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The discovery of a dead gangland figure in a quarry brings back dark memories for Detective Chief Inspector Jack Harris and the hilltop community in which he works. As the detective investigates the murder, not only is he forced to deal with hostile villains, fightened townsfolk, and colleagues who doubt his capacity to bring the killer to justice, he also has to confront part of his past that he had hoped would be forgotten. And in doing so, he is forced to reevaluate the loyalties of those closest to him.
Normally, there would be nothing sinister about a death by drowning and a motorcycle fatality -- had these tragic occurrences not been predicted before the fact in a pair of macabre "Dialogues" submitted to a Yorkshire short story competition. Yet the local police department is slow to act -- until the arrival of a third Dialogue ... and another corpse. A darkness is settling over a terrorized community, brought on by a genius fiend who hides clues to his horrific acts in complex riddles and brilliant wordplay. Now two seasoned CID investigators, Peter Pascoe and "Fat Andy" Dalziel, are racing against a clock whose every tick signals more blood and outrage, caught in the twisted game of a diabolical killer who is turning their jurisdiction into a slaughterhouse.
Unmarked graves are found on the grounds of an old orphanage in this “riveting” British crime thriller by an Edgar Award finalist (Publishers Weekly, starred review). With profiler Tony Hill behind bars and Carol Jordan no longer with the police, he’s finding unexpected outlets for his talents in jail and she’s joined forces with a group of lawyers and forensics experts looking into suspected miscarriages of justice. But they’re doing it without each other; being in the same room at visiting hour is too painful to contemplate. Meanwhile, construction is suddenly halted on the redevelopment of an orphanage after dozens of skeletons are found buried at the site. Forensic examination reveals they date from between twenty and forty years ago, when the nuns were running their repressive regime. But then a different set of skeletons is discovered in a far corner—young men from as recent as ten years ago. When newly promoted DI Paula McIntyre discovers that one of the male skeletons is that of a killer who is supposedly alive and behind bars—and the subject of one of Carol’s miscarriage investigations—it brings Tony and Carol irresistibly into each other’s orbit once again in this masterfully plotted novel by “the queen of psychological thrillers” (Irish Independent).
In People Who Don't Know They're Dead, Gary Leon Hill tells a family story of how his Uncle Wally and Aunt Ruth, Wally's sister, came to counsel dead spirits who took up residence in bodies that didn?t belong to them. And in the telling, Hill elucidates much of what we know, or think we know, about life, death, consciousness, and the meaning of the universe. When people die by accident, in violence, or maybe they're drunk, stoned, or angry, they get freeze-framed. Even if they die naturally but have no clue what to expect, they might not notice they're dead. It's frustrating to see and not be seen. It's frustrating not to know what you're supposed to do next. It's especially frustrating to be in someone else's body and think it's your own. That's if you're dead. If you're alive and that spirit has attached itself to you, well that's a whole other set of frustrations. Wally Johnston, a behavioral psychologist, first started working with a medium in the 70s to help spirits move on to the next stage. Some years after that, Ruth Johnston, an academic psychiatric nurse, who'd become interested in new consciousness and alternative healing, began working with Wally to clear spirits who weren't moving on. These hitchhikers had attached themselves to the auras of living relatives or strangers in an attempt to hold on to a physical existence they no longer need. Through her pendulum, Ruth obtains permission from the higher self of both hitchhiker and host to work with them. Then Wally speaks with them, gently but firmly, to make sure they know they are no longer welcome to inhabit the bodies and wreak havoc on the lives of the living. Hill has woven this fascinating story with the history and theory of what happens at death, with particular emphasis on the last 40 years and the work of such groundbreaking thinkers as Elmer Green, Raymond Moody, William James, Aldous Huxley, Edith Fiore, Martha Rogers, Mark Macy, Elisabeth Kubler-Ross, Bruce Lipton, and a host of others, whose work helps inform our idea of what it is to live and to die. As it turns out, our best defense against hitchhikers is to live consciously. And our best chance of doing that is by paying attention and staying open to possibilities.
THE DAYS BETWEEN Christmas and New Year’s Eve are dead days, when spirits roam and magic shifts restlessly just beneath the surface of our lives. A magician called Valerian must save his own life within those few days or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant, Boy, a child with no name and no past. The quick-witted orphan girl, Willow, is with them as they dig in death fields at midnight, and as they are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape. Praise for The Book of Dead Days: “Beautifully paced and sometimes blood-soaked. . . . A very tangible sense of evil.”—The Guardian “Subtle menace and power.”—The Independent “Packed with drama, mystery, and intrigue.”—The Bookseller
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
Soloman Kane is back in Africa, N’longa has asked for his help and gave him a special staff for protection in his quest.
When his grandfather dies, Huber Hill is devastated until he opens Grandpa Nick's mysterious box. An old gold coin and directions to a hidden Spanish treasure send him and his friends off on an mind-blowing adventure, but he's not the only one on the hunt. Filled with dangerous animals and cryptic puzzles, this book will have you on the edge of your seat until the last page.
Courtney Colvin was nearing the end of her teenage years when the undead apocalypse began. She survived, forsaking her youth and innocence, and five years later she continues to exist--albeit lonely--in the fortified town of Eastpointe. Nightmares and the unwelcome advances of Leon Wolfe are the worst things she's dealing with now in her otherwise mundane life. But when a newcomer arrives in town and claims to know the location of the antidote to the zombie plague, it sends Eastpointe into an uproar. To retrieve this cure, she and a group of other survivors must venture outside the relative safety of the compound's walls and into a world ruled and dominated by the flesh-eating undead. Twilight of the Dead puts a new spin on the zombie genre, yet remains true to the classic rules that have already been set forth. A sure-fire reading pleasure for anyone who loves character-driven horror. This Special Edition contains an Introduction by David Moody and three bonus short stories detailing important moments in the lives of other survivors.
Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.