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Charles Cushman (1896-1972) photographed a disappearing world in living color. Cushman's midcentury America--a place normally seen only through a scrim of gray--reveals itself as a place as vivid and real as the view through our window. The Day in Its Color introduces readers to Cushman's extraordinary work, a recently unearthed archive of photographs that is the largest known body of early color photographs by a single photographer, 14,500 in all, most shot on vivid, color-saturated Kodachrome stock. From 1938-1969, Cushman--a sometime businessman and amateur photographer with an uncanny eye for everyday detail--travelled constantly, shooting everything he encountered as he ventured from New York to New Orleans, Chicago to San Francisco, and everywhere in between. His photos include portraits, ethnographic studies, agricultural and industrial landscapes, movie sets and media events, children playing, laborers working, and thousands of street scenes, all precisely documented in time and place. The result is a chronicle of an era almost never seen, or even envisioned, in color. This well-preserved collection is all the more remarkable for having gone undiscovered for decades. What makes the photos most valuable, however, is the wide range of subjects, landscapes, and moods it captures--snapshots of a lost America as yet untouched by a homogenizing overlay of interstate highways, urban renewal, chain stores, and suburban development--a world of hand-painted signs, state fairs, ramshackle shops, small town living and bustling urban scenes. The book also reveals the fascinating and startling life story of the man who stood, unseen, on the other side of the lens, surely one of America's most impressive amateur photographers and outsider artists. With over 150 gorgeous color prints, The Day in Its Color gives us one of the most evocative visual histories of mid-20th century America that we have.
You can't tell just by looking at the outside of a book what's on the inside. Don't let the color of the book fool you. The same thing applies in our every day lives. We should not judge people based on the color of their skin. It's what's on the inside that matters. My brothers and sisters comes in all colors. When I look at people I'm color blind. I only see one color, the color of love. www.bloodypoetry4uni.com
A hilarious and spunky new heroine in the vein of the heroines of such beloved books as Ramona the Pest, Ivy and Bean, and Clementine, from Crystal Allen—the acclaimed author of How Lamar’s Bad Prank Won a Bubba-Sized Trophy. Nine-year-old Mya Tibbs is boot-scootin’ excited for the best week of the whole school year—SPIRIT WEEK! She and her megapopular best friend, Naomi Jackson, even made a pinky promise to be Spirit Week partners so they can win the big prize: special VIP tickets to the Fall Festival! But when the partner picking goes horribly wrong, Mya gets paired with Mean Connie Tate—the biggest bully in school. And she can’t get out of it. Good gravy. Now Naomi is friend-ending mad at Mya for breaking a promise—even though Mya couldn’t help it—and everyone at school is calling Mya names. Can Mya work with Mean Connie to win the VIP tickets and get her best friend back?
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Colorblindness explained for kids.
The reds, the yellows, and the blues all think they're the best in this vibrant, thought-provoking picture book from Arree Chung, with a message of acceptance and unity. In the beginning, there were three colors . . . Reds, Yellows, and Blues. All special in their own ways, all living in harmony—until one day, a Red says "Reds are the best!" and starts a color kerfuffle. When the colors decide to separate, is there anything that can change their minds? A Yellow, a Blue, and a never-before-seen color might just save the day in this inspiring book about color, tolerance, and embracing differences.
The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle
Four out of 10 North Americans read their horoscope daily, 10 out of 10 have a birthday, and almost all of them see the world in living colour.Colorstrology, already with a highly successful website at colorstrology.com, infuses elements of astrology and numerology with the spirituality of colour to create a colour profile for every day of the year. Cleverly packaged with 32 pages of perforated colour chips, this new genre of metaphysical fun will bridge the consumer gap between the house-proud urbanite and the barefoot spiritualist.Colorstrology, the company, is rolling out an entire line of branded products, from cosmetics and jewellery to cards and flowers, but this is the only comprehensive book available by the author who New York magazine calls a "must-see phenomenon."
From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction: The modern classic that Oprah.com calls one of the best memoirs of a generation and that launched James McBride's literary career. More than two years on The New York Times bestseller list. As a boy in Brooklyn's Red Hook projects, James McBride knew his mother was different. But when he asked her about it, she'd simply say 'I'm light-skinned.' Later he wondered if he was different too, and asked his mother if he was black or white. 'You're a human being! Educate yourself or you'll be a nobody!' she snapped back. And when James asked about God, she told him 'God is the color of water.' This is the remarkable story of an eccentric and determined woman: a rabbi's daughter, born in Poland and raised in the Deep South who fled to Harlem, married a black preacher, founded a Baptist church and put twelve children through college. A celebration of resilience, faith and forgiveness, The Color of Water is an eloquent exploration of what family really means.
Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.