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The discovery of a dead gangland figure in a quarry brings back dark memories for Detective Chief Inspector Jack Harris and the hilltop community in which he works. As the detective investigates the murder, not only is he forced to deal with hostile villains, fightened townsfolk, and colleagues who doubt his capacity to bring the killer to justice, he also has to confront part of his past that he had hoped would be forgotten. And in doing so, he is forced to reevaluate the loyalties of those closest to him.
"Reginald Hill has raised the classical British mystery to new heights." -- "The New York Times Book Review Acclaimed as "the master of form and the sorcerer of style,"* the Grand Master of British psychological suspense returns to weave wordplay and murder into a lethal tapestry that only Dalziel and Pascoe can unravel. With characteristic precision, insidious wit, and unparalleled insight into the serpentine criminal mind, Hill offers readers his most diabolical surprise to date. Dialogues of the Dead "Paronomania [n. A clinical obsession with word games] In the Beginning was the Word... And the Word was Murder. A motorist dies after plunging off a bridge.... A motorcyclist is found dead after a fatal encounter with a tree. Two apparently innocuous tragedies ... until two Dialogues are submitted to a local literary competition, claiming responsibility for the deaths. But has anybody heard the Word? When a beautiful, unscrupulous journalist meets her Maker in fact, and then in fiction, as victim of The Third Dialogue, Dalziel and Pascoe take note and find themselves involved in a deadly duel of wits against an opponent known only as the Wordman: a brilliant sociopath who leaves literary clues in his wake ... and who hides in plain sight. Contestants, are you ready? Reginald Hill's books consistently combine wordplay and sleuthing, but the Master is in superb form in Dialogues of the Dead. There are enough clues to make a patchwork quilt, but in this test of wills just who is playing against whom? Is it the Wordman versus the police? Or the killer against his victims? Or is the real game between you, dear reader, and Reginald Hillhimself, at his most intriguing, most enticing, most elusive best? Just when you think you have your killer, guess again. Someone may have conceived the perfect crime. Let the games begin...
Unmarked graves are found on the grounds of an old orphanage in this “riveting” British crime thriller by an Edgar Award finalist (Publishers Weekly, starred review). With profiler Tony Hill behind bars and Carol Jordan no longer with the police, he’s finding unexpected outlets for his talents in jail and she’s joined forces with a group of lawyers and forensics experts looking into suspected miscarriages of justice. But they’re doing it without each other; being in the same room at visiting hour is too painful to contemplate. Meanwhile, construction is suddenly halted on the redevelopment of an orphanage after dozens of skeletons are found buried at the site. Forensic examination reveals they date from between twenty and forty years ago, when the nuns were running their repressive regime. But then a different set of skeletons is discovered in a far corner—young men from as recent as ten years ago. When newly promoted DI Paula McIntyre discovers that one of the male skeletons is that of a killer who is supposedly alive and behind bars—and the subject of one of Carol’s miscarriage investigations—it brings Tony and Carol irresistibly into each other’s orbit once again in this masterfully plotted novel by “the queen of psychological thrillers” (Irish Independent).
In People Who Don't Know They're Dead, Gary Leon Hill tells a family story of how his Uncle Wally and Aunt Ruth, Wally's sister, came to counsel dead spirits who took up residence in bodies that didn?t belong to them. And in the telling, Hill elucidates much of what we know, or think we know, about life, death, consciousness, and the meaning of the universe. When people die by accident, in violence, or maybe they're drunk, stoned, or angry, they get freeze-framed. Even if they die naturally but have no clue what to expect, they might not notice they're dead. It's frustrating to see and not be seen. It's frustrating not to know what you're supposed to do next. It's especially frustrating to be in someone else's body and think it's your own. That's if you're dead. If you're alive and that spirit has attached itself to you, well that's a whole other set of frustrations. Wally Johnston, a behavioral psychologist, first started working with a medium in the 70s to help spirits move on to the next stage. Some years after that, Ruth Johnston, an academic psychiatric nurse, who'd become interested in new consciousness and alternative healing, began working with Wally to clear spirits who weren't moving on. These hitchhikers had attached themselves to the auras of living relatives or strangers in an attempt to hold on to a physical existence they no longer need. Through her pendulum, Ruth obtains permission from the higher self of both hitchhiker and host to work with them. Then Wally speaks with them, gently but firmly, to make sure they know they are no longer welcome to inhabit the bodies and wreak havoc on the lives of the living. Hill has woven this fascinating story with the history and theory of what happens at death, with particular emphasis on the last 40 years and the work of such groundbreaking thinkers as Elmer Green, Raymond Moody, William James, Aldous Huxley, Edith Fiore, Martha Rogers, Mark Macy, Elisabeth Kubler-Ross, Bruce Lipton, and a host of others, whose work helps inform our idea of what it is to live and to die. As it turns out, our best defense against hitchhikers is to live consciously. And our best chance of doing that is by paying attention and staying open to possibilities.
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
THE DAYS BETWEEN Christmas and New Year’s Eve are dead days, when spirits roam and magic shifts restlessly just beneath the surface of our lives. A magician called Valerian must save his own life within those few days or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant, Boy, a child with no name and no past. The quick-witted orphan girl, Willow, is with them as they dig in death fields at midnight, and as they are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape. Praise for The Book of Dead Days: “Beautifully paced and sometimes blood-soaked. . . . A very tangible sense of evil.”—The Guardian “Subtle menace and power.”—The Independent “Packed with drama, mystery, and intrigue.”—The Bookseller
Soloman Kane is back in Africa, N’longa has asked for his help and gave him a special staff for protection in his quest.
When his grandfather dies, Huber Hill is devastated until he opens Grandpa Nick's mysterious box. An old gold coin and directions to a hidden Spanish treasure send him and his friends off on an mind-blowing adventure, but he's not the only one on the hunt. Filled with dangerous animals and cryptic puzzles, this book will have you on the edge of your seat until the last page.
After being murdered as a child and brought back to life by two cops, Harry Doyle grew up to become a homicide detective who has the uncanny ability to hear the whispers of murder victims, and he must put his power to use to solve the murder of a beautiful woman who was also a notorious child molester.
A new collection of Bill Ehrhart's essays--25 of them, written between 2002 and 2012 on subjects ranging from the Vietnam War failures of American policy-makers to life in 21st century Vietnam; the trenches of the Western Front, the mountains of Korea, the sands of Iraq; from the value of one's name to the cowardice of Congress; mountain gorillas in Rwanda, the journalist Gloria Emerson, teaching poetry to teenagers; on the famous (Wilfred Owen) and the obscure (Robert James Elliott).... These essays explore the fallacies of history, the madness of war, the craft of poetry, the profession of teaching, and the art of living.