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That James Joyce’s “The Dead” forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, “The Dead” may equally well be read as a novella—arguably, one of the finest novellas ever written. “The Dead,” a “story of public life,” as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their “unnecessary harsh[ness].” Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James’s brother and confidant), “the nostalgic love of a rejected exile.” The present volume highlights “The Dead” for readers who wish to focus on that great work in a concise volume—and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.
This remarkable collection of twelve short stories is about the diverse folk--black and white, young and old, rich and poor, rural and sophisticated--who live in the eastern North Carolina town of Tims Creek. Among the memorable characters are Clarence Pickett, who at age three began receiving messages from beyond the grave and whose gift seems tied to a hog's ability to talk; matronly Ida Perry, haunted by a boy her judge husband may have drowned years before; Dean Williams, hired to seduce the richest black man in Times Creek, yearning after innocence while he betrays love.
An unhappy soldier guards the barracks gate in Brisbane and wishes for freedom ... a recovering addict in Fremantle learns about life, death and friendship while trying to get his life together in NA ... an Adelaide man's recently deceased uncle teaches him about the meaning of life ... and a girl vanishes somewhere near Alice Springs, never to be seen again. These are just some of the characters in Lewis Woolston's new story collection 'Remembering the Dead and Other Stories'. In these snapshots from the fringes of Australian society, the past is never entirely done, the dead are not forgotten, and life takes turns both funny and tragic.
Originally published in 1969, The Death of the Novel and Other Stories remains among the most memorable creations of an unforgettable age. Irrepressibly experimental in both content and form, these anti-fictions set out to rescue experience from its containment within artistic convention and bourgeois morality. Equal parts high modernist aesthete and borscht belt comedian, Sukenick joins avant-garde art with street slang and cartoons, expressing his generation's anxieties by simultaneously mocking and validating them. These are original works by a writer who will try absolutely anything.
As the publishers say, these stories "make the Mendezes look like Ozzie and Harriet." A mother hires hit men to kill her husband's second wife to get back her child, a boy has sex with a naked woman in a painting, a serial killer keeps body parts for sexual stimulus.
The stories in this book deal with singular and life-altering experiences of an assortment of characters. An adolescent girl with a super star older sister finds her way into a world to which her sister has no key; a retired college president encounters an angel in his gardens; an old man meets his two best friends, both long dead, in a bar on "hymns and beer night"; a journalist pursues a dream woman who has haunted him since adolescence; a young pastor is left a large and troublesome inheritance by an eccentric parishioner; a married woman is tempted by a seminary student; a neophyte screenwriter learns Hollywood's realities from an aging actress. These stories and others, most published for the first time, make up this volume of eighteen short stories by Walter Lockwood.
"One of the most original thriller writers around." —Kirkus Reviews DIFFERENT KINDS OF DEAD AND OTHER TALES A mysterious and beautiful girl who teaches arrogant young men about true love A lonely traveling salesman who learns that his passenger is death Children who can absorb the psychic pain of their parents A desperately pursued serial killer who hides his face under gauze in a hospital room A woman who loves the alien infant nobody else wants These stories and ten others make up the new Ed Gorman collection Different Kinds of Dead and Other Tales, stories that have earned him such accolades as "One of the most original writers in crime fiction today" (Kirkus) and "One of the world's great storytellers" (Million, UK). Here you'll find the extraordinary range of storytelling skill and powerful emotions that won Gorman the prized International Fiction award and caused Mystery News to say of his previous collection: "A powerful, disturbing, often poetic collection filled with writing that is a model of clarity and right narrative control."
That James Joyce’s “The Dead” forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, “The Dead” may equally well be read as a novella—arguably, one of the finest novellas ever written. “The Dead,” a “story of public life,” as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their “unnecessary harsh[ness].” Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James’s brother and confidant), “the nostalgic love of a rejected exile.” The present volume highlights “The Dead” for readers who wish to focus on that great work in a concise volume—and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.
Grade level: 4, 5, 6, 7, 8, 9, e, i, s.