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More information to be announced soon on this forthcoming title from Penguin USA
First in a brand new urban fantasy series that's "fresh and funny, with a great new take on zombies" (Karen Chance) and "full of dangerous magic and populated with characters so realistic, they almost jump off the page" (Ilona Andrews). If you were undead, you'd be home by now... They call it Deadtown: the city's quarantined section for its inhuman and undead residents. Most humans stay far from its borders-but Victory Vaughn, Boston's only professional demon slayer, isn't exactly human.
Deadtown in the '50s. It's one helluva place. You know the kind. If ever there was a slimy misty wet cesspool of a dive on the dark side of forever, the far wrong dark side of the wrong dark side of the tracks, yeah, that's Deadtown. The seediest slimiest sleaziest hellhole slime pit this side of Purgatory. It's a greasy place, dark and dank, with a misty fog that alternates with a misty rain. It never stops. Never. Buildings teeter on the verge of collapse, catering to the dark slimy seedy sleazy side of life with restaurants and bars and nightclubs and whore houses and drug dens. Beyond lay the hinterlands where misshapen horrors chew on the unsuspecting and spit out flesh and bone. Deadtown isn't a town actually, it's a city. Not much of a city, but it's a city. Occasionally you'll find a special nutcase lurking in the side streets and misty wet alleys. The Sleeper was one such special nutcase. Some would say that he was in a class all by himself. They would probably be right...
Scholars and students of American Jewish history and literature in particular will appreciate this internationally focused scholarship on the continuing reverberations of the Second World War and the Holocaust.
A group of survivalists are ready for the undead apocalypse, but no amount of disaster prep could anticipate what’s next in this zombie thriller. When the H1N1 “Swine Flu” virus mutates it begins to not only kill those who have received the vaccination, but also bring on the unthinkable: the dead reanimate. Cole Helman and his friends are not only survival experts, they’ve spent hours discussing and preparing for just this event. Now they’re heading to the hills before the cities become clogged with looting and riots. But the group knows all too well that the living dead are just the beginning of their problems, and they’ll eventually have to deal with the selfishness and cruelty of the living in this new post-apocalyptic world. And a chance encounter at a secret military installation may reveal a conspiracy bigger than any of them had imagined…
These short works from a master of Jewish literature offer “a brilliantly evocative tribute to a bygone era” (Publishers Weekly). Isaac Leybush Peretz is one of the most influential figures of modern Jewish culture. Born in Poland and dedicated to Yiddish culture, he recognized that Jews needed to adapt to their times while preserving their cultural heritage, and his captivating and beautiful writings explore the complexities inherent in the struggle between tradition and the desire for progress. This book, which presents a memoir, poem, travelogue, and twenty-six stories by Peretz, also provides a detailed essay about Peretz’s life by Ruth R. Wisse. This edition of the book includes, as well, Peretz’s great visionary drama A Night in the Old Marketplace, in a rhymed, performable translation by Hillel Halkin.
"Nothing short of amazing." —Entertainment Weekly A million-dollar Chagall is stolen from a museum during a singles' cocktail hour. The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history—from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.
This book offers insight into the approaches of a new generation of Jewish-American writers. Whether they reimagine their ancestors' "shtetl life" or invent their own kind of Jewishness, they have a common curiosity in what makes them Jewish. Is it because most of them are third-generation Americans who don't worry about assimilation as their parents' generation did? If so, how does the writing of recent Jewish immigrants from the former Soviet Union fit into the picture? Unlike Irving Howe predicted in 1977, Jewish-American literature did not fade after immigration. It always finds new paths, drawing from the vast scope of Jewish life in America.
The June, 2014 issue edited by Christopher T Garry features never before seen short stories from eight new authors. They create narratives that are variously dark, cynical, inspiring, disturbing, longing and irreverent. Black Denim Lit is a monthly journal of fiction available on the web and on all eReaders. **"No Sleep Til Deadtown" by Michael Haynes: an unusual taxi driver risks a dangerous game **"Jinn" by Daniel Moore: a woman plays 'Marid' for her clients, guiding them through subconscious memory and desire **"Deficit" by Sarah Vernetti: mother and child are pursued through a world in crisis **"The Line of Fate" by Suzanne Burns: a young wife struggles with mania and identity **"Gladys Collins" by John Pace: a quiet life implodes under the shadow of a smothering stranger **"The Cloud" by Elaine Olund: a uniquely simple solution for anxiety and fear PLUS **"Pigs Fry; Pigs Fly" by Janet Slike; **"Ripples From The Weather Aggregator" by Sean Monaghan How do you wield power in a world bent on a balance of terror? What if extricating all your anxieties left nothing earthly behind? What comes from wishes made of snow? Can you fabricate a memory into something spontaneous?
Schiele had the most long-lasting influence on the Vienna art scene after the great era of Klimt came to a close. After a short flirtation with the style of his mentor Klimt, Schiele soon questioned the aesthetic orientation to the beautiful surface of the Viennese Art Nouveau with his rough and not easily accessible paintings.