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“A tale of sex, murder, and political intrigue on Prince Edward Island . . . an absorbing tale that has excitement and soul in equal measure.” —Publishers Weekly In 2001, a Canadian police constable murders his girlfriend in a fit of jealous rage. When he realizes what he’s done, he manages to construct an elaborate cover-up. Only one person knows the truth. Now, more than a decade later, Anne Brown is running her late uncle’s detective agency after spending several years as his assistant. One day, the postman delivers a long-lost letter addressed to her uncle from a woman named Carolyn Jollimore. She says she has evidence about a murder and begs for help. With her uncle dead, Anne looks up the letter’s author—but finds that Jollimore, too, is now dead, and that a old case once thought solved may not be as simple as it seemed . . . This twisting novel of mystery and suspense from a new star in Canadian crime fiction features the private investigator first introduced in The Reluctant Detective.
"Another triumph with this pioneering crime novel."—Publishers Weekly The sixth book in the Library of Congress Crime Classics, an exciting new classic mystery series created in exclusive partnership with the Library of Congress. This classic crime fiction mystery features a love triangle with a murderous twist. An undelivered letter with a cryptic message holds the key to an unsolved murder When Henry Moreland is found dead on a lonely New York road after a violent storm, it seems he died of natural causes while walking to the home of his betrothed, Eleanor Argyll. An examination of the corpse reveals, however, that he was killed by a single, powerful stab wound. His wallet was untouched, eliminating robbery as the motive—but who would want to murder the well-liked and respected man? Richard Redfield, an old family friend who harbors a secret love for Eleanor, vows to bring Henry's killer to justice. Richard soon finds himself out of his element. Together with a legendary detective named Mr. Burton, he embarks on an unsuccessful mission to find the murderer. When suspicion turns to Richard himself, he leaves the family behind and goes to work in the "Dead Letter" office in Washington. Then a mysterious letter from the past turns up, and a new hunt begins... This twisting tale is the first full-length American detective novel, written under a pseudonym by Metta Victor in the 1860s. It revived American crime fiction, which had languished after Edgar Allan Poe's short stories of the 1840s. Combining elements of Wilkie Collins's The Moonstone and the "sensation" novels popular in England, it opened the doors for generations of American crime writers to follow.
The poems in Dead Letter Box are not about the postal service, although a postman does appear as a character in one poem. Neither are the poems so much about death as they are about how death colors our lives. Some of the poems in the book celebrate those moments when the narrators feel the world has shifted into just the right place, when they feel most alive. Without these moments -- when we feel able to grab life with our bare hands and experience those brief trills of victory -- death holds no tragedy. These poems aim to provide different takes on death woven through with strands of life. And somewhere within these poems, the poet hopes the reader may find rescue.
When the post office has donated a real mailbox to room 3B, everyone gets jobs as sorters, stackers, and carriers. ZuZu is in charge of the misaddressed, or dead, letters. But Harry discovers that a thief is using the mailbox for something other than letters. Will he sort out what?s going on? Or will Harry deliver some horribly wrong conclusions?
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
What became of Harold Prettyman, a German agent captured by the British during World War Two? Eighty years later, an investigation by reporter Jack Flynt seems to end at a new dormer bungalow with white pebble-dash walls, not the grey stone terraced house in the Welsh valleys from which, according to a recently declassified MI5 file, Prettyman operated a radio transmitter from the attic alerting German U-Boats to Allied shipping movements. Dead ducks are news stories destined for the News Editor's spike and Flynt suspects he has found one until a letter arrives at the bungalow with the same coded message --Many Happy Returns Harold Prettyman--used by Prettyman and his accomplice in 1940. But there are no Allied food convoys in the North Atlantic and, believing the letter a hoax Flynt's newspaper moves him to another assignment—the disappearance of a Foreign Office diplomat suspected of fleeing to Moscow like his predecessors Burgess and Maclean. But Scotland Yard seems more interested in the Coal Miner, a missing Van Gogh masterpiece looted by the Red Army Trophy Brigade as war reparations, but now the focus of an exhibition at Tate Britain after being returned to its owner by the Commission for the Recovery of Looted Art in Europe. The painting discovered hanging on the kitchen wall of the apartment of a dead Trophy Brigade officer had been taken in lieu of pension. Private homes, art galleries and museums across the Russian Federation continue to hold large quantities of booty from the Second World War, worthless since President Putin banned the repatriation of cultural artifacts, but priceless in the West. So, is the Coal Miner exhibited at the Tate the missing Van Gogh or a forgery made by a copyist at the Hermitage in St Petersburg? A zig-zag trail leads Flynt's search for Harold Prettyman into the world of Diplomatic Bags, fakes, and money laundering.
This book is a fascinating new examination of one of the most feared and efficient secret services the world has ever known, the Stasi. The East German Stasi was a jewel among the communist secret services, the most trusted by its Russian mother organization the KGB, and even more efficient. In its attempt at ‘total coverage’ of civil society, the Ministry for State Security came close to realizing the totalitarian ideal of a political police force. Based on research in archival files unlocked just after the fall of the Berlin Wall and available to few German and Western readers, this volume details the Communist Party’s attempt to control all aspects of East German civil society, and sets out what is known of the regime’s support for international terrorism in the 1970s and 1980s. STASI will be of much interest to students of intelligence studies, German politics and international relations.