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A spellbinding literary thriller about terror, war, greed, and the darkest secrets of the human soul, by the author of the million-copy bestseller The Interpretation of Murder. Under a clear blue September sky, America's financial center in lower Manhattan became the site of the largest, deadliest terrorist attack in the nation's history. It was September 16, 1920. Four hundred people were killed or injured. The country was appalled by the magnitude and savagery of the incomprehensible attack, which remains unsolved to this day. The bomb that devastated Wall Street in 1920 explodes in the opening pages of The Death Instinct, Jed Rubenfeld's provocative and mesmerizing new novel. War veteran Dr. Stratham Younger and his friend Captain James Littlemore of the New York Police Department are caught on Wall Street on the fateful day of the blast. With them is the beautiful Colette Rousseau, a French radiochemist whom Younger meets while fighting in the world war. A series of inexplicable attacks on Rousseau, a secret buried in her past, and a mysterious trail of evidence lead Young, Littlemore, and Rousseau on a thrilling international and psychological journey-from Paris to Prague, from the Vienna home of Dr. Sigmund Freud to the corridors of power in Washington, D.C., and ultimately to the hidden depths of our most savage instincts. As the seemingly disjointed pieces of what Younger and Littlemore learn come together, the two uncover the shocking truth behind the bombing. Blending fact and fiction in a brilliantly convincing narrative, Jed Rubenfeld has forged a gripping historical mystery about a tragedy that holds eerie parallels to our own time. Watch a video
A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.
International Bestseller #1 U.K. Bestseller The Wall Street Journal Bestseller Los Angeles Times Bestseller In the summer of 1909, Sigmund Freud arrived by steamship in New York Harbor for a short visit to America. Though he would live another thirty years, he would never return to this country. Little is known about the week he spent in Manhattan, and Freud's biographers have long speculated as to why, in his later years, he referred to Americans as "savages" and "criminals." In The Interpretation of Murder, Jed Rubenfeld weaves the facts of Freud's visit into a riveting, atmospheric story of corruption and murder set all over turn-of-the-century New York. Drawing on case histories, Shakespeare's Hamlet, and the historical details of a city on the brink of modernity, The Interpretation of Murder introduces a brilliant new storyteller, a novelist who, in the words of The New York Times, "will be no ordinary pop-cultural sensation."
The legendary autobiography of Jacques Mesrine, France's most infamous criminal France's Public Enemy Number One from the late 1960s to the end of the 1970s--when he was killed by police in a sensational traffic shootout--Jacques Mesrine (1936-1979) is the best-known criminal in French history. Mesrine was notorious both for his violent exploits and for the media attention he attracted, and he remains very much a public media figure in France and Europe. In 2008 there were two feature-length films based on his life, one of them starring Vincent Cassel in the lead role. Mesrine wrote The Death Instinct while serving time in the high-security prison La Santé; the manuscript was smuggled out of the prison and was later published by Guy Debord's publisher Gérard Lebovici (who briefly adopted Mesrine's daughter, Sabrina, before being assassinated, a few years after Mesrine). The Death Instinct deals with the early years of Mesrine's criminal life, including a horrifically graphic description of a murder he committed early on in his career and a highly detailed account of the workings of the French criminal underworld--making this book perhaps one of the most intriguing and detailed anthropological studies of a criminal culture ever written.
With a serial killer on the loose in Phoenix, Cathy Riley experiences tremendous fear living with her aged and angry father, and Lieutenant Allan Grant counts one defeat after another as more and more people die. Reissue.
Contemporary Perspectives on the Freudian Death Drive provides a sustained discussion of the death drive from the perspective of different psychoanalytic traditions. Ever since Freud introduced the notion of the death drive, it has been the subject of intense debate in psychoanalysis and beyond. The death drive is arguably the most unsettling psychoanalytic concept. What this concept points to is more unsettling still. It uniquely illuminates the forces of destruction and dissolution at work in individuals as well as in society. This book first introduces Freud’s use of the term, tracing the debates and developments his ideas have led to. The subsequent essays by leading Viennese psychoanalysts demonstrate the power of the death drive to illuminate psychoanalytic theory, clinical practice, and the study of culture. Since this book originally arose from a conference in Vienna, its final segment is dedicated to the forced exile of the early Viennese psychoanalysts due to the Nazi threat. Due to its wide scope and the many perspectives it offers, this book is a tribute to the disturbing relevance of the death drive today. Contemporary Perspectives on the Freudian Death Drive is of special interest to psychoanalysts, psychotherapists, social and cultural scientists, as well as anyone intending to understand the sources and vicissitudes of human destructiveness.
in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.
Separated by millennia, Aristotle and Sigmund Freud gave us disparate but compelling pictures of the human condition. But if, with Jonathan Lear, we scrutinize these thinkers' attempts to explain human behavior in terms of a higher principle--whether happiness or death--the pictures fall apart. Aristotle attempted to ground ethical life in human striving for happiness, yet he didn't understand what happiness is any better than we do. Happiness became an enigmatic, always unattainable, means of seducing humankind into living an ethical life. Freud fared no better when he tried to ground human striving, aggression, and destructiveness in the death drive, like Aristotle attributing purpose where none exists. Neither overarching principle can guide or govern "the remainder of life," in which our inherently disruptive unconscious moves in breaks and swerves to affect who and how we are. Lear exposes this tendency to self-disruption for what it is: an opening, an opportunity for new possibilities. His insights have profound consequences not only for analysis but for our understanding of civilization and its discontent.
This book takes the reader on a captivating journey leading from an erroneous founding assumption inherited from Freud, to the proposal of a principle better suited to allowing the psychoanalyst to accompany the patient out of his impasse. The founding assumption of the book, already questioned by many analysts among whom Sandor Ferenczi figures as a brilliant forerunner, was the author's starting point in re-examining the basic precepts of psychoanalysis. Reading Kafka made the author conclude that this masterful storyteller describes borderline situations, so familiar to him, better than anyone. An avid reader of Freud, Kafka suggests that the human capacity to bear a paradoxical position between life and death is not given to the child naturally, at birth. Kafka seems to say that giving life is easy, but that giving it the necessary support in the form of the trace of death is more problematic.
Anatomy of Regret has a highly clinical focus, with cases that illustrate how critical psychic change can emerge from the mourning of the grief of "psychic regret". This book highlights the developmental achievement of owning the guilt of aggression, and of tolerating insight into the losses one had produced. The author uses the term "psychic regret" to capture the essence of the process of facing regret consciously. This is in contrast to the split-off and persecutory dynamics of unconscious guilt. Unconscious guilt exposes itself through visceral and cognitive impingements, which are related to internal world enactments, and it relies on unconscious avoidance of the pain and loss involved in facing psychic regret. The author's theory of "developmental mourning" is illustrated in this book through in-depth lively clinical processes (cases and vignettes).