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The hilarious New York Times bestselling phenomenon and the perfect funny gift! The Darwin Awards are more than just a brand. They're a pop culture phenomenon. With six books and a website that draws in more than a million unique visitors every month, the Darwin Awards rivals The Onion and The Simpsons as one of the biggest humor franchises in the world. Fully illustrated and featuring all-new tales of the marvelously macabre, The Darwin Awards Countdown to Extinction chronicles the astonishing acts of individuals who have taken a swan dive into the shallow end of the gene pool. From attaching a five-horsepower engine to a barstool, to hammering a metal hook into an explosive device, to using a taser to treat a snake bite, these gloriously gruesome incidents prove that the countdown (to human extinction) is well under way. And we won't exit this mortal coil without one last laugh.
One of the best known and most frequently visited web sites is the Darwin Awards web site. Practically everyone who is on the net has received a Darwin story in their e-mail at one time or another. It is one of those legendary sites which has become part of the fabric of being on-line. Started in 1993 by biologist Wendy Northcutt she set out to collect together and authenticate stories of individuals around the world who, through their stupidity, have removed themselves from the gene pool, (i.e. killed themselves). These are the people for whom warnings such as 'coffee is hot' and 'this superman cape does not enable the wearer to fly' were made. This is black humour elevated to its purest commercial form. There are rules here too. The candidate must: exhibit astounding misapplication of judgement; remove himself/herself from the gene pool; be capable of sound judgement; be self selecting (i.e. it was their fault) and the event must be verifiable.
Features examples of people whose lack of common sense resulted in their demise, in a tribute to how the evolutionary process is improved when individuals of questionable intelligence accidentally remove themselves from the gene pool.
(The countdown has begun . . . ) What distinguishes humans from baser animals is our higher intelligence. This is because most humans know to think twice before headbutting a coconut or biting down on a live wire. Intelligent individuals generally know not to use a mattress pad as a floatation device, or to kitesurf in a hurricane. Darwin Award winners, however, lack this basic common sense. Named for the father of evolution, the Darwin Awards honour those who help natural selection by taking a swan dive into the shallow end of the gene pool. From attaching a five-horsepower engine to a barstool, to hammering a metal hook into an explosive device, to using a Taser to treat a snake bite, The Darwin Awards: Countdown to Extinction show that the countdown (to human extinction) is well underway – and we won't exit this mortal coil without one last laugh. Illustrated and featuring all-new tales of the marvellously macabre, The Darwin Awards: Countdown to Extinction chronicles humans who step onto the lowest rung on the evolutionary ladder and prove that intelligence is not as common among humans as we'd like to think.
This manual has been designed and written with the purpose of introducing key concepts and areas of debate around the "creative economy", a valuable development opportunity that Latin America, the Caribbean and the world at large cannot afford to miss. The creative economy, which we call the "Orange Economy" in this book (you'll see why), encompasses the immense wealth of talent, intellectual property, interconnectedness, and, of course, cultural heritage of the Latin American and Caribbean region (and indeed, every region). At the end of this manual, you will have the knowledge base necessary to understand and explain what the Orange Economy is and why it is so important. You will also acquire the analytical tools needed to take better advantage of opportunities across the arts, heritage, media, and creative services.
The widely respected social philosopher embarks on his most gripping and broadly appealing work, asking the ultimate question of human nature: Why do we repeatedly violate our most deeply held values and beliefs? After nearly forty years of weighing humanity's deepest dilemmas-working in settings ranging from university and high school classrooms to corporate offices and hospitals-bestselling author, philosopher, and religious scholar Jacob Needleman presents the most urgent, deeply felt, and widely accessible work of his career. In Why Can't We Be Good? Needleman identifies the core problem that therapists and social philosophers fail to see. He depicts the individual human as a being who knows what is good, yet who remains mysteriously helpless to innerly adopt the ethical, moral, and religious ideas that are bequeathed to him.
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.
Why do we get so embarrassed when a colleague wears the same shirt? Why do we eat the same thing for breakfast every day, but seek out novelty at lunch and dinner? How has streaming changed the way Netflix makes recommendations? Why do people think the music of their youth is the best? How can you spot a fake review on Yelp? Our preferences and opinions are constantly being shaped by countless forces – especially in the digital age with its nonstop procession of “thumbs up” and “likes” and “stars.” Tom Vanderbilt, bestselling author of Traffic, explains why we like the things we like, why we hate the things we hate, and what all this tell us about ourselves. With a voracious curiosity, Vanderbilt stalks the elusive beast of taste, probing research in psychology, marketing, and neuroscience to answer myriad complex and fascinating questions. If you’ve ever wondered how Netflix recommends movies or why books often see a sudden decline in Amazon ratings after they win a major prize, Tom Vanderbilt has answers to these questions and many more that you’ve probably never thought to ask.
Simple, direct and delightfully unprincipled, this is the essential book for the briefcase, handbag or knapsack of any aspiring world leader.
"A major contribution to the study of global events in times of global media. Owning the Olympics tests the possibilities and limits of the concept of 'media events' by analyzing the mega-event of the information age: the Beijing Olympics. . . . A good read from cover to cover." —Guobin Yang, Associate Professor, Asian/Middle Eastern Cultures & Sociology, Barnard College, Columbia University From the moment they were announced, the Beijing Games were a major media event and the focus of intense scrutiny and speculation. In contrast to earlier such events, however, the Beijing Games are also unfolding in a newly volatile global media environment that is no longer monopolized by broadcast media. The dramatic expansion of media outlets and the growth of mobile communications technology have changed the nature of media events, making it significantly more difficult to regulate them or control their meaning. This volatility is reflected in the multiple, well-publicized controversies characterizing the run-up to Beijing 2008. According to many Western commentators, the People's Republic of China seized the Olympics as an opportunity to reinvent itself as the "New China"---a global leader in economics, technology, and environmental issues, with an improving human-rights record. But China's maneuverings have also been hotly contested by diverse global voices, including prominent human-rights advocates, all seeking to displace the official story of the Games. Bringing together a distinguished group of scholars from Chinese studies, human rights, media studies, law, and other fields, Owning the Olympics reveals how multiple entities---including the Chinese Communist Party itself---seek to influence and control the narratives through which the Beijing Games will be understood. digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.