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"Previously published as The decameron project."
In the time of a devastating pandemic, seven women and three men withdraw to a country estate outside Florence to give themselves a diversion from the death around them. Once there, they decide to spend some time each day telling stories, each of the ten to tell one story each day. They do this for ten days, with a few other days of rest in between, resulting in the 100 stories of the Decameron. The Decameron was written after the Black Plague spread through Italy in 1348. Most of the tales did not originate with Boccaccio; some of them were centuries old already in his time, but Boccaccio imbued them all with his distinctive style. The stories run the gamut from tragedy to comedy, from lewd to inspiring, and sometimes all of those at once. They also provide a detailed picture of daily life in fourteenth-century Italy.
The poet and scholar Giovanni Boccaccio was a leading writer of the Italian Renaissance, now best remembered as the author of the famous compendium of tales ‘The Decameron’. Boccaccio helped lay the foundations for the humanism of the Renaissance, while raising vernacular literature to the status of the classics of antiquity. Noted for their realistic dialogue and imaginative use of character and plot, Boccaccio’s works went on to inspire Chaucer, Spenser, Shakespeare and countless other writers in the ensuing centuries. This comprehensive eBook presents Boccaccio’s collected works, with numerous illustrations, rare translations appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Boccaccio’s life and works * Concise introductions to the novels and other texts * Multiple translations of ‘The Decameron’, including the first English translation by John Florio, 1620 * John Payne's complete translation, with all the hyperlinked footnotes - ideal for students * The original Italian text of ‘The Decameron’ * Rare translations of two novels, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The rare long poem ‘Il Filostrato’, available in no other collection * The key works of Chaucer and Shakespeare that were inspired by Boccaccio * Includes a translation of Boccaccio’s ‘De Mulieribus Claris’, first time in digital print * Features two biographies - discover Boccaccio’s intriguing life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Decameron The Decameron: John Florio, 1620 The Decameron: John Payne, 1886 The Decameron: J. M. Rigg, 1903 The Decameron: Original Italian Text The Novels The Filocolo (Translated by H. G., London, 1566) The Elegy of Lady Fiammetta (Translated by Bartholomew Young, 1587) The Verse ‘The Knight’s Tale’ and ‘The Two Noble Kinsmen’ (Teseida) Il Filostrato (Translated by Hubertis Cummings) The Non-Fiction De Mulieribus Claris (Partially translated by Henry Parker, Lord Morely) The Life of Dante (Translated by James Robinson Smith) The Biographies Giovanni Boccaccio: A Biographical Study by Edward Hutton Giovanni Boccaccio by Francis Hueffer Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
"The Decameron - Volume I" from Giovanni Boccaccio. Italian writer, poet, correspondent of Petrarch (1313 - 1375).
A group of escapees from plague-ridden Florence pass the time by telling tales of romance in this landmark of medieval literature. Features 25 of the original 100 stories. J. M. Rigg translation.
The Conference of the Tongues offers a series of startling reflections on fundamental questions of translation. It throws new light on familiar problems and opens up some radically different avenues of thought. It engages with value conflicts in translation and the social accountability of translators, and turns the old issue of equivalence inside out. Drawing on a wealth of contemporary and historical examples, the book teases out the translator's subject-position in translations, makes notions of intertextuality and irony serviceable for translation studies, tries to think translation without transformation, and uses a controversial sociological model to cast a cold eye on the entire world of translating. This is a highly interdisciplinary study that remains aware of the importance of theoretical paradigms as it brings concepts from international law, social systems theory and even theology to bear on translation. Self-reference is a recurrent theme. The book invites us to read translations for what they can tell us about translating and about translators' own perceptions of their role. The argument throughout is for more self-reflexive translation studies.