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With her stepsister trying to exact revenge on her, Tara turns to Lord Yama and his deadly conch for help, but she has only twenty-four hours to defeat her enemies or she may have to return to the World of the Dead forever.
Taras triumphant return to Morni is short-lived. Taras deceased former stepmother, Kali, seeks revenge through her daughter, Layla. And so begins a series of carefully orchestrated events to cast suspicion on Tara.
When hyenas snatch Taras brother, Suraj, and two other children from the local fair in Morni, Tara and her newfound companions decide to rescue them on their own. A deadly game of hide-and-seek ensues, and Tara and her companions must work together to survive.
Detailed descriptions of edible mushrooms; tips on finding, preparing, and using mushrooms; a glossary of botanical terms; color photos. Use Foraging Mushrooms as a field guide or as a delightful armchair read. No matter what you’re looking for, be it the curative Heal-All or a snack, this guide will enhance your next backpacking trip or easy stroll around the garden, and may just provide some new favorites for your dinner table.
An edge-of-your-seat thriller from the bestselling author of I Know What You Did Last Summer. When Karen closes her eyes, the visions come. Through time and space, she sees a place where stolen children sleep. And if Karen denies a young policeman's request for help, the children may never go home again. Lois Duncan presents a ticking clock mystery with thrills at every turn.
2009 Silver Birch Award — Winner 2009 Red Maple Award — Shortlisted 2009 Best Books for Kids & Teens — Commended 2008 CLA Book of the Year for Children Award — Longlisted For Tara and her brother, Suraj, the year their mother and grandfather fled the village of Morni in the middle of the night has been a nightmare. Their new stepmother is cruel and deceptive, and the village itself is lacking a healer. What’s more, men of the village have been disappearing, often returning in a strange, altered form. When a new healer, Zarku, a mysterious man with a third eye possessing strange power, suddenly appears in Morni, all are mesmerized by his magic – all except Tara, who sees through his evil disguise. With nothing but her own courage and wit, Tara tries to find her missing mother and grandfather, the true healer, in time to save her village. But along the way she must enlist the help of the god Ganesh and the lord of death, Yama, or she, like others before her, will fall victim to Zarku’s third eye.
Editor Joseph P. Byrne, together with an advisory board of specialists and over 100 scholars, research scientists, and medical practitioners from 13 countries, has produced a uniquely interdisciplinary treatment of the ways in which diseases pestilence, and plagues have affected human life. From the Athenian flu pandemic to the Black Death to AIDS, this extensive two-volume set offers a sociocultural, historical, and medical look at infectious diseases and their place in human history from Neolithic times to the present. Nearly 300 entries cover individual diseases (such as HIV/AIDS, malaria, Ebola, and SARS); major epidemics (such as the Black Death, 16th-century syphilis, cholera in the nineteenth century, and the Spanish Flu of 1918-19); environmental factors (such as ecology, travel, poverty, wealth, slavery, and war); and historical and cultural effects of disease (such as the relationship of Romanticism to Tuberculosis, the closing of London theaters during plague epidemics, and the effect of venereal disease on social reform). Primary source sidebars, over 70 illustrations, a glossary, and an extensive print and nonprint bibliography round out the work.
A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.
Lana Lee returns for another delectable cozy set in a Chinese restaurant in Vivien Chien's Hot and Sour Suspects. "Pair your noodles with this steaming mystery, and you have the perfect chilly night combination!”—PopSugar At the Ho-Lee Noodle House, murder is on the menu. When Lana Lee’s best friend, Megan Riley, asks her to help host a speed dating contest at Ho-Lee Noodle House, she doesn’t see the harm in lending a hand. The night goes better than anticipated, and both Lana and Megan are beyond thrilled with the results. But before they can break out the champagne, Rina Su, fellow Asia Village shop owner and speed dating participant, calls to inform Lana that the date she’s just matched with has been murdered. Under suspicion of foul play, Rina enlists Lana’s help in finding out what really happened that night. Without hesitation, Lana begins to dig into the man in question. To her dismay, she quickly finds that Rina’s date has a rather unsavory past. There’s a long line of slighted women, angry neighbors, and perturbed co-workers—all of whom seem to have a motive. As Lana continues to spiral down the treacherous path of scorned lovers and mistreated acquaintances, she can’t help but dwell on how quickly an innocent evening filled with hope and positivity could turn so sour. When the media gets in on the case, Lana must rush to find the killer before more dates turn deadly.
About 16 centuries ago, an unknown Indian author or authors gathered together the diverse threads of already ancient traditions and wove them into a verbal tapestry that today is still the central text for worshippers of the Hindu Devi, the Divine Mother. This spiritual classic, the Devimahatmya, addresses the perennial questions of the nature of the universe, humankind, and divinity. How are they related, how do we live in a world torn between good and evil, and how do we find lasting satisfaction and inner peace? These questions and their answers form the substance of the Devimahatmya. Its narrative of a dispossessed king, a merchant betrayed by the family he loves, and a seer whose teaching leads beyond existential suffering sets the stage for a trilogy of myths concerning the all-powerful Divine Mother, Durga, and the fierce battles she wages against throngs of demonic foes. In these allegories, her adversaries represent our all-too-human impulses toward power, possessions, and pleasure. The battlefields symbolize the field of human consciousness on which our lives' dramas play out in joy and sorrow, in wisdom and folly. The Devimahatmya speaks to us across the ages of the experiences and beliefs of our ancient ancestors. We sense their enchantment at nature's bounty and their terror before its destructive fury, their recognition of the good and evil in the human heart, and their understanding that everything in our experience is the expression of a greater reality, personified as the Divine Mother.