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“A wide-ranging collection from the beloved but besieged Caribbean island,” from a lineup of authors including two National Book Award finalists (Kirkus Reviews). “The Haitian-born Danticat has brought her country’s literature back into the world of English-speakers. Filled with delights and surprises, Haiti Noir, taken as a whole, provides a profound portrait of the country, from its crises to its triumphs, from the tiny bouks of the countryside to the shanties of the sprawling bidonvilles. Danticat herself has a lovely story in the collection, and permits two distinguished foreign writers on Haiti, Madison Smartt Bell and Mark Kurlansky, to slide in there among all the brilliant Haitians.” —Daily Beast Brand-new stories by Edwidge Danticat, Rodney Saint-Éloi, Madison Smartt Bell, Gary Victor, M.J. Fievre, Mark Kurlansky, Marvin Victor, Josaphat-Robert Large, Marie Lily Cerat, Yanick Lahens, Louis-Philippe Dalembert, Kettly Mars, Marie Ketsia Theodore-Pharel, Evelyne Trouillot, Katia D. Ulysse, Ibi Aanu Zoboi, Nadine Pinede, and Patrick Sylvain. “This anthology will give American readers a complex and nuanced portrait of the real Haiti not seen on the evening news and introduce them to some original and wonderful writers.” —Library Journal “A collection possessing classic noir elements—crimes and criminals and evil deeds only sometimes punished—but also something else, perhaps uniquely Haitian too.” —Los Angeles Times
"Romaine-la-Prophetesse led a devastating insurgency during the first year of the Haitian Revolution. His advisor was a white French Catholic priest, Abbe Ouviere. This book answers who the priest and the prophetess were, what they achieved, and what their lives tell us about the revolutionary Atlantic world"--
In this unique and groundbreaking collection, writers, critics, historians, and poets celebrate the cultural contributions of members of the African diaspora in the Western Hemisphere. Beginning with the cries and prayers of Gina Athena Ulysse to the Haitian loa Erzulie in the aftermath of the earthquake in Haiti, each writer in the collection engages in the recovering of the past, highlighting that which has been buried in the history of time. The contributors look at a wide range of artistic productions, from poetry and fiction, to art, music, and film, and martial arts produced in Cuba, Columbia, Brazil, Haiti, and the United States. Haitian Creole, Spanish, and English are brought together, giving the reader a vivid sense of the multiplicity of voices in the African diaspora. Rather than concentrate on the dispersion of peoples of African descent, this collection focuses instead on the multiple sites of origins in the Americas, as diasporic legacies are found throughout the continent.
A literary study of the borderlands between Haiti and the Dominican Republic.
The New York Times–bestselling author and National Book Award finalist delivers a powerful Royal Diaries volume with the story of Haiti’s heroic queen. With her signature narrative grace, Edwidge Danticat brings Haiti’s beautiful queen Anacaona to life. Queen Anacaona was the wife of one of her island’s rulers, and a composer of songs and poems, making her popular among her people. Haiti was relatively quiet until the Spanish conquistadors discovered the island and began to settle there in 1492.The Spaniards treated the natives very cruelly, and when the natives revolted, the Spanish governor of Haiti ordered the arrests of several native nobles, including Anacaona, who was eventually captured and executed, to the horror of her people. “A gripping story that shows European invasion from a native Caribbean viewpoint . . . readers will connect with Danticat’s immediate, poetic language, Anacaona’s finely drawn growing pains, and the powerful, graphic story that adds a vital perspective to the literature about Columbus and European expansion in the Americas.” —Booklist “Explores the life of a proud, young Taíno woman as she grows into rulership, love, and motherhood . . . The arrival of Columbus’s explorers marks a major turning point in the novel, and Danticat shifts from a languid, poetic style to a tense, high gear that makes it difficult to put the book down.” —Historical Novel Society
A major new history of the literary traditions, oral and print, of African-descended peoples in the United States.
Dark Matter is the first and only series to bring together the works of black SF and fantasy writers. The first volume was featured in the "New York Times," which named it a Notable Book of the Year.
What does it mean to be a Caribbean woman writer? Shall I write about being from the Caribbean or about being a woman'...And in what ways am I to differentiate being a writer from being a scholar? Should any such differentiation be made? The first volume in The Caribbean / African Diaspora Series, this collection of incisive and provocative essays by a range of writers addresses this question posed by noted author Myriam Chancy in her chapter. The wide variety of perspectives and literary approaches convey the immediacy of the contributors' responses.
Takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola. Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.