpretation of the Song of Songs which the author sees as advancing a theology of human love. From the literary angle, particular importance is awarded to the structure of the poem, highlighting its strongly unitary character.
At once pervasive and marginal, appealing and repellent, exemplary and atypical, the women of the Bible provoke an assortment of readings across early modern literature. Biblical women in early modern literary culture, 1550–1700 draws attention to the complex ways in which biblical women’s narratives could be reimagined for a variety of rhetorical and religious purposes. Considering a confessionally diverse range of writers, working across a variety of genres, this volume reveals how women from the Old and New Testaments exhibit an ideological power that frequently exceeds, both in scope and substance, their associated scriptural records. The essays explore how the Bible’s women are fluidly negotiated and diversely redeployed to offer (conflicting) comment on issues including female authority, speech and sexuality, and in discussions of doctrine, confessional politics, exploration and grief. As it explores the rich ideological currency of the Bible’s women in early modern culture, this volume demonstrates that the Bible’s women are persistently difficult to evade.
The Peruvian mystic St. Rose of Lima (Isabel Flores y Oliva, 1586-1617) was canonized in 1671 as the first saint of the New World and remains the object of widespread devotion today. In this engrossing new study, Frank Graziano uses the example of St. Rose to explore the meaning of female mysticism and the way in which saints are products of their cultures. Virginity, austerity, eucharistic devotion, incessant mortification, and mystical marriage to Christ characterized the devotional regimen that structured St. Rose's entire life. Many of her mystical practices echo the symptoms of such modern psychological disorders as masochism, depression, hysteria, and anorexia nervosa. Graziano offers a sophisticated argument not only for the origins and meaning of these behaviors in Rose's case, but also for the reason her culture venerated them as signs of sanctity. In the process he explores a wide range of themes, from the idea of suffering as an expression of love to the assimilation of childhood trauma through religious repetition. Graziano also offers a penetrating analysis of the politics of Rose's canonization. He finds that her mystical union with God--bypassing the institutional channels of sacrament and priestly mediation--was inherently subversive to the bureaucratized Church. Canonization was a cooptation by which Rose's competing claim to Christ was integrated into the Catholic canon. The book concludes with a fascinating exploration of mystical eroticism, with its intense experiences of vision and ecstasy. The eroticized suffering of many mystics is shown to be very human in origin: the mystic's wounded love is projected onto a God conceived to accommodate it. Wounds of Love is based on a decade of research in archives, rare books, and an extraordinary range of secondary sources. Introducing an innovative method that integrates history, cultural studies, psychoanalysis, and clinical psychology, this compelling work offers a bold new interpretation of female mysticism.
Which suggestive plant caused a queen to faint when it was presented to her at court? What was the original French name for the Great Maiden's Blush rose that had the Victorians blushing? Why are figs and pomegranates thought to be the real forbidden fruit that led Adam and Eve into temptation? In this delightful gift book, master gardener Sonia Day brings together delicious tidbits from myth, history, botany, and plant lore to reveal how plants have seduced our hearts, minds, and bodies throughout the ages. Organized in thematic chapters that loosely follow the arc of a love affair, the book journeys from "Innocence" (the notion of a virgin being "deflowered" originated with the belief that flowers were pure and sexless), through such stages as "Flirtation," "Seduction," "Lust," "Deception," and "Rapture." Scattered throughout are love potions, examples from the Victorian "language of flowers," and charming anecdotes, all told in Day's delightfully irreverent and conversational voice. Gorgeously designed and featuring full-colour photos and illustrations throughout, this is a sumptuous tribute to our enduring fascination with plants that is sure to seduce readers everywhere.
A Taste of Honey provides a scholarly exposition on the prominent place that sexuality and erotology enjoyed in traditional Islam. The book is divided into two parts; part one presents a critical examination of sexual ethics and part two consists of a concise treatise on the art of seduction and lovemaking. The central aim of this book argues that Islam is a sexually enlightened religion which teaches that sensuality should not be devoid of spirituality. The book also argues that the loss of sacred sensuality afflicting modern society can be reclaimed by a revival of the classical erotological tradition. Drawing upon the Qur’ān, ĥadīth and traditional erotological literature, the book follows the style and composition of classical Eastern and Afro-Arab love texts such as the Kama Sutra and Jalāl ad-Dīn aś-Śuyūţī’s erotic treatises. A Taste of Honey is a thought-provoking work on a highly sensitive, yet extremely important subject.
The Lust of Seeing is the most comprehensive work on Hernandez to date, elucidating aspects of Hernandez's life and writing that have remained untreated or undertreated by previous criticism. The book's theoretical and comparative discussions also make The Lust of Seeing relevant reading well beyond Hernandez studies, particularly for readers interested in psychoanalysis, myth and ritual, fantastic literature, women's studies, film studies, and textual theory.
Presents a memoir by one of the founding member of the gay rock band, as he discusses his experiences during the early days of the band's beginnings in San Francisco, its struggles for acceptance, seach for a label, rise on the tour circuit, and final emergence as an iconic musical group.