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Herb, senior custodian at Westside High, is down to earth, practical, friendly, governed by common sense, and just can't believe Ralph, a high strung and energetic biology teacher who can't sit still when he learns that a student in his class believes in creationism. He instantly organizes a debate in order to squelch this anachronistic religious influence in his classroom. The only problem was that in his haste, he failed to identify someone to square up with his pro-evolution candidate, a power-hitting, man-eating, societally accomplished intellectual, skilled in debating tactics. Ironically, it's Herb who saves the day by suggesting that Ralph follow up on his one and only lead-the father of the very student, Heidi, who provoked the whole campaign in the first place. Left with no other choice, Ralph concedes to Herb's suggestion. Heidi's father, Jim Britton, on the other hand, is a man with no aspirations for public exposure, a scientist working in the confines of a quiet laboratory, who genuinely loves God and the Bible, but is faced with a "crisis of faith" when he learns that his daughter nominated him to occupy the other podium.
The first of two volumes collecting the published work of one of the greatest living ancient philosophers, M.F. Burnyeat.
(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.
Divided into 2 volumes Part I and Part II.
This title was first published in 2001. The eminent historian of Victorian Britain, Walter L. Arnstein has, over the course of a career spanning more than 40 years, arguably introduced more students to British history than any other American historian. This collection of essays by some of his former students celebrates Arnstein's inspirational teaching and writing with surveys and analyses of various aspects of the social, cultural, economic and political history of nineteenth and early twentieth-century Britain. Nineteenth-century topics covered in the volume include early Victorian caricatures and the thin legal lines that they often trod; British Army fashion and its contribution to Royal spectacles; Free Trade Radicals and how they viewed educational reform and moral progress; the persistence of Chartist ideology following the failure of the movement in 1848; Disraeli and Derby's involvement with the Navy's administration; religious periodicals and their influence; the myth of Bismarck as an honest broker of peace and the subsequent collapse of the myth as a later source of enmity in Anglo-German relations; the powerful mystique evoked back in England by the London missionary societies Mongolian; missions; Victorian urban planning and the re-introduction of the market place.
The Laws is Plato's last, longest, and perhaps, most famous work. It presents a conversation on political philosophy between three elderly men: an unnamed Athenian, a Spartan named Megillus, and a Cretan named Clinias. They worked to create a constitution for Magnesia, a new Cretan colony that would make all of its citizens happy and virtuous. In this work, Plato combines political philosophy with applied legislation, going into great detail concerning what laws and procedures should be in the state. For example, they consider whether drunkenness should be allowed in the city, how citizens should hunt, and how to punish suicide. The principles of this book have entered the legislation of many modern countries and provoke a great interest of philosophers even in the 21st century.
Called by one of its reviewers "Wordsworth’s biographia literaria," this book takes its reader on a fascinating journey into the mind of the poet whose attitude to God and religion points to a major shift in Western culture. The monograph probes the philosophical foundations of Wordsworth’s religious outlook, drawing attention to this First Generation Romantic poet as the author who happened to record in his verse the rise to prominence of some of the intellectual and spiritual challenges and the most troublesome uncertainties that have defined Western man ever since. The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with the companion volume, The Presence of God in the Works of William Wordsworth. These two works can be regarded as contraries—or negatives: one offering an ironically positive reading of Wordsworth’s religious discourse, the other offering a reading which is positively negative.
"In Prelude to Israel's Past, Lemche examines the nature and function of Old Testament historical narrative. Is the biblical narrative a reliable source of historical knowledge? Or does it have a literary and theological life of its own - proclaiming a truth that cannot be contested because it recounts "events" that happened once upon a time? Lemche explores these questions from two directions. First, he analyzes the biblical narratives from Abraham to Moses and demonstrates that these narratives are literature, not documents written by professional historians. Second, he compares the biblical portrait of the patriarchs with what we know about this period from other ancient sources. He urges that the Bible continues to guide and console a believing people not because it is a historically accurate record of past events but because its living stories recount a truth unfettered by time and culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved