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Things just got deeper . . . In the realm beneath the waves, legends tell of a mystic and shadowed people, their stories lost to antiquity after suffering great defeat with the loss of their leader in the War of the Ancients. Yet for all the years since their vanishing into the Abyss, tales of their might and magic are still sung in the above . . . their names whispered in the night as a warning to Salt Children who would dare to swim too deep. The Unspeakables . . . The Surface Watchers . . . The Shadow Lurkers . . . For all their rumored names, the abyssal folk care nothing for what those swimming in the above call them. They alone know that their retreat into the shadowed realm of forgotten lore was not to lick their wounds, or suffer lightly in their defeat. Those that time and Salt have named as The Deep Dwellers went into the depths to regain their strength and numbers. To await a sign from the above signaling they should rise and return to power once more . . . And their sign just arrived.
Octavia E. Butler meets Marvel’s Black Panther in The Deep, a story rich with Afrofuturism, folklore, and the power of memory, inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group Clipping. Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago. Yetu will learn more than she ever expected about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are. The Deep is “a tour de force reorientation of the storytelling gaze…a superb, multilayered work,” (Publishers Weekly, starred review) and a vividly original and uniquely affecting story inspired by a song produced by the rap group Clipping.
Written by award-winning author Graham McNeill and set in the Arkham Horror universe, Dweller in the Deep is the final installment of The Dark Waters Trilogy. Having learned the shocking truth behind a plot to cast the world into unimaginable darkness, Miskatonic University professor Oliver Grayson and his team of unlikely allies must arm themselves with deadly weapons, powerful eldritch artifacts, and the most potent tool an investigator can wield: knowledge. The stage is set for one ultimate, heart-stopping race to save mankind!
On the island of Moon Tithe, where oceanic gods called Deep Dwellers once ruled, a lonely girl and a monstrous boy fell in love. When spirited ten-year-old Pearl searches for magic and answers after her mother’s presumed drowning, she finds a strange boy named Hake instead. Raised cruelly by a monster called the Old One, eleven-year-old Hake possesses otherworldly powers and has the knowledge Pearl seeks. In exchange for a home, Hake agrees to show her magic. But Hake knows nothing of magic—only that Pearl’s romantic stories of the Deep Dwellers are a lie. As the two grow into young adults together, both the mysteries they seek to unravel and their romantic feelings for each other become hopelessly entangled. However, Pearl’s father threatens to separate them if they dig too deeply into Tempest’s secrets: a hidden passage, a Deep Dweller cult, and rumors of human sacrifices. But when the wealthy and kind Lotham family arrives on Moon Tithe, offering Pearl an escape from the secrets that haunt her, her loyalty to Hake is challenged, especially when his monstrous nature is revealed. Tempest Cursed is a magical, dark, loose retelling of the classic novel Wuthering Heights with finfolk and Selkie folklore.
The deep ocean is by far the planet's largest biome and holds a wealth of potential natural assets. Human exploitation of the deep ocean is rapidly increasing whilst becoming more visible to many through the popular media, particularly film and television. The scientific literature of deep-sea exploitation and its effects has also rapidly expanded as a direct function of this increased national and global interest in exploitation of deep-sea resources, both biological (e.g. fisheries, genetic resources) and non-biological (e.g. minerals, oil, gas, methane hydrate). At the same time there is a growing interest in deep-sea contamination (including plastics), with many such studies featured in high profile scientific journals and covered by global media outlets. However, there is currently no comprehensive integration of this information in any form and these topics are only superficially covered in classic textbooks on deep-sea biology. This concise and accessible work provides an understanding of the relationships between biodiversity and ecosystem functioning, both at the seafloor and in the water column, and how these might be affected as a result of human interaction, exploitation and, ultimately, environmental change. It follows a logical progression from geological and physical processes, ecology, biology, and biogeography, to exploitation, management, and conservation. Natural Capital and Exploitation of the Deep Ocean is aimed at marine biologists and ecologists, oceanographers, fisheries scientists and managers, fish biologists, environmental scientists, and conservation biologists. It will also be of relevance and use to a multi-disciplinary audience of fish and wildlife agencies, NGOs, and government departments involved in deep-sea conservation and management.