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Award-winning master etcher Arthur Geisert is back with the second installment in his trilogy about Clayton County, Iowa, which began with Pumpkin Island. A twist on the classic story of the big bad wolf and the three little pigs, Geisert's version re-imagines the pigs as considerably more resourceful, thanks to their mother's forewarning to be prepared for what the world has in store. Despite the wolf's best attempts to blow each pig's house down, some clever engineering and architecture foil his plans. Created with his signature style of etching and hand-coloring, the intricate illustrations create a world for inquisitive young readers to get lost in, finding new details to return to with each re-reading.
He wants her, and then he winsher…in a game of cards! TV star Rico Mandretti has wowed Sydney with his charm, good looks and love of cooking. However, besides pasta, the wealthy Italian-Australian harbors another passion! Renée Selensky despises him but he can't get her out of his head. If only he could seduce her and thereby forget her… Then Rico wins a game of cards—and Renée into the bargain. Now she's Rico's for a month—as his mistress, in his bed… and at his mercy!
The big bad wolf is hungry, but no one is home at Grandma's house. Noticing a nightgown on Grandma's bed, the wolf puts it on intending to catch Red Riding Hood. But she's not so easily fooled. And the wolf finds unexpected hazards in wearing a frilly petticoat in the deep dark woods. Full color.
Sound and Silence is a collection of essays written at different times, from different places, and on different issues—and yet they transcend time and place. They touch on that which is common to man: his strengths and weaknesses; his courage and fears, his attitude and values. As I pass through, I see things that create a stir in my breast, ignite a spark within. Perhaps it’s the same with you. Maybe I write of that which is muted in your heart sing the song unsung give sound to the silence.
A comedian is dead, a witness is missing, and it’s up to Miss Withers—“one of the world’s shrewdest and most amusing detectives”—to solve the crime (The New York Times). In comedy, timing is everything. If Tony Fagan were a better comic, perhaps he would’ve known when to keep his mouth shut. After weeks of jokes at the expense of businessman Winston H. “Junior” Gault, the sponsor of Fagan’s television show, Fagan is found with his head bashed in, and Gault is charged with the murder. The case seems open and shut, but Gault has the money to buy himself an acquittal. The only witness against him is Ina Kell—a small-town dreamer who came to New York to find fame—and she’s disappeared. It’s up to Hildegarde Withers, a retired schoolteacher with expertise in solving crime, to find the vanished witness. Ina may have come to New York seeking excitement, but she didn’t deserve to get caught in the line of fire. Nipped in the Bud is part of the Hildegarde Withers Mysteries series, which also includes The Penguin Pool Murder and Murder on the Blackboard.
When a Hollywood cartoonist is poisoned, sharp-witted sleuth Miss Withers must draw her own conclusions. “[Miss Withers is] . . . still one of the best” (Anthony Boucher). At Hollywood’s most renowned cartoon studio, there are a few things you simply do not draw: snakes, cows with udders, violence, and death. So when Janet Poole finds a doodle of the studio’s famous cartoon penguin with a noose around its neck, she takes the drawing as a threat. Someone at the studio has murder on the mind. The top brass reach out to Hildegarde Withers, a retired amateur sleuth who has come to Los Angeles to relieve her asthma. The obvious suspect is Larry Reed, a disturbed cartoonist with a dark sense of mischief, but on Miss Withers’s first day working the case, something happens that suggests Larry is likely innocent: He’s murdered. This studio may work in animation, but Miss Withers will find the violence on the lot anything but cartoonish. Cold Poison is part of the Hildegarde Withers Mysteries series, which also includes The Penguin Pool Murder and Murder on the Blackboard.
How does a small town in Iowa deal with an abundance of pumpkins, just as Halloween approaches?
Stories based upon traditional South Carolina local history and legends fill the pages of this haunting collection. Talented wordsmith Jim Aisle, known as the Lowcountry Liar, spins tales of the supernatural, the weird, the mysterious, and the humorous. These titillating tales are recorded and relayed to the gentle reader by his friend Brian Wanamaker McCr�ight, who tosses in a few of his own yarns to round out this clever collection. Each story begins with a folksy introduction from both the Lowcountry Liar and McCr�ight as they ramble about the region and ends with notes about provenance and fascinating facts. The tales have a life of their own and will resonate with all who have listened in rapt attention around a campfire surrounded by darkness. Included are ghostly legends from the great Late Unpleasantness, more often referred to as the Civil War, with such intriguing titles as "The Silverware Civil War" and the "Cross of St. George." Spooky twists abound in "Love Stinks" and "Mother's Milk." Even the most endearing of timeless tales, such as the popular "The Little White Dog of White Point Garden," are told in the Lowcountry vernacular and will become a favorite of every reader.
In this book the author takes a fresh look at horror film series as series and presents an understanding of how the genre thrived in this format for a large portion of its history. It sheds light on older films such as the Universal and the Hammer series films on Dracula, Frankenstein and the Mummy as well as putting more recent series into perspective, such as The Nightmare on Elm Street films. A well rounded review of these films and investigation into their success as a format, this useful volume, originally published in 1991, offers an attempt to understand the marriage of horror and the series film, with its pluses as well as minuses.