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Daughters Who Walk This Path depicts the dramatic coming of age of Morayo, a spirited and intelligent girl growing up in 1980s Ibadan who is thrust into a web of oppressive silence woven by the adults around her. It's a legacy of silence many women in Morayo's family share. Only Aunty Morenike-once protected by her own mother-provides Morayo with a safe home, and a sense of female community which sustains Morayo as she grows into a young woman in bustling, politically charged, often violent Nigeria.
A mother's tragedy, a daughter's desire and the 7000 mile journey that changed their lives. In 1896 Norwegian American Helga Estby accepted a wager from the fashion industry to walk from Spokane, Washington to New York City within seven months in an effort to earn $10,000. Bringing along her nineteen year-old daughter Clara, the two made their way on the 3500-mile trek by following the railroad tracks and motivated by the money they needed to save the family farm. After returning home to the Estby farm more than a year later, Clara chose to walk on alone by leaving the family and changing her name. Her decisions initiated a more than 20-year separation from the only life she had known. Historical fiction writer Jane Kirkpatrick picks up where the fact of the Estbys’ walk leaves off to explore Clara's continued journey. What motivated Clara to take such a risk in an era when many women struggled with the issues of rights and independence? And what personal revelations brought Clara to the end of her lonely road? The Daughter's Walk weaves personal history and fiction together to invite readers to consider their own journeys and family separations, to help determine what exile and forgiveness are truly about. “Kirkpatrick has done impeccable homework, and what she recreates and what she imagines are wonderfully seamless. Readers see the times, the motives, the relationships that produce a chain of decisions and actions, all rendered with understatement. Kirkpatrick is a master at using fiction to illuminate history’s truths. This beautiful and compelling work of historical fiction deserves the widest possible audience.” —Publishers Weekly (Starred Review)
A mother's tragedy, a daughter's desire and the 7000 mile journey that changed their lives. In 1896 Norwegian American Helga Estby accepted a wager from the fashion industry to walk from Spokane, Washington to New York City within seven months in an effort to earn $10,000. Bringing along her nineteen year-old daughter Clara, the two made their way on the 3500-mile trek by following the railroad tracks and motivated by the money they needed to save the family farm. After returning home to the Estby farm more than a year later, Clara chose to walk on alone by leaving the family and changing her name. Her decisions initiated a more than 20-year separation from the only life she had known. Historical fiction writer Jane Kirkpatrick picks up where the fact of the Estbys’ walk leaves off to explore Clara's continued journey. What motivated Clara to take such a risk in an era when many women struggled with the issues of rights and independence? And what personal revelations brought Clara to the end of her lonely road? The Daughter's Walk weaves personal history and fiction together to invite readers to consider their own journeys and family separations, to help determine what exile and forgiveness are truly about. “Kirkpatrick has done impeccable homework, and what she recreates and what she imagines are wonderfully seamless. Readers see the times, the motives, the relationships that produce a chain of decisions and actions, all rendered with understatement. Kirkpatrick is a master at using fiction to illuminate history’s truths. This beautiful and compelling work of historical fiction deserves the widest possible audience.” —Publishers Weekly (Starred Review)
A mother's tragedy, a daughter's desire and the 7000 mile journey that changed their lives. In 1896 Norwegian American Helga Estby accepted a wager from the fashion industry to walk from Spokane, Washington to New York City within seven months in an effort to earn $10,000. Bringing along her nineteen year-old daughter Clara, the two made their way on the 3500-mile trek by following the railroad tracks and motivated by the money they needed to save the family farm. After returning home to the Estby farm more than a year later, Clara chose to walk on alone by leaving the family and changing her name. Her decisions initiated a more than 20-year separation from the only life she had known. Historical fiction writer Jane Kirkpatrick picks up where the fact of the Estbys’ walk leaves off to explore Clara's continued journey. What motivated Clara to take such a risk in an era when many women struggled with the issues of rights and independence? And what personal revelations brought Clara to the end of her lonely road? The Daughter's Walk weaves personal history and fiction together to invite readers to consider their own journeys and family separations, to help determine what exile and forgiveness are truly about. “Kirkpatrick has done impeccable homework, and what she recreates and what she imagines are wonderfully seamless. Readers see the times, the motives, the relationships that produce a chain of decisions and actions, all rendered with understatement. Kirkpatrick is a master at using fiction to illuminate history’s truths. This beautiful and compelling work of historical fiction deserves the widest possible audience.” —Publishers Weekly (Starred Review)
"Mom, I'm gay." With three little words, gay children can change their parents' lives forever. Yet at the same times it's a chance for those parents to realize nothing, really, has changed at all; same kid, same life, same bond of enduring love. Twenty years ago, during a walk on a Mississippi beach, Ellen DeGeneres spoke those simple, powerful words to her mother. That emotional moment eventually brought mother and daughter closer than ever, but not without a struggle. Coming from a republican family with conservative values, Betty needed time and education to understand her daughter's homosexuality -- but her ultimate acceptance would set the stage for a far more public coming out, one that would change history. In Love, Ellen, Betty DeGeneres tells her story; the complicated path to acceptance and the deepening of her friendship with her daughter; the media's scrutiny of their family life; the painful and often inspiring stories she's heard on the road as the first non-gay spokesperson for the Human Rights Campaigns National Coming Out Project. With a mother's love, clear minded common sense, and hard won wisdom, Betty DeGeneres offers up her own very personal memoir to help parents understand their gay children, and to help sons and daughters who have been rejected by their families feel less alone.
The only daughter of supermodel Katia Summers, witty and thoughtful Lizzie Summers likes to stick to the sidelines. The sole heir to Metronome Media and daughter of billionaire Karl Jurgensen, outspoken Carina Jurgensen would rather climb mountains than social ladders. Daughter of chart-topping pop icon Holla Jones, stylish and sensitive Hudson Jones is on the brink of her own music breakthrough. By the time freshman year begins, unconventional-looking Lizzie Summers has come to expect fawning photographers and adoring fans to surround her gorgeous supermodel mother. But when Lizzie is approached by a fashion photographer that believes she's "the new face of beauty," Lizzie surprises herself and her family by becoming the newest Summers woman to capture the media's spotlight.
Presents advice, from a Christian perspective, for teenage girls about family problems, peer pressure, friendships, body image, and other issues they may not want to talk to their parents about.
A rich and luminous novel about three generations of women in one family: the love they share, the dreams they refuse to surrender, and the secrets they hold Samantha is lost in the joys of new motherhood—the softness of her eight-month-old daughter's skin, the lovely weight of her child in her arms—but in trading her artistic dreams to care for her child, Sam worries she's lost something of herself. And she is still mourning another loss: her mother, Iris, died just one year ago. When a box of Iris's belongings arrives on Sam's doorstep, she discovers links to pieces of her family history but is puzzled by much of the information the box contains. She learns that her grandmother Violet left New York City as an eleven-year-old girl, traveling by herself to the Midwest in search of a better life. But what was Violet's real reason for leaving? And how could she have made that trip alone at such a tender age? In confronting secrets from her family's past, Sam comes to terms with deep secrets from her own. Moving back and forth in time between the stories of Sam, Violet, and Iris, Mothers and Daughters is the spellbinding tale of three remarkable women connected across a century by the complex wonder of motherhood. This book was later published under the title Mercy Train.
These twenty-six gospel-driven talks guide mothers through a simple, sustainable way to disciple their daughters. Reading God's Word together, asking one another questions, and being honest about their struggles, moms and daughters learn new habits and establish lifelong patterns for communicating about what matters most.
This riveting memoir of extreme loss and unimaginable gain recounts the story of a child who, although unable to expressherself, lives fully aware of her limiting circumstances. Robbed of speech and bodily control, and despite her loving parents’ best efforts to help her, Peyton Goddard suffered neglect and ongoing abuse by many who dismissed her as autistic and severely mentally retarded. No one could have imagined that she possessed a brilliant mind in her uncooperative body until her first opportunity to communicate electronically at age 22 when she typed “i am intlgent,” a breakthrough reminiscent of The Miracle Worker. Today Peyton is following through on her vow to be an advocate on behalf of other devalued people. Her inspirational life helps readers transcend stereotypes and join her in the radical notion that, as she says, “All people are vastly valuable. Treasure all because great is each.”