Download Free The Dead Musician Book in PDF and EPUB Free Download. You can read online The Dead Musician and write the review.

A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
For nearly forty years Paul Robertson performed throughout the world as First Violinist of the internationally renowned Medici String Quartet, of which he was a founder member. In 2008 the main artery to Paul's heart ruptured, leading to him dying on the operating-table, and then being resuscitated. Paul subsequently hovered in a deep coma for six weeks, close to death and experiencing visions, affording him profound insights into the relationship between music and the subconscious When he came to he felt he had been reborn - fundamentally, a different person - and not just because the left side of his body was partially paralysed. Instead, he woke with a completely new acceptance of the meaning of death, and a belief in life beyond. Now 64 years-old, Paul has decided not to undergo any more surgery, facing a very uncertain future and living on borrowed time. In this book Paul reflects on his musical training, his insights into the difficult realities of ensemble playing, and about the possible meaning of his experiences in both life and near-death. This extraordinary and poignant memoir will be for all musicians, spiritual thinkers and musical laymen who have engaged with the rigours of learning music.
‘I am damned,’ thinks Bunny Munro in a sudden moment of self-awareness reserved for those who are soon to die. He feels that somewhere down the line he has made a grave mistake, but this realisation passes in a dreadful heartbeat and is gone—leaving him in a room at the Grenville Hotel, in his underwear, with nothing but himself and his appetites. Bunny Munro drinks too much, smokes too much and thinks of sex all the time. Following his wife’s suicide, he takes his nine-years-old son on a trip to recover from the tragedy. But he is about to discover that his days are numbered. Dark, funny and raunchy, The Death of Bunny Munro is the story of a man full of emotional atyachar. Written in the high octane, charged prose that has made Nick Cave one of the world’s most acclaimed lyricists, it is an unforgettable book.
Fifty years after the Grateful Dead was formed, the band still exerts a powerful influence over hundreds of thousands of fans around the world. Today, an entire generation of Deadheads who have never experienced a live Dead show are still drawn to the music and the complex and colorful subculture that has grown up around it. In This Is All a Dream We Dreamed, Blair Jackson and David Gans, two of the most well-respected chroniclers of the Dead, reveal the band's story through the words of its members and their creative collaborators, as well as a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Woven into this musical saga is an examination of the subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. The book traces the band's evolution from its folk/bluegrass beginnings through the Jug Band craze, an early incarnation as Rolling Stones wannabes, feral psychedelic warriors, the Americana jam band that blazed through the '70s, to the shockingly popular but still iconoclastic stadium-filling band of later years. The Dead broke every rule of the music business along the way, taking risks and venturing into new territory as they fused inspired ideas and techniques with intuition and fearlessness to create a sound-and a business model-unlike anything heard and seen before.
Play a song for me... Musicians are being murdered in New Orleans. But Arnie Watson apparently died by his own hand. When Tyler Anderson plays the saxophone he inherited from Arnie, a soldier and musician who died soon after his return, he believes he sees visions of his friend's life--and death. He becomes convinced Arnie was murdered and that the instrument had something to do with whatever happened, and with whatever's happening all over the city... Tyler knows his theory sounds crazy to the police, so he approaches Danni Cafferty, hoping she and Michael Quinn will find out what the cops couldn't. Or wouldn't. After all, Cafferty and Quinn have become famous for solving unusual crimes. They're partners in their personal lives, too. Quinn's a private investigator and Danni works with him. When they look into the case, they discover a secret lover of Arnie's and a history of jealousies and old hatreds that leads them back to the band Arnie once played with--and Tyler plays with now. They discover that sometimes, for some people, the line between passion and obsession is hard to draw. Only in uncovering the truth can they hope to save others--and themselves--from the deadly hands of a killer.
Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿
A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century. In his critically acclaimed book, In the Country of Country, Nicholas Dawidoff travels to the origins of country music and talks to the musicians who created this original American art form. Here, amongst others, are indelible portraits of Johnny Cash, behind whose black apparel lies a Faustian dilemma; Merle Haggard, a man as elusive as he is gifted; and Patsy Cline, a lonely figure striding out bravely in a male-dominated world. An exhilarating journey from Maces Springs, Virginia to Bakersfield, California, In the Country of Country conveys the spirit and passion that informs country music and confirms Dawidoff's reputation as one of the most gifted cultural commentators of his generation.
As Bing Crosby once put it, Tiny Tim represents 'one of the most phenomenal success stories in show business'. In 1968, after years of playing dive bars and lesbian cabarets on the Greenwich Village scene, rubbing shoulders with the likes of Bob Dylan and Lenny Bruce, the forty-something falsetto-voiced, ukulele-playing Tiny Tim landed a recording contract with Sinatra's Reprise label and an appearance on NBC's Laugh-In. The resulting album, God Bless Tiny Tim, and its single, 'Tip-toe Thru' The Tulips With Me', catapulted him to the highest levels of fame. Soon, Tiny was playing to huge audiences in the USA and Europe, while his marriage to the seventeen-year-old 'Miss' Vicki was broadcast on The Tonight Show in front of an audience of fifty million. Before long, however, his star began to fade. Miss Vicki left him, his earnings evaporated, and the mainstream turned its back on him. He would spend the rest of his life trying to revive his career, with many of those attempts taking a turn toward the absurd. But while he is often characterized as an oddball curio, Tiny Tim was a master interpreter and student of early American popular song, and his story is one of Shakespearean tragedy framed around a bizarre yet loveable public persona. Here, drawing on dozens of new interviews, never-before-seen diaries, and years of original research, author Justin Martell brings that story to life with the first serious biography of one of the most fascinating yet misunderstood figures in popular music.
This book is a comprehensive and detailed overview of the main aspects of the Christian faith and lifestyle treated in a style which is simple to understand without being simplistic. In more than 95 essays, Lawrence ranges across the breadth and depth of Christian theology. Using the questions: Who Is It? or What Is It? the author proceeds to analyse across a spectrum of topics. Included amongst the 95 essays are answers to the following questions: Who is God? Who is Jesus Christ? Who is The Trinity? Who is The Messiah? Who is a Human Being? Who is a Male? Who is Satan? Who is The Son of Man? Who is God the Father? Who is the Word? Who is a Female? Who is the Antichrist? What is Revelation? What is Creation? What is the Truth? What is The Law? What is Praise? What is Glory? What is Prophecy? What is Healthy Living? What is Love? What is Holiness? What is the Tongue? What is Fear?