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What is wrong with Scripture scholarship today? Why is it that the last place one should go to study the Bible is a biblical studies program at virtually any university? Why are so many faithful priests and pastors, and the people in their pews, unaware of the centuries-long effort to turn the sacred Word of God into just another secular text? In The Decline and Fall of Sacred Scripture: How the Bible Became a Secular Book, authors Scott Hahn and Benjamin Wiker trace the various malformations of Scripture scholarship that have led to a devastating loss of trust in the inspired Word of God. From the Reformation to the Enlightenment and beyond, Hahn and Wiker sketch the revolutions and radical figures that led to the emergence of the historical-critical method and the pervasive ill effects that are still being felt today.
Cardinal Joseph Ratzinger's election as Pope Benedict XVI brought a world-class biblical theologian to the papacy. There is an intensely biblical quality to his pastoral teaching and he has demonstrated a keen concern for the authentic interpretation of sacred Scripture. Here a foremost interpreter of Catholic thought and life offers a probing look at Benedict's biblical theology and provides a clear and concise introduction to his life and work. Bestselling author and theologian Scott Hahn argues that the heart of Benedict's theology is salvation history and the Bible and shows how Benedict accepts historical criticism but recognizes its limits. The author also explains how Benedict reads the overall narrative of Scripture and how he puts it to work in theology, liturgy, and Christian discipleship.
As arguably the most influential voice in American Catholicism, the vision that Scott Hahn offers in his works, read by millions of Catholics throughout the world, is one of the most formative in American Catholicism. His numerous books and public speaking engagements are shaping the American Catholic Church in a uniquely powerful manner. This work demonstrates that the Catholic vision that Hahn claims to be providing his audience is, in fact, always quite different from the one he actually presents. What he coins as Catholic faithfulness is instead a straightforward and damning Catholic fundamentalism. As this vision is delivered to millions of the faithful who look to Hahn as a trustworthy guide to an authentic life of Catholic faith, American Pope acts as a critical analysis of his work.
This easy-to-read reference covers 500 of the most important people and places of Scripture, from Aaron to Zacchaeus and Babylon to the Sea of Galilee. Full color.
Resisting the typical, dry methods of contemporary scholarship, this powerful examination revisits the biblical days of life-and-death conflict, struggles for power between popes and kings, and secret alliances of intellectuals united by a desire to pit worldly goals against the spiritual priorities of the church. This account looks beyond the pretense of neutrality and objectivity often found in secular study, and brings to light the appropriation of scripture by politically motivated interpreters. Questioning the techniques taken for granted at divinity schools worldwide, their origins are traced to the writings of Machiavelli and Marsilio of Padua, the political projects of Henry VIII, Thomas Hobbes, and John Locke, and the quest for an empire of science on the part of Descartes and Spinoza. Intellectual and inspiring, an argument is made for bringing Christianity back to biblical literacy.
Modern biblical scholarship is often presented as analogous to the hard and natural sciences; its histories present the developmental stages as quasi-scientific discoveries. That image of Bible scholars as neutral scientists in pursuit of truth has persisted for too long. Modern Biblical Criticism as a Tool of Statecraft (1700-1900) by Scott W. Hahn and Jeffrey L. Morrow examines the lesser known history of the development of modern biblical scholarship in the eighteenth and nineteenth centuries. This volume seeks partially to fulfill Pope Benedict XVI’s request for a thorough critique of modern biblical criticism by exploring the eighteenth and nineteenth century roots of modern biblical scholarship, situating those scholarly developments in their historical, philosophical, theological, and political contexts. Picking up where Scott W. Hahn and Benjamin Wiker’s Politicizing the Bible: The Roots of Historical Criticism and the Secularization of Scripture 1300-1700 left off, Hahn and Morrow show how biblical scholarship continued along a secularizing trajectory as it found a home in the newly developing Enlightenment universities, where it received government funding. Modern Biblical Criticism as a Tool of Statecraft (1700-1900) makes clear why the discipline of modern biblical studies is often so hostile to religious and faith commitments today.
What would happen if comedy were combined with growing deeper in your faith? You would have a fun devotional for learning more about God. One of America’s top comedians brings his unique style to an unlikely venue—a devotional? Laugh out loud with Rich Praytor as he looks at the humorous side of everyday aspects of life, such as marriage, money or work while discovering something about God and His plan for us. Made up of 31 chapters (representing a full month), A Stand-Up Comic Sits Down with Jesus starts each entry with a clean, funny joke followed by a Scripture reference and some thoughts on that particular subject. Just try to keep a straight face when reading Keeping a Journal, Being Too Churchy, Honoring Your Parents and Marriage II. This is a devotional like no other! Author also includes two “intermission” chapters of personal reflection.
Through an uplifting collection of biblical stories, psalms, and prophecies, this devotional guide points the way to fresh encounters with the Lord and a fuller, deeper love for Him.
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.