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Mystery crime fiction written in the Golden Age of Murder "[W]orthy of Agatha Christie at her fiendish plotting best." —Booklist STARRED review Two classic cases featuring Detective Inspector Littlejohn. In the winter of 1940, the Home Guard unearth a skeleton on the moor above the busy town of Hatterworth. Twenty-three years earlier, the body of a young textile worker was found in the same spot, and the prime suspect was never found—but the second body is now identified as his. Soon it becomes clear that the true murderer is still at large... * * * Nathaniel Wall, the local quack doctor, is found hanging in his consulting room in the Norfolk village of Stalden—but this was not a suicide. Against the backdrop of a close-knit country village, an intriguing story of ambition, blackmail, fraud, false alibis and botanical trickery unravels.
Burial Plots in British Detective Fiction offers an overview of the ways in which the past is brought back to the surface and influences the present in British detective fiction written between 1920 and 2020. Exploring a range of authors including Agatha Christie, Patricia Wentworth, Val McDermid, Sarah Caudwell, Georgette Heyer, Dorothy Dunnett, Jonathan Stroud and Ben Aaronovitch, Lisa Hopkins argues that both the literal and literary disinterment of the past use elements of the national past to interrogate the present. As such, in the texts discussed, uncovering the truth about an individual crime is also typically an uncovering of a more general connection between the present and the past. Whether detective novels explore murders on archaeological digs, hauntings, cold crimes or killings at Christmas, Hopkins explores the underlying message that you cannot understand the present unless you understand the past.
A body surfaces off the Isle of Man in a puzzling mystery by the master of the “pure British detective story” (The New York Times). The Manx Shearwater was scallop dredging—but it dragged up a body from the water instead. Considering that the corpse was tied at the ankles and weighed down with stones, it’s clear this was no accidental drowning—and now the locals are in an uproar. The victim appears to be Cedric Levis, who had an extravagant house and a reputation for philandering. Was Levis murdered for his money—or was this a crime of passion? Under the pretext of a holiday, Chief Inspector Littlejohn is invited by his old friend Archdeacon Kinrade to unofficially assist with the murder investigation—but to separate fact from fiction, he’ll have to sort through accusations, town gossip, and mysterious stories surrounding the ancient Cursing Stones . . .
Inspector Littlejohn is once again summoned to the Isle of Man when a local vicar is accused of murder in this long-running British mystery series. As a rule, the towns of the Isle of Man are eerily silent after dark. But that silence is shattered one black night by an explosion followed by the violent ringing of the church bell. The vicar, Sullivan Lee, is discovered praying beside the murdered body of Sir Martin Skollick. Archdeacon Kinrade must summon his old friend, Superintendent Littlejohn of Scotland Yard, to get to the bottom of another perplexing crime. With the help of Inspector Knell of the Manx C.I.D., Littlejohn sheds light on the victim’s life, uncovering misdeeds and enemies aplenty. A womanizer and a fraud, it’s no wonder someone might want Skollick dead. But the inspectors have much more to unravel before they can clear the vicar’s name.
Inspector Littlejohn faces the most baffling case of his career when a killer in Cheshire strikes close to home in this acclaimed mystery series. It’s a shock what happens to Sergeant Cromwell, faithful friend and assistant to Superintendent Littlejohn. While attending his uncle’s funeral in the pretty village of Rushton Inferior, he is shot in the head. Now, Littlejohn faces a distressing crisis—and a perplexing question: Why was Cromwell shot in Rushton, where he is quite unknown? Littlejohn rushes north to the hospital where his sergeant is lying. There, he learns that the crime was committed with the smallest bullet the surgeon has ever seen. A shot from a pop gun, in fact. As the famous superintendent gets to work, he unravels a series of secrets and incidents that shed new light on Rushton—and his friend.
When a lady gambler’s luck runs out, Detective Littlejohn follows a trail of deception and danger across Europe in this classic mystery. When professional gambler Sylvia Garnier arrives at the casino on the Isle of Man, everyone is intrigued to see what drama unfolds. Knowing all the tricks and betting on all the right numbers, she seems to be enjoying a solid winning streak. That is until she’s found dead on the beach. As theories about her murder run wild, Inspector Littlejohn is called in to get to the bottom of her mysterious demise. Dredging through years of family secrets and wartime betrayal, Littlejohn must untangle a conspiracy that takes him to France and Switzerland and leads all the way back to the French Resistance, if he is to solve this perplexing case.
“Slow and steady wins the case” as a dedicated London policeman puzzles through a fatal fall, a financial mystery, and an eccentric family’s many secrets (Kirkus Reviews). Miss Penelope Blow’s fatal fall from her bedroom window would seem like a tragic accident, if it weren’t for Penelope’s multiple visits to Scotland Yard before her death, trying to get in touch with Inspector Littlejohn. Now, before he ever had a chance to talk to the woman, he’s driven to look deeper into a case that may very well be murder—with no cooperation from Penelope’s wealthy, secretive, and thoroughly odd family . . . “As is often the case in Bellairs’ novels, his prose is often very wryly amusing. . . . One of his most readable tales, offering an interesting mix of characters and a satisfying puzzle to solve.” —Mysteries Ahoy
The mayor of a seaside town is murdered, and a London police detective must sort through motives both political and personal . . . Thanks to its mayor, Sir Gideon Ware, the quiet harbor town of Westcombe has turned into a crowded and rather garish seaside destination where visitors can come to escape the stress of wartime. When Ware collapses at a lavish luncheon, felled by strychnine, Inspector Littlejohn must travel from London to solve the seemingly inexplicable murder. Ware was surrounded by local bigwigs at his table—but that’s just the beginning of the suspect list, as Littlejohn untangles the rivalries, resentments, and corrupt dealings that permeate this picturesque but troubled community . . . Praise for the Inspector Littlejohn mysteries “Assured prose, well-drawn characters, and the atmosphere of 1940s wartime England . . . well worth the reader’s time.” —Publishers Weekly “Everything is quite comparable in tone to a really good Simenon.” —The New York Times “Dryly ceremonious wit [that] shines from the very first page.” —Kirkus Reviews
Things get murky when a ferry captain is found dead in the water in this mystery starring Inspector Littlejohn, “the model of a calm, rational policeman” (Publishers Weekly). After a ferry to Falbright carrying forty people runs aground, the skipper is nowhere to be found. When the ferry pilot is discovered under a pier with a knife in his back, Inspector Littlejohn is called in. But he and Sergeant Cromwell are struggling to find clues. Some of the villagers seem to be going out of their way to mislead the police, and there are secrets dating back to the war that need to be unearthed or the entire investigation could be sunk . . . “When you get a George Bellairs story you get something worth reading.” —Norfolk Ledger-Dispatch