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Since the 1940's The United States Government has been accused of being in a conspiracy to hide alien life forms on Earth, the government has remained quiet and has not confirmed or denied the allegations. One of these conspiracy theories is a top secret organization called MJ-12 that was formed by President Harry S. Truman. Within this organization was a security force known as The Men in Black whose main objective was to silence any and all witnesses. This book is about one man who claims to be part of the Men in Black. Read his story about the different UFO crashes, underwater bases (USO's), the alien agenda, the aliens that are being held at area 51 and politicians who have destroyed this nation.
A monk’s journey of amends leads to murder in this “thoroughly entertaining medieval mystery” in the Silver Dagger Award–winning series (Publishers Weekly). Winter arrived early in 1142, bringing with it a heavy snowfall. The safety of the guest-hall roof at the Benedictine Abbey of St. Peter and St. Paul comes into jeopardy, and the brothers are called upon to effect repairs. But the icy and treacherous conditions are to prove near fatal for Brother Haluin. He slips from the roof and crashes to the ground, sustaining terrible injuries—grave enough for him to want to make his deathbed confession. The confession is heard by the abbot and Brother Cadfael; a wicked story, of trespasses hard for God or man to forgive. But Haluin does not die. On his recovery, he determines to make a journey of expiation, with Cadfael as his sole companion. It is an arduous journey, physically and emotionally, and one that leads to some shocking discoveries.
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The bizarre, true story of a robbery gone wrong and the explosive murder that shocked the nation—as seen on Netflix’s docuseries Evil Genius. For the first time, two of the people who followed the story from the beginning—Jerry Clark, the lead FBI Special Agent who cracked what became known as the Pizza Bomber case, and investigative reporter Ed Palattella—tell the complete story of what happened on August 28, 2003. In the suburbs of Erie, Pennsylvania, a pizza delivery man named Brian Wells was accosted by several men who locked a time bomb around his neck. They then ordered him to rob a bank. After delivering the money, he would receive clues to help him disarm the bomb. It was one of the most ingenious bank robbery schemes in history, known as Collarbomb by the FBI. It did not go according to plan. Wells, picked up by police shortly after the robbery, never found the clues he needed. Investigating the crime after his grisly death, the FBI soon discovered that Wells was not, in fact, an innocent victim. He was merely the first co-conspirator to fall in a bizarre trail of death following the crime... INCLUDES PHOTOS
Demanding racial equality in a system of oppression is a fight that resonated in the Black American community in the 1960's and still rings true today. From Malcolm X and Fred Hampton to Breonna Taylor and George Floyd, the crimes perpetrated by the police have shrouded America in a dark cloud of mystery, conspiracy, and corruption for far too long. The suspicious circumstances that surround the tragic assassination of Malcolm X at the Audubon Ballroom have been speculated about for over 55 years; and for 55 years, that same dark secret hovered over Raymond A Wood, an NYPD detective who served throughout the 1960's and 1970's. That was until today. In a heart wrenching confession held secret until his death, Raymond Wood reveals his and the government's cataclysmic involvement in the assassination of a prominent leader of the civil rights movement, the revered (or in the government's case, feared) Malcolm X. This is an account of an undercover detective's eyewitness and involvement in a ghastly scheme orchestrated by the NYPD that ultimately removed from this earth one of the most powerful, influential leaders of the 20th century.
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
The portrayal of black men in our national literature is controversial, complex, and often contradictory."In Racial Myths and Masculinity in African American Literature, Jeffrey B. Leak identifies some of the long-held myths and stereotypes that persist in the work of black writers from the nineteenth century to the present--intellectual inferiority, criminality, sexual prowess, homosexual emasculation, and cultural deprivation. Utilizing Robert B. Stepto's call-and-response theory, Leak studies four pairs of novels within the context of certain myths, identifying the literary tandems between them and seeking to discover the source of our culture's psychological preoccupation with black men. Calling upon interdisciplinary fields of study--literary theory, psychoanalysis, gender studies, legal theory, and queer theory--Leak offers ground breaking analysis of both canonical texts (representing the "call" of the call-and-response dyad) and texts by emerging writers (representing the "response"), including Frederick Douglass and Charles Johnson: Ralph Ellison and Brent Wade; Richard Wright and Ernest J. Gaines; and Toni Morrison and David Bradley. Though Leak does not claim that the "response" tests are superior to the "call' texts, he does argue that, in some cases, the newer work--such as charles Johnson's "Oxherding Tale--can address a theme or offer a narrative innovation not found in preceding texts, such as "Narrative of the Life of Frederick Douglas. In these instances, argues Leak, the newer texts constitute not only a response to the call text, but a substantial revision. Leak offers the first in-depth criticism of black masculinity in a range of literary texts. In a final chapter, he expands his discussion to the emerging field of black masculinity studies, pointing to future directions for study, including memoir, film, drama, and others. Poised on the brink of exciting new trends in scholarship, "Racial Myths and Masculinity in African American Literature is flagship work, enhancing the understanding of literary constructions of black masculinity and the larger cultural imperatives to which these writers are reacting.