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The Death of Content as King is a methodically researched guide that helps you embrace data, not as the new king, but as the voice and vote.
A revealing and dramatic chronicle of the twelve months leading up to Dr. Martin Luther King, Jr.'s assassination. Martin Luther King, Jr. died in one of the most shocking assassinations the world has known, but little is remembered about the life he led in his final year. New York Times bestselling author and award-winning broadcaster Tavis Smiley recounts the final 365 days of King's life, revealing the minister's trials and tribulations -- denunciations by the press, rejection from the president, dismissal by the country's black middle class and militants, assaults on his character, ideology, and political tactics, to name a few -- all of which he had to rise above in order to lead and address the racism, poverty, and militarism that threatened to destroy our democracy. Smiley's Death of a King paints a portrait of a leader and visionary in a narrative different from all that have come before. Here is an exceptional glimpse into King's life -- one that adds both nuance and gravitas to his legacy as an American hero.
The accused: Thirteen-year-old Derek King and his twelve-year-old brother, Alex, Sunday school students with choirboy looks. The victim: Their own father. After midnight on November 26, 2001, someone bludgeoned Terry King to death while he slept, and set his Florida home afire. By the time the firefighters extinguished the blaze, King’s sons, Alex, twelve, and Derek, thirteen, were at the home of their forty-year-old friend, Ricky Chavis, a convicted child-molester. By the next afternoon, following confessions, both boys were charged as adults in their father’s slaying. Chavis was tried separately for the same crime—incredibly by the same attorney who would prosecute Alex and Derek, and argue two contradictory theories. When Alex divulged his sexual relationship with Chavis, the trial took a sensational turn. So did Alex and Derek, who recanted their confession and blamed Chavis to no avail. A jury convicted the boys of second-degree murder, but the judge threw the verdict out. Chavis was acquitted. But the case wasn’t over. As more disturbing revelations came to light, as criminal motives became more complex, and as the line between guilt and innocence was crossed, a stunned nation watched in disbelief to learn the ultimate fate of the . . . Angels of Death.
And it is, it is a glorious thing to be a Pirate King! When murder makes an appearance at a dinner party, who should be called in but Adrien’s former lover, handsome closeted detective Jake Riordan, now a Lieutenant with LAPD—which may just drive Adrien’s new boyfriend, sexy UCLA professor Guy Snowden, to commit a murder of his own.
A vivid portrait of how Americans grappled with King's death and legacy in the days, weeks, and months after his assassination On April 4, 1968, Martin Luther King Jr. was fatally shot as he stood on the balcony of the Lorraine Motel in Memphis. At the time of his murder, King was a polarizing figure -- scorned by many white Americans, worshipped by some African Americans and liberal whites, and deemed irrelevant by many black youth. In The Heavens Might Crack, historian Jason Sokol traces the diverse responses, both in America and throughout the world, to King's death. Whether celebrating or mourning, most agreed that the final flicker of hope for a multiracial America had been extinguished. A deeply moving account of a country coming to terms with an act of shocking violence, The Heavens Might Crack is essential reading for anyone seeking to understand America's fraught racial past and present.
From the author of the bestselling The Dangerous Book for Boys “Brilliant…stunning,” raved the Los Angeles Times about Conn Iggulden’s first novel, Emperor: The Gates of Rome. “Iggulden is a grand storyteller,” declared USA Today. Now Iggulden returns to the landscape of ancient Rome and the life of Julius Caesar in a new novel filled with all the sumptuous storytelling that distinguished his first book. Sweeping from the windswept, pirate-ruled seas to the stifling heat of the Roman senate, Iggulden takes us further down the path to glory as Julius Caesar comes into his own as a man, warrior, senator, husband, leader. In a sweltering, sparsely settled region of North Africa, a band of disheveled soldiers turn their eyes toward one man among them. Ragged, dirty, and half starved, the men will follow their leader into the mad, glorious fight for honor and revenge that only he wants to fight. Their leader is named Julius Caesar. The soldiers are Roman legionaries. And their quarry is a band of pirates who made the mistake of seizing Julius Caesar—and holding him for ransom. Now, to get his revenge, Caesar will turn peasants into soldiers, building a shipborne fighting force that will not only decimate a pirate fleet but will dominate the Mediterranean, earning him the coveted title Military Tribune of Rome. While Caesar builds a legend far from Rome, his friend Gaius Brutus is fighting battles of another sort, rising to power in the wake of the shocking assassination of a dictator. Once Brutus and Caesar were as close as brothers, both devoted to the same ideals and attracted to the same forbidden woman. Now, when Caesar returns—with the winds of glory at his back—they will find themselves at odds. For each has built an army of elite warriors—Caesar’s forged in far-flung battles, Brutus’ from Rome’ s political killing fields. But in an era when men die for their treachery and their allegiances, the two men will soon be united by a shock wave from the north. There, a gladiator named Spartacus is gathering strength, building an army of seventy thousand desperate slaves—to fight a cataclysmic battle against Rome itself. Filled with unforgettable images—from the death throes of a king to the birth of Caesar’s child, from the bloody battlefields of Greece to the silent passion of lovers—Emperor: The Death of Kings is an astounding work, a stunning blend of vibrant history and thrilling fiction.
The sixth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series. As the ninth century wanes, Alfred the Great lies dying, his lifelong goal of a unified England in peril, his kingdom on the brink of chaos. Though his son, Edward, has been named his successor, there are other Saxon claimants to the throne—as well as ambitious pagan Vikings to the north. Torn between his vows to Alfred and the desire to reclaim his long-lost ancestral lands in the north, Uhtred, Saxon-born and Viking-raised, remains the king’s warrior but has sworn no oath to the crown prince. Now he must make a momentous decision that will forever transform his life and the course of history: to take up arms—and Alfred’s mantle—or lay down his sword and let his liege’s dream of a unified kingdom die along with him.
Winner of a National Jewish Book Award "Fascinating.…A humane and tragic survey of a great and tragic subject." —Jan Morris, Literary Review From Alexander Pushkin and Isaac Babel to Zionist renegade Vladimir Jabotinsky and filmmaker Sergei Eisenstein, an astonishing cast of geniuses helped shape Odessa, a legendary haven of cosmopolitan freedom on the Black Sea. Drawing on a wealth of original sources and offering the first detailed account of the destruction of the city's Jewish community during the Second World War, Charles King's Odessa is both history and elegy—a vivid chronicle of a multicultural city and its remarkable resilience over the past two centuries.
What can the killing of a transgender teen can teach us about the violence of misreading gender identity as sexual identity? The Life and Death of Latisha King examines a single incident, the shooting of 15-year-old Latisha King by 14-year-old Brian McInerney in their junior high school classroom in Oxnard, California in 2008. The press coverage of the shooting, as well as the criminal trial that followed, referred to Latisha, assigned male at birth, as Larry. Unpacking the consequences of representing the victim as Larry, a gay boy, instead of Latisha, a trans girl, Gayle Salamon draws on the resources of feminist phenomenology to analyze what happened in the school and at the trial that followed. In building on the phenomenological concepts of anonymity and comportment, Salamon considers how gender functions in the social world and the dangers of being denied anonymity as both a particularizing and dehumanizing act. Salamon offers close readings of the court transcript and the bodily gestures of the participants in the courtroom to illuminate the ways gender and race were both evoked in and expunged from the narrative of the killing. Across court documents and media coverage, Salamon sheds light on the relation between the speakable and unspeakable in the workings of the transphobic imaginary. Interdisciplinary in both scope and method, the book considers the violences visited upon gender-nonconforming bodies that are surveilled and othered, and the contemporary resonances of the Latisha King killing.
Margaret King shows what the death of a little boy named Valerio Marcello over five hundred years ago can tell us about his time. This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy. Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward. For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.