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This book provides a detailed account of the Third Republic in France between the outbreak and conduct of the First World War and the fall of Leon Blum's Front Populaire soon after Hitler's invasion and annexation of Austria in 1938. Following the trauma of war, France slipped into the "era of illusions" which despite the comparative prosperity of the 1920s led to the slump and the severe social and economic unrest of the 1930s. The short-lived experiment of Blum's Front Populaire gave way to more conservatively-based ministries, but by 1938 a new common enemy began to draw together the political opinion of the country.
This book provides a detailed account of French history from the oripins of the Thrid Republic, born out of the collapse of Napoleon III's Second Empire, to the coming of the Great WAr in 1914. Part 1 begins with the fall of the "notables" and the victory of the republicans. Then follows a picture of the economy and society of late nineteenth-century France, and an examination of spiritual and cultural development under the increasing threat from nationalist and socialist forces. The moderates' brief ascendancy at the end of the century followed by the extreme sentiments unleashed at the time of the Dreyfus affair, brings the story in Part 2 to a more passionately political period, when the republic finallynbecame established as a bulwark of bourgeois prosperity, witnessing the rise of the banks and big business, and the dangerous revival of colonial expansion.
"When Benjamin Martin's latest report from the front of French fallibility does not read like a tragedy, whose end is foreordained, it reads like a melodrama: sensational doings punctuated by catchy melodies like 'L'Internationale' and 'La Marseillaise.' In both cases it reads well.... French life in the run-up to World War II was a gangrenous decomposition, to be followed by still worse. The country's leaders found nary a pratfall that they could avoid. They chose a semblance of peace above honor and ended up with neither.... In spite of a masterful prologue, successful synthesis, elegant concision and lucid presentation (or perhaps thanks to them), the reader can't help sharing the nation's shames. A tribute to the historian's talent." -- Eugen Weber, Phi Beta Kappa Key ReporterAt the beginning of 1938, containment of Nazi Germany by a coalition of eastern and western democracies without resorting to war was still a distinct possibility. By the end of 1938, however, Germany was much stronger, the western democracies stood alone, and war was all but certain. The primary cause for these developments, argues Benjamin F. Martin, was the foreign and domestic policies adopted by the French government and embraced by the French people. In a riveting account of the dark days leading up to France's defeat and occupation, Martin reveals a great and civilized nation committing a kind of suicide in 1938. Using movies, novels, newspapers, and sensational court cases, Martin weaves an absorbing tale of France's collective fear and melancholy during this troubled prewar period.
In this first comprehensive history of immigrant inequality in France, Mary D. Lewis chronicles the conflicts arising from mass immigration between the First and Second World Wars, the uneven rights arrangements that emerged during this time, and their legacy for contemporary France.
The Second Empire lasted longer than any French regime since 1789, yet most historical accounts of the government of Napoleon III have been overshadowed by the knowledge of its disastrous and tragic end. As Professor Plessis shows in this detailed thermatic study, such an approach ignores the major social, economic, and political developments of a period that witnessed the gradual acceptance of univeral suffrage, the establishment of large-scale industrial capitalism, a massive improvement in communications, and the birth of impressionism in art.
Depression, once a subfield of neurosis, has become the most diagnosed mental disorder in the world. Why and how has depression become such a topical illness and what does it tell us about changing ideas of the individual and society? Alain Ehrenberg investigates the history of depression and depressive symptoms across twentieth-century psychiatry, showing that identifying depression is far more difficult than a simple diagnostic distinction between normal and pathological sadness - the one constant in the history of depression is its changing definition. Drawing on the accumulated knowledge of a lifetime devoted to the study of the individual in modern democratic society, Ehrenberg shows that the phenomenon of modern depression is not a construction of the pharmaceutical industry but a pathology arising from inadequacy in a social context where success is attributed to, and expected of, the autonomous individual. In so doing, he provides both a novel and convincing description of the illness that clarifies the intertwining relationship between its diagnostic history and changes in social norms and values. The first book to offer both a global sociological view of contemporary depression and a detailed description of psychiatric reasoning and its transformation - from the invention of electroshock therapy to mass consumption of Prozac - The Weariness of the Self offers a compelling exploration of depression as social fact.
This book, which draws on a rich array of primary sources and archival materials, offers the first major appraisal of French responses to the Jewish refugee crisis after the Nazi seizure of power in 1933. It explores French policies and attitudes toward Jewish refugees from three interrelated vantage points: government policy, public opinion, and the role of the French Jewish community. The author demonstrates that Jewish refugees in France were not treated in the same manner as other foreigners, in part because of foreign policy considerations and in part because Jewish refugees had a distinctive socioeconomic profile. By examining the socioeconomic and political factors that informed French refugee policy in the 1930's, the author presents overwhelming evidence that Vichy's anti-Jewish measures were not merely the work of a few antisemitic zealots in the administration, nor did they stem solely from the desire of Marshal Pétain's government to find scapegoats for the military defeat of 1940. Rather, they enjoyed widespread popular support, not only from far-right organizations but also from a host of middle-class professional associations and their members (doctors, lawyers, merchants, and artisans) who perceived Jews as a competitive threat. The author also sheds new light on Jewish political behavior in the 1930s. She demonstrates that the French Jewish community was sharply divided over the proper approach to the refugee crisis. While some Jewish leaders pressed for a hard-line policy, others worked assiduously to provide the refugees relief and to persuade the government to pursue a more liberal refugee policy. Thus the author refutes claims that the native French Jewish elite was overwhelmingly unsympathetic to the refugees because of fear that an influx of refugees would provoke an antisemitic backlash. While this book reveals the extent to which anti-refugee attitudes and policies in the 1930's paved the way for Vichy's anti-Jewish policies, it also highlights significant discontinuities between the refugee policies of the Third Republic and those of the Vichy regime.
When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them—one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era’s good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust—continued to hold sway, while others now came to prominence—including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order—a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.
The Republic of De Gaulle offers a comprehensive account - the fullest yet available in English - of the eleven years that followed the establishment of the Fifth Republic in 1958. Serge Berstein analyses the new constitutional and political system that emerged under De Gaulle, and shows how France was able to disengage from the ruinous Algerian War. He then conducts a detailed analysis of the socio-economic changes wrought during this period, and discusses the aims of De Gaulle's highly individualistic foreign policy. In the final section Professor Berstein traces the decline of De Gaulle's ascendancy up to his eventual resignation in 1969. In conclusion the author assesses the contribution of a remarkable political leader to the not less remarkable changes that took place in France during his presidency. This volume, lucidly translated by Peter Morris, features all those student aids now associated with the series.
This is the latest volume to appear in the successful Cambridge History of Modern France series, and is the most authoritative account available of the presidency of Georges Pompidou. Pompidou consolidated the constitutional changes made by de Gaulle, to the extent that he is now regarded as the Fifth Republic's second founding father, and continued his haughty attitudes to foreign policy. He also launched a programme of modernisation and industrialisation: under Pompidou France saw both the climax and the end of the post-war boom. Serge Berstein and Jean-Pierre Rioux analyse the politics of the period, and also give an overview of France's economy, culture and society. Their comprehensive study contains all the standard features, such as maps, chronology, and tables, which have helped this series to establish itself as the premier multi-volume account of modern France. Students, scholars and teachers in history and political studies will find this volume invaluable.