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* Including an annotation about the history of the Reformed Churches Helvetic Confessions, the name of two documents expressing the common belief of the Reformed churches of Switzerland. The Second Helvetic Confession (Latin: Confessio Helvetica posterior) was written by Bullinger in 1562 and revised in 1564 as a private exercise. It came to the notice of Elector Palatine Frederick III, who had it translated into German and published. It gained a favorable hold on the Swiss churches, who had found the First Confession too short and too Lutheran. It was adopted by the Reformed Church not only throughout Switzerland but in Scotland (1566), Hungary (1567), France (1571), Poland (1578), and next to the Heidelberg Catechism is the most generally recognized confession of the Reformed Church. (courtesy of wikipedia.com)
Few artists have been as versatile as Henry van de Velde (1863-1957). Trained initially as a painter, he then developed as an architect, interior designer, designer and art advisor. He created a highly impressive oeuvre; with his furniture, silverware, porcelain, jewellery, book design and other creations, always managing to combine both practicality with unique style and elegance. This collection highlights the diversity of his work and is a reflection of his originality and talent in crossing the boundaries between a range of different art forms. AUTHOR: Werner Adriaenses is a conservator in the department of 20th Century Decorative Arts at the Royal Musea for Art and History in Brussels. Thomas Fohl is a doctor in art history and special representative of the chairman of the Klassik-Stiftung Weimar. Sabine Walter works for the musea of the Klassik Stiftung Weimar. SELLING POINTS: A complete overview of the works of Henry van de Velde who, along with Victor Horta and Paul Hankar, can be considered as one of the main founders and representatives of Art Nouveau in Belgium Van de Velde was a major influence on German design and architecture at the beginning of the twentieth century 100 colour and 250 b/w illustrations
The Oxford Handbook of Reformed Theology looks back to past resources that have informed Reformed theology and surveys present conversations among those engaged in Reformed theology today. First, the volume offers accounts of the major historical contexts of reformed theology, the various relationships (ancient and modern) which it maintains and from which it derives. Recent research has shown the intricate ties between the patristic and medieval heritage of the church and the work of the reformed movement in the sixteenth century. The past century has also witnessed an explosion of reformed theology outside the Western world, prompting a need for attention not only to these global voices but also to the unique (and contingent) history of reformed theology in the West (hence reflecting on its relationship to intellectual developments like scholastic method or the critical approaches of modern biblical studies). Second, the volume assesses some of the classic, representative texts of the reformed tradition, observing also their reception history. The reformed movement is not dominated by a single figure, but it does contain a host of paradigmatic texts that demonstrate the range and vitality of reformed thought on politics, piety, biblical commentary, dogmatic reflection, and social engagement. Third, the volume turns to key doctrines and topics that continue to receive attention by reformed theologians today. Contributors who are themselves making cutting edge contributions to constructive theology today reflect on the state of the question and offer their own proposals regarding a host of doctrinal topics and themes.
John Mark Mattox's work is the first book-length study of St Augustine's 'just war' theory and is now available in paperback for the first time.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
This book introduces Reformed theology by surveying the doctrinal concerns that have shaped its historical development. The book sketches the diversity of the Reformed tradition through the past five centuries even as it highlights the continuity with regard to certain theological emphases. In so doing, it accentuates that Reformed theology is marked by both formal ('the always reforming church') and material ('the Reformed church') interests. Furthermore, it attends to both revisionary and conservative trends within the Reformed tradition. The book covers eight major theological themes: Word of God, covenant, God and Christ, sin and grace, faith, worship, confessions and authority, and culture and eschatology. It engages a variety of Reformed confessional writings, as well as a number of individual theologians (including Zwingli, Calvin, Bullinger, Bucer, Beza, Owen, Turretin, Edwards, Schleiermacher, Hodge, Shedd, Heppe, Bavinck, Barth, and Niebuhr).
"This is Reformation history as it should be written, not least because it resembles its subject matter: learned, argumentative, and, even when mistaken, never dull."--Eamon Duffy, author of The Stripping of the Altars: Traditional Religion in England, 1400-1580