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The Decadent Movement which flourished in the 1890s produced some of Europe’s most striking and exotic works of literature. The Decadents, convinced that civilisation was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. J.-K. Huysmans described Decadence as a ‘black feast’ and The Second Dedalus Book of Decadence offers a veritable banquet, with offerings from the major practitioners in France and England. It completes Brian Stableford seminal two-volume study of the decadent movement.
This volume collects the poetry and prose that served as the model and inspiration for so much of fin-de-siecle English and French writing, providing a vivid picture of sexual excess and debauchery in a cruel and violent society which has never ceased to fascinate the library and scholarly imagination of succeeding generations. The editor, novelist Geoffrey Farrington, provides a general introduction to the literary and political milieux of imperial Rome, and introductory notes to works by such authors as Ovid, Tacitus, Suetonius, and Juvenal. "...concentrates on the outrageous behaviour of the ruling class of the Roman Empire, as described in passages selected from the prose, poetry and history of the period. Their murder plots, sexual deviances, orgies, cruelty and incessant intrigue put our politicians and their peccadillos on a play school level." Time Out
The Decadence Movement which flourished in the 1890s produced some of Europe's most striking and exotic works of literature The Decadents, convinced that civilization was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. The Dedalus Book of Decadence looks south to sample the essence of fine French decadent writing. It succeeds in delivering a range of writers either searching vigorously for the thrill of a healthy crime or lamenting their impuissance from a sickly stupor. --Andrew St George in The Independent
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
Brian Murdoch provides an alternative view of the Middle Ages, showing the anarchy and decadence which lurked below the surface of a devout and conformist society. The grinning gargoyle, which mocked the solemnity of Gothic cathedrals, symbolises the violence, depravity and irreverence inherent in man which could not be suppressed by the church. Texts translated from the prose, chronicles and verse of the period, such as the Trial of Gilles de Rais, Boccaccio's Decameron, I Have a Gentil Cok, A Black Mass and Metrical Verses on the Subject of his Prick, reveal the wilder aspects of medieval man. Brian Murdoch has assembled and translated texts from Medieval Latin, Old French, Italian, Scots Gaelic, Cornish, Old and Middle English, Old Irish and Welsh which will redefine the Middle Ages for the modern reader
Decadence, that flowering of a mannered literary style in France during the Second Empire, and in the last two decades of the nineteenth century in Britain, holds an endless fascination. Yet the ambiguity of the term 'decadence' and the challenges of identifying its practitioners make grasping its contours difficult. From the obsession with classical cultures, to the responses to the HIV/AIDS crisis of the 1980s and 1990s, this book offers one of the most comprehensive histories of literary Decadence. The essays here interrogate and expand the formal, geographical, and temporal frameworks for understanding Decadent literature, while offering a renewed focus on the role played by women writers. Featuring essays by leading scholars on sexuality, politics, science, translation, the New Woman, Russian and Spanish American Decadence, the influence of cinema on Decadence, and much more, it is essential reading for all those interested in the literature of the 1890s and Oscar Wilde.
Downes presents a detailed examination of the significance of decadence in Central and Eastern European modernist music.
Including writings by the well-known authors Valery Briusov, Leonid Andreyev, Fedor Sologub and Zinaida Gippius, this collection explores the darkest depths of the unconscious, which lead their characters to sadism, masochism, rape, murder and suicide.