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Rachel Sanderson thought it was 'pretty cool' when she and her parents moved into 'the Elms', an old abandoned house on the edge of a wood. But why had no one else bought it - was there something sinister keeping others away?
Three cousins are brought together by their rich grandmother to determine who will inherit the family fortune. Suspicious of each other at first, they soon are bound by the discovery of a ghost and the unraveling of the family secret.
"Desire Under the Elms" is a 1924 play by Eugene O'Neill. Like some other O'Neil's plays, "Desire Under the Elms" signifies an attempt to adapt plot elements and themes of Greek tragedy to a rural New England setting. The play was inspired by the myth of Phaedra, Hippolytus, and Theseus. Both plays are driven by a love triangle between a father, a son, and a stepmother.
When precious heirloom quilts hand-stitched by her mother turn up missing from the attic of Elm Creek Manor, Sylvia Bergstrom Compson resolves to find them. From scant resources-journal entries, receipts, and her own fading memories-she pieces together clues, then queries quilting friends from around the world. When dozens of leads arrive via the Internet, Sylvia and her fiance, Andrew, embark on a nationwide investigation of antique shops and quilt museums. Sylvia's quest leads her to unexpected places, where offers of assistance are not always what they seem. As the search continues, revelations surface about her mother, who died when Sylvia was only a child. Burdened with poor health and distant parents, Eleanor Lockwood defies her family by marrying for love. Far from her Manhattan home, she embraces her new life among the Bergstroms-but although warmth and affection surround Eleanor at last, the Bergstroms cannot escape the tragedies of their times. As Sylvia recovers some of the missing quilts and accepts others as lost forever, she reflects on the woman her mother was, and mourns the woman she never knew. For every woman who has yearned to know the untold story of her mother's life, and for every mother who has longed to be heard, THE QUILTER'S LEGACY will resonate with heartfelt honesty as it reveals what tenuous connections bind the generations, and celebrates the love that sustains them.
The story of modern drama is a tale of extremes, testing both audiences and actors to their limits through hostility and contrarianism. Spanning 1880 to the present, Kirsten E. Shepherd-Barr shows how truly international a phenomenon modern drama has become, and how vibrant and diverse in both text and performance. This Very Short Introduction explores the major developments of modern drama, covering two decades per chapter, from early modernist theatre through post-war developments to more recent and contemporary theatre. Shepherd-Barr tracks the emergence of new theories from the likes of Brecht and Beckett alongside groundbreaking productions to illuminate the fascinating evolution of modern drama. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
A New York Times bestseller and a Best Book of 2018 by NPR, The New York Times Book Review, Amazon, The Boston Globe, LitHub, Vulture, Slate, Elle, Vox, and Electric Literature “Tana French’s best and most intricately nuanced novel yet.” —The New York Times An “extraordinary” (Stephen King) and “mesmerizing” (LA Times) standalone novel from the master of crime and suspense and author of the forthcoming novel The Hunter. From the writer who “inspires cultic devotion in readers” (The New Yorker) and has been called “incandescent” by Stephen King, “absolutely mesmerizing” by Gillian Flynn, and “unputdownable” (People) comes a gripping new novel that turns a crime story inside out. Toby is a happy-go-lucky charmer who’s dodged a scrape at work and is celebrating with friends when the night takes a turn that will change his life—he surprises two burglars who beat him and leave him for dead. Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family’s ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden—and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed. A spellbinding standalone from one of the best suspense writers working today, The Witch Elm asks what we become, and what we’re capable of, when we no longer know who we are.
It's what life does to you. We don't have time to waste. Worrying over the small stuff while the big stuff takes its toll. You're living and then . . . boom. At 27, History teacher Nick is on the edge. A hidden secret lies under the Brink. Nick can't get it out of his mind. A series of visions force Nick to investigate what lies beneath. Nick's girlfriend doesn't understand. Neither do his fellow teachers. Frustrated, he confides in a Year 10 student but can she be expected to have all the answers? The Brink is an arch but affecting parable for the times we live in. This edition was published to coincide with the play's world premiere at the Orange Tree Theatre, London, in April 2016.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at their summer home, reporter Emma Cross learns that sometimes the cream of the crop can curdle one’s blood . . . Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . . “Sorry to see the conclusion of Downton Abbey? Well, here is a morsel to get you through a long afternoon. Brew some Earl Grey and settle down with a scone with this one.” —Washington Independent Review of Books
The fourth book in the popular Elm Creek Quilts series explores a question that has long captured the imagination of quilters and historians alike: Did stationmasters of the Underground Railroad use quilts to signal to fugitive slaves? In her first novel, The Quilter's Apprentice, Jennifer Chiaverini wove quilting lore with tales from the World War II home front. Now, following Round Robin and The Cross-Country Quilters, Chiaverini revisits the legends of Elm Creek Manor, as Sylvia Compson discovers evidence of her ancestors' courageous involvement in the Underground Railroad. Alerted to the possibility that her family had ties to the slaveholding South, Sylvia scours her attic and finds three quilts and a memoir written by Gerda, the spinster sister of clan patriarch Hans Bergstrom. The memoir describes the founding of Elm Creek Manor and how, using quilts as markers, Hans, his wife, Anneke, and Gerda came to beckon fugitive slaves to safety within its walls. When a runaway named Joanna arrives from a South Carolina plantation pregnant with her master's child, the Bergstroms shelter her through a long, dangerous winter -- imagining neither the impact of her presence nor the betrayal that awaits them. The memoir raises new questions for every one it answers, leading Sylvia ever deeper into the tangle of the Bergstrom legacy. Aided by the Elm Creek Quilters, as well as by descendants of others named in Gerda's tale, Sylvia dares to face the demons of her family's past and at the same time reaffirm her own moral center. A spellbinding fugue on the mysteries of heritage, The Runaway Quilt unfolds with all the drama and suspense of a classic in the making.
“This thoughtful autobiographical work by an award-winning Australian novelist” chronicles a young author’s adventuresome coming of age (Kirkus Reviews, starred review). In this epic yet intimate autobiographical novel, acclaimed Australian author Alex Miller returns to his fictional alter ego Robert Crofts, the subject of his debut work, Watching the Climbers on the Mountain. To flee his abusive father in the years after World War II, sixteen-year-old Robert leaves his childhood home in London for the Australian Outback. After a sojourn there, Robert moves to cosmopolitan Melbourne where he meets Lena Soren, the woman who becomes the true center of his life. As their intimacy deepens, Lena struggles to free herself from the familial demands and social norms that suffocate her. Very much in love, Robert follows Lena to the end of the earth and back again as their relationship nourishes both his artistic aspirations and her ever stronger sense of self. The Passage of Love is the story of a young man discovering his calling, a young woman pursuing her own destiny, and a modern country struggling to define itself through shifting mores.