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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** Whether you've read them all or whether this is your first Lorimer novel, ONLY THE DEAD CAN TELL is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves Don't miss the latest thrilling series instalment - BEFORE THE STORM IS OUT NOW WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES: 'Warm-hearted, atmospheric' ANN CLEEVES 'Relentless and intriguing' PETER MAY 'Move over Rebus' DAILY MAIL 'Exciting, pacey, authentic' ANGELA MARSONS 'Superior writing' THE TIMES 'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH _______________ When there are no witnesses . . . When Dorothy Guildford is found stabbed to death in her home, all signs point to her husband, Peter. The forensic psychologist is convinced there's more to the case that meets the eye but Police Scotland are certain they have their man. While DC Kirsty Wilson searches for evidence that will put Peter away for good, she is shocked to discover a link with a vast human-trafficking operation that Detective Superintendent William Lorimer has been investigating for months. But before they can interrogate him, Peter is brutally attacked. With one person dead and another barely hanging on, the clock is ticking for DC Wilson and DSI Lorimer. And the stakes grow higher still when one of their own is kidnapped . . .
A Boston Globe Best Book of 2014 Everyone in Painters Mill knows the abandoned Hochstetler farm is haunted. But only a handful of the residents remember the terrible secrets lost in the muted/hushed whispers of time—and now death is stalking them, seemingly from the grave. On a late-night shift, Chief of Police Kate Burkholder is called to the scene of an apparent suicide—an old man found hanging from the rafters in his dilapidated barn. But evidence quickly points to murder and Kate finds herself chasing a singularly difficult and elusive trail of evidence that somehow points back to the tragedy of that long ago incident. Meanwhile, Kate has moved in with state agent John Tomasetti and for the first time in so long, they're both happy; a bliss quickly shattered when one of the men responsible for the murders of Tomasetti's family four years ago is found not guilty, and walks away a free man. Will Tomasetti be pulled back to his own haunted past? When a second man is found dead—also seemingly by his own hand—Kate discovers a link in the case that sends the investigation in a direction no one could imagine and revealing the horrifying truth of what really happened that terrible night thirty-five years ago, when an Amish father and his four children perished—and his young wife disappeared without a trace. And, as Kate knows—the past never truly dies . . . in The Dead Will Tell by Linda Castillo
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
Robert Willie, the death-row prisoner in Dead Man Walking, was convicted of raping a woman who tells her story here.
A rampaging wife of a Manhattan socialite plunges with her car into the East River -- and it is only weeks afterward that a sleugh decides to do something about a recurring corpse... A Detective McKee mystery, from the author of Dead Man Control and McKee of Centre Street.
A modern, all-encompassing exploration of what happens after death combines spirituality with philosophy, history, and science, all of which guide readers toward the timeless truth that human consciousness lives on after death.
Homicide detective Leigh Abbott has something to prove, both to herself and to the men in her department. She's been assigned a difficult challenge: solve a murder where the only evidence is a single bone. To identify the victim and find the killer, she must join forces with forensic anthropologist Matt Lowell. Matt's initial refusal is only the first in a series of setbacks. Matt and Leigh's skills and tenuous partnership are tested when the evidence leads them to a burial ground of unidentified victims, where, to their horror, they stumble upon a freshly ravaged corpse. Before long, the serial killer raises the stakes and Matt and Leigh find themselves marked as targets. Now they must stop the killer before they become the next victims.
Piper's fall was no accident. Did someone want her dead? It's up to her sister to discover the truth in this shocking new thriller with an unreliable narrator, from the acclaimed author of Little Creeping Things. Piper Sullivan was in a strange hiking accident last month and has been in a coma ever since. Her older sister, Savannah, can't pretend to be optimistic about it; things look bad. Piper will likely never wake up, and Savannah will never get any answers about what exactly happened. But then Savannah finds a note in Piper's locker, inviting Piper to a meeting of their school's wilderness club...at the very place and on the very day that she fell. Which means there was a chance that Piper wasn't alone. Someone might've seen something. Worse, someone might've done something. But who would want to hurt the perfect Piper Sullivan...and why? To discover the truth, Savannah joins the club on their weekend-long camping trip on the same mountain where her sister fell. But she better be careful; everyone in the club is a suspect, and everyone seems to be keeping secrets about that tragic day. And Savannah? She's been keeping secrets, too... Also by Chelsea Ichaso: Little Creeping Things Praise for Little Creeping Things: "Little Creeping Things, with its cast of creepy and untrustworthy characters, will satisfy the appetites of all manner of mystery fans."—Booklist "Ichaso's debut is a riveting whodunnit... a psychological thriller worthy of mystery aficionados."—School Library Journal "The reveal...is both well earned and eerie."—Kirkus "Little Creeping Things is a stunning debut in every sense of the word. From the chilling opening pages to the jaw-dropping final reveal, the pacing is relentless, the twists dizzying. Cass is the best kind of unreliable narrator, delightfully acerbic and hopelessly sincere even when she isn't telling the truth. Chelsea Ichaso has without a doubt written the breakout thriller of the year."—Dana Mele, author of People Like Us
Landon Reed is an ex-quarterback convicted of organizing a points-shaving scheme. During his time in prison, he found forgiveness and faith and earned his law degree. Now he longs for an opportunity to prove his loyalty and worth. Be careful what you ask for. Harry McNaughton is one of the founding partners of McNaughton & Clay—and the only lawyer willing to take a chance employing an ex-con-turned-lawyer. Though Landon initially questions Harry’s ethics and methods, it’s clear the crusty old lawyer has one of the most brilliant legal minds Landon has ever encountered. The two dive into preparing a defense for one of the highest-profile murder trials Virginia Beach has seen in decades when Harry is gunned down in what appears to be a random mugging. Then two more lawyers are killed when the firm’s private jet crashes. Authorities suspect someone has a vendetta against McNaughton & Clay, leaving Landon and the remaining partner as the final targets. As Landon struggles to keep the firm together, he can’t help but wonder, is the plot related to a shady case from McNaughton & Clay’s past, or to the murder trial he’s neck-deep in now? And will he survive long enough to find out?
A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Boston Globe • The Seattle Times SHE KNOWS WHAT IT’S LIKE. . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer. But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open. Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time. BONUS: This edition includes an excerpt from Harry Bingham's Love Story, with Murders. Praise for Talking to the Dead “Gritty, compelling . . . a procedural unlike any other you are likely to read this year.”—USA Today “With Detective Constable Fiona ‘Fi’ Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson’s Lisbeth Salander . . . Denise Mina’s ‘Paddy’ Meehan [or] Lee Child’s Jack Reacher. . . . The writing is terrific.”—The Boston Globe “The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling.”—New York Daily News “A stunner with precision plotting, an unusual setting, and a deeply complex protagonist . . . We have the welcome promise of more books to come about Griffiths.”—The Seattle Times “Recommended highly . . . [a] riveting procedural thriller.”—Library Journal (starred review)