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THE story which I am about to relate happened (if it ever did happen) in the time of the famous Emperor Charlemagne. There is no necessity, in speaking of that remarkable epoch, to invent facts. The truth is so astounding that it will make you open your eyes quite wide enough. What marvellous doings of fairies, ogres, or demons, can compare with the deeds of Charlemagne? and what magic ring could be as potent as his sword? But before I proceed further it will be as well to sketch for you, in a few lines, the portrait of this hero. He was eight feet in height, according to the measurement of his own feet, which historians allege with fervour were of remarkable length. His eyes were large and piercing. When he was enraged you could almost have fancied they flashed fire. His face was broad and ruddy, his hair brown, and he wore a beard that was innocent of the barber's shears. Although he measured eight feet round the middle, his figure was wellproportioned. He devoured with ease at one repast a quarter of mutton, or a goose, or a ham, or a peacock. He was moderate in the matter of wine, which he used to take with water. His strength was so enormous that it was mere child's play to him to straighten with his naked hands three horse-shoes at a time. He could lift at arm's length, on the palm of his hand, a knight in full armour; and lie could cleave in twain, with one blow of his sword, a horseman in panoply of war—aye, and his horse into the bargain. This was mere sport to him, and often, with a charming complaisance which was peculiarly his own, he would take pleasure in thus giving those about him an ocular demonstration of his superhuman strength. His anger was as terrible as the thunder, for it was as ready to burst forth and to strike. He carves out a kingdom, with the compassion of a Titus, the sound judgment of a Solomon, the piety of a Joseph, the magnificence of a Sardanapalus, and the wisdom of an Æsop, he united two qualities more rare than all these put together? when he spoke he meant what he said, and when others spoke to him he took time for reflection, in order to make sure that he thoroughly understood their meaning. The dominion which his father bequeathed him did not suit the largeness of his views, so he carved out for himself a kingdom which was more in harmony with his gigantic instincts.
DigiCat Publishing presents to you this special edition of "The Days of Chivalry; Or, The Legend of Croquemitaine" by Quatrelles. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"The Days of Chivalry; Or, The Legend of Croquemitaine" by Quatrelles is divided into three sections. The first section is about Charlemagne's jousts at Fronsack. Section two is all in dream-quests and visions both Charlemagne's and Marsillus of Saragosa as well as Charlemagne's nephew Roland's adventures in Spain. The third section is pure fiction and is about Charlemagne's godchild, little heroine Mitaine, and her errand to find and destroy Fortress of Fear where the Lord of Fear with his children dwell. This book famously inspired The Lord of The Rings, thanks to the fantastical quality of the story and its impact on the world.
Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.
Curious about the chains that bound Fenriswulf in Norse mythology? Or the hut of Baba Yaga, the infamous witch of Russian folklore? Containing more than one thousand detailed entries on the magical and mythical items from the different folklore, legends, and religions the world over, this encyclopedia is the first of its kind. From Abadi, the named stone in Roman mythology to Zul-Hajam, one of the four swords said to belong to the prophet Mohammed, each item is described in as much detail as the original source material provided, including information on its origin, who was its wielder, and the extent of its magical abilities. The text also includes a comprehensive cross-reference system and an extensive bibliography to aid researchers.