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“If you think fiction can’t change your life and challenge you to be a better person, you need to read The Five Times I Met Myself.” —Andy Andrews, New York Times bestselling author of How Do You Kill 11 Million People, The Noticer & The Traveler’s Gift What if you met your twenty-three-year-old self in a dream? What would you say? Brock Matthews’ once promising life is unraveling. His coffee company. His marriage. So when he discovers his vivid dreams—where he encounters his younger self—might let him change his past mistakes, he jumps at the chance. The results are astonishing, but also disturbing. Because getting what Brock wants most in the world will force him to give up the one thing he doesn’t know how to let go . . . and his greatest fear is that it’s already too late. “A powerfully redemptive story with twists and turns that had me glued to every page. With a compelling message for anyone who longs to relive their past, The Five Times I Met Myself is another James L. Rubart masterpiece.” —Susan May Warren, bestselling author of the Christiansen Family series
Josh Kilmer-Purcell lived a double life. By day, he was a successful young advertising executive. By night, he would trade in his corporate uniform for high heels and sequins, and perform in downtown New York nightclubs as a drag queen called Acquadisiac before returning to the uptown penthouse he shared with his crack-addicted male escort boyfriend. In this powerfully written, emotional rollercoaster of a memoir, Kilmer-Purcell blends the glittering and highly dramatic world of nightclubs, drugs and drag with a soulful and ironic perspective on his own journey through love and life. Told with a raw and honest voice that conveys hard truths with unflinching courage, I Am Not Myself These Days is a stunningly witty and ultimately deeply moving tour de force by a remarkable talent.
Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .
A cinematic Reconstruction-era drama of violence and fraught moral reckoning In Dawson’s Fall, a novel based on the lives of Roxana Robinson’s great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson’s tale weaves her family’s journal entries and letters with a novelist’s narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country’s new political, social, and moral landscape. Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states’ rights. He later became the editor of the Charleston News and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn’t control the political whims of his readers. As he wrangled diligently in his columns with questions of citizenship, equality, justice, and slavery, his newspaper rapidly lost readership, and he was plagued by financial worries. Nor could Dawson control the whims of the heart: his Swiss governess became embroiled in a tense affair with a drunkard doctor, which threatened to stain his family’s reputation. In the end, Dawson—a man in many ways representative of the country at this time—was felled by the very violence he vehemently opposed.
4 Days is the author’s journey to New York during Christmas, which ended up being a voyage of contemplation, reflection and completion. With Shinoy’s magical portrayal of the adolescent feelings and expressions, this book is an absolute jouissance to all restless yet tired souls out there. It exquisitely tickles the little guilty pleasures we all once did and hits you with waves of nostalgia. His is a story of how it was enervating, watching his dreams breathe their last. How suffocating it was to exist merely and not live and how taking up a small chance to live his broken dreams for just four days changed his life. The book wholly imparts how we all eventually end up meeting this one person – the one who stays forever no matter what; the one who is the actual reminder of the little magic left in the world. The one who holds your hand and shows you light when it gets dark, and realising that person is You. This unforgettable story of the author’s joyful melancholic journey of fulfilment and sophistication is an absolute food for the soul.
What if you could live the "what if" in your life? Pamela Drury is in crisis. As she enters her thirty-fifth year, she is struck by the realization that she has made a complete mess of her life. Sure, she's traveled the world, has an award-winning career, and owns real estate. So why does she have the overwhelming feeling that she missed the boat to love and happiness? What happened to Mr. Right? Pamela comes to the miserable conclusion that she let him go when she turned down Robert Dickson thirteen years ago. Racked with regret and at the brink of despair, Pamela magically collides with someone who is about to change her life: herself. The Pamela who did marry Robert Dickson all those years ago.... Pamela No. 2 comes complete with Robert, three children, two goldfish, and a dog. Astonished to meet her alternate self, Pamela is further stunned when Pamela No. 2 vanishes, leaving Pamela stranded in the married life...with funny, revealing, and often poignant consequences. Australian screenwriter/director Pip Karmel, creator of the internationally acclaimed film Me Myself I, showcases her sparkling talent in this wry and affecting novel.
One night, when Ethan reaches under his bed for a toy truck, he finds this note instead: "Monsters! Meet here for final test." Ethan is sure his parents are trying to trick him into staying under the covers, until he sees five colorful sets of eyes blinking at him from beneath the bed. Soon, a colorful parade of quirky, squeaky little monsters compete to become Ethan's monster. But only the little green monster, Gabe, has the perfect blend of stomach-rumbling and snorting needed to get Ethan into bed and keep him there so he falls asleep—which as everyone knows, is the real reason for monsters under beds. With its perfect balance of giggles and shivers, this silly-spooky prequel to the award-winning I Need My Monster and Hey, That's MY Monster! will keep young readers entertained.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
These 35 folk tales have been gathered from Peter Christen Asbjørnsen and Jørgen Moe's landmark nineteenth-century collections, acclaimed by Jacob Grimm for their freshness and a fullness that "surpass nearly all others." In this sparkling translation by Pat Shaw and Carl Norman, accompanied by a selection of the magnificent original illustrations of Erik Werenskiold and Theodor Kittelsen, are captivating stories of witches, trolls, and ogres; sly foxes and mysterious bears; beautiful princesses and country lads-turned-heroes that brim with the matchless vitality and power of their original telling. Translated by Pat Shaw and Carl Norman With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library