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Charles Francis Annesley Voysey could easily have made a career out of pattern design alone, so celebrated were his ingenious textiles and wall coverings. By the mid-1890s, however, he also was hailed as one of Britain's most innovative architects. For the small country houses that were his specialty, he rejected the lavish ornamentation and historical trappings so beloved by the Victorians, relying instead on simple, expressive forms and materials. Voysey's versatility was astonishing, encompassing all manner of furniture, cabinetry, fixtures, and floor and wall coverings. From the shape of a clothes hook to the sweep of a roofline, every form he created was informed by a strong and unorthodox spiritual philosophy that often set Voysey at odds with other designers, even as he rose to become a leading force. His wallpapers and textiles, in particular, reveal Voysey's complex personality - his lifelong love of England's flora and fauna, his belief that a reverent observation of the natural world might hasten humanity's spiritual evolution, and his unusually whimsical (and occasionally wicked) sense of humour. Today his images are as beloved as they were then. In C. F. A. Voysey: Architect, Designer, Individualist, Anne Stewart O'Donnell traces this extraordinary creative output while painting a vivid picture of Voysey's character.
"C.F.A. Voysey (1857-1941) was an architect-designer who advocated honest and thoughtful design, and championed high standards of craftsmanship applied only to the finest materials. The resulting objects -- simple yet elegant, often enhanced by beautiful and symbolic decoration -- were considered revolutionary in their time and continue to enchant audiences today. The first substantial monograph to be published in 20 years, this comprehensive book focuses on Voysey as a designer of furniture, metalwork, and textiles, providing a new analysis of his characteristic motifs and designs. It draws on the greatest public and private collections of his work to give a complete and fully illustrated account of Voysey's output and his vision for domestic life at the turn of the twentieth century. Original drawings and plans, archive photography and images of a vast selection of surviving objects are brought together here in a fresh examination of the Arts and Crafts pioneer. The authors' extensive new research documents the personal and professional relationships that enabled Voysey to become a great and prolific designer. The book draws together new information on how he ran his business; how he promoted, exhibited, and sold his work; who his clients were; who was responsible for manufacturing his designs; and what a Voysey house and interior looked like." -- Publisher's description.
C.F.A. Voysey is regarded as one of the pioneers of the Modern movement of architecture and design, and one of the most influential and important of all the 19th and early 20th century British designers. He designed over 60 houses throughout England, from small cottages and gate lodges to suburban houses and substantial country house commissions. Voysey was the ‘complete designer’ – he designed all manner of objects, from wallpaper to cutlery, textiles to furniture, war memorials to stained glass windows, and bookplates. As a leading figure of the Arts and Crafts movement in Britain his fame and influence extended to the United States to the next generation of American Arts and Crafts architects and early Modernists, notably Greene & Greene, Bernard Maybeck and Frank Lloyd Wright. In Europe, fundamental aspects of Voysey’s design approach were embraced by the Dutch De Stijl group; during the 1920s, and eventually also by the German Bauhaus movement. Voysey was renowned also for his beautiful watercolour drawings. He retained the vast majority of his own drawings throughout his career, and late in life arranged for these to be donated to the Royal Institute of British Architects.
An elegant and informative gift book devoted to designs by C. F. A. Voysey that incorporate birds, animals, and plants. Charles Francis Annesley Voysey (1857–1941) is, with William Morris, one of the most enduringly popular designers of the Arts and Crafts Movement. A practicing architect, Voysey also designed a broad range of applied arts objects, from furniture, ceramics, and metalwork to wallpaper, carpets, tiles, and fabrics. His pattern designs, created from the 1880s to the early 1930s, are among his best- known works today. His wallpaper and textile designs are characterized by simple, stylized, rhythmic patterns that base their motifs on forms found in the natural world. Plants abound, but so too do birds and animals, represented as silhouettes or in soft pastel shades. This elegant, accessibly priced volume offers a wealth of colorful designs by Voysey in which birds and animals are the principal motifs. Written by Karen Livingstone, a published expert on Voysey and the Arts and Crafts Movement, this book brings together not only completed patterns but also working drawings in pencil and watercolor. Voysey’s Birds and Animals will both inform and delight, appealing to a broad readership of museum visitors and lovers of art and design.
“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.
Before the age of the paper book jacket, publishers issued their books in cloth-covered boards, which were stamped with designs in golf leaf and color. From around 1860, artists of the Arts and Crafts movement supplied many of the best designs. Dante Gabriel Rossetti, William Morris and Walter Crane led the way, and they were followed in the 1890s by Laurence Housman, Charles Ricketts and Selwyn Image, among others. Prominent Arts and Crafts architects, such as Philip Webb and C.F.A. Voysey, also designed book covers. Malcolm Haslam explores this uncharted territory, investigating not only the designs and designers, but the publishers and binders as well. He introduces some artists, little known today, whose designs filled the bookshops and bookshelves of late Victorian and Edwardian Britain, and he shows how designers in Europe and America were influenced by British book covers decorated in the Arts and Crafts style. Ninety-nine of the best covers are illustrated and described, and details are given of over fifty Arts and Crafts designers who worked in commercial book production, and their marks and monograms are shown.
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Published in partnership with the Mary and Leigh Block Museum of Art to accompany its exhibit, this catalog of essays and more than fifty color exhibition plates invokes these two senses of "intelligent design"--one from the debates between science and theology and the other from the world of art, particularly architecture and the decorative arts. The extensive exhibition includes furniture, metalware, glassware, textiles, and designs on loan from public and private collections in the United States and England. Among the artwork included are items from William Morris, C. R. Ashbee, Christopher Dresser, C. F. A. Voysey, Frank Lloyd Wright, and Louis Sullivan.