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The facts confirm the UFO crash happened. Officials deny it. What don’t they want us to know? In 1965 a massive wave of UFO sightings occurs worldwide. In 1967 residents of Shag Harbor, Canada, witness a huge UFO crash into the bay. Three Royal Canadian Mounties watch it float before sinking. Navy divers mount an extensive search. Now officials say nothing ever happened. Why? Researchers Don Ledger and Chris Styles—Styles himself an eyewitness to the Shag Harbor crash—have tackled one of the best documented and most top-secret incidents in the annals of UFO sightings. What they have found out will astound—and outrage—readers. From mysterious surveillance twenty-five years after the crash to the sudden disappearance of written records, someone wanted the investigation stopped. But Ledger and Styles now file their stunning report—and reach a chilling conclusion about the Dark Object, what really happened, and what remains hidden today. . . .
Lacey Yeager is young, captivating, and ambitious enough to take the NYC art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.
A dazzling debut about the power of family and the pain of betrayal set within Manhattan's Fifth Avenue apartments, the opulent mansions of the new Moscow, and the pre-revolutionary palaces of Saint Petersburg. Sasha Ozerovsky is a young expert in Russian art at Leighton's, an exclusive Manhattan auction house. When a dealer arrives from Moscow with an exquisite 1913 Fabergé figurine, Sasha immediately recognizes a rare masterpiece. But in the high stakes art world, the price of an object is tied to its history. If Sasha can determine for whom the bejeweled piece was made and where it has been hiding for the past century, its value -- and Sasha's career -- will soar. But as Sasha moves between New York's high society and Russia's new rich, he discovers that the piece once belonged to his family, and he must face questions about their past that he never dared to ask. Superbly plotted and evoking the elegance of Russia's gilded age, Object of Virtue is an enthralling tale that explores what happens to a family torn between vanity and virtue.
Since Kant, philosophy has been obsessed with epistemological questions pertaining to the relationship between mind and world and human access to objects. In The Democracy of Objects, Bryant proposes that we break with this tradition and once again initiate the project of ontology as first philosophy. Drawing on the object-oriented ontology of Graham Harman, as well as the thought of Roy Bhaskar, Gilles Deleuze, Niklas Luhman, Aristotle, Jacques Lacan, Bruno Latour and the developmental systems theorists, Bryant develops a realist ontology that he calls "onticology". This ontology argues that being is composed entirely of objects, properties, and relations such that subjects themselves are a variant of objects. Drawing on the work of the systems theorists and cyberneticians, Bryant argues that objects are dynamic systems that relate to the world under conditions of operational closure. In this way, he is able to integrate the most vital discoveries of the anti-realists within a realist ontology that does justice to both the material and cultural. Onticology proposes a flat ontology where objects of all sorts and at different scales equally exist without being reducible to other objects and where there are no transcendent entities such as eternal essences outside of dynamic interactions among objects. Contents: Towards a Finally Subjectless Object Grounds For a Realist Ontology The Paradox of Substance Virtual Proper Being The Interior of Objects Regimes of Attraction, Parts, and Structure The Four Theses of Flat Ontology
Forensics expert Laughton Rees hunts an unusually clever killer who appears to be staging murder scenes just for her in this twisty new psychological thriller by the bestselling author of the Sanctus trilogy. How do you catch a killer if the victim doesn’t exist? A glamorous woman is murdered in her ultra-luxurious London mansion and her husband goes missing. But according to public records, neither of them exists. The only leads police have are several objects arranged around the woman’s body, including a set of keys and a book called How to Process a Murder by Laughton Rees—a book that appears to have helped the killer forensically cleanse the crime scene. Laughton Rees is an academic who doesn’t usually work live cases after the brutal murder of her mother as a teen left her traumatized and emotionally scarred. But the presence of her book at this scene draws her unwillingly into the high-profile investigation and media circus that springs up around it. As the dark objects found beside the body lead her closer to the victim’s identity, a dangerous threat to Laughton and her daughter emerges, as well as painful memories of her past related to the man she has always blamed for her mother’s death: John Rees, Laughton’s father, the current Metropolitan Chief Commissioner and a man she has not spoken to in twenty years. Laughton’s family was destroyed once and she built herself a new one. Now, she has to face her darkest fears and help catch a killer before this one is destroyed too.
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.
Digital objects, in their simplest form, are data. They are also a new kind of industrial object that pervades every aspect of our life today—as online videos, images, text files, e-mails, blog posts, Facebook events.Yet, despite their ubiquity, the nature of digital objects remains unclear. On the Existence of Digital Objects conducts a philosophical examination of digital objects and their organizing schema by creating a dialogue between Martin Heidegger and Gilbert Simondon, which Yuk Hui contextualizes within the history of computing. How can digital objects be understood according to individualization and individuation? Hui pursues this question through the history of ontology and the study of markup languages and Web ontologies; he investigates the existential structure of digital objects within their systems and milieux. With this relational approach toward digital objects and technical systems, the book addresses alienation, described by Simondon as the consequence of mistakenly viewing technics in opposition to culture. Interdisciplinary in philosophical and technical insights, with close readings of Husserl, Heidegger, and Simondon as well as the history of computing and the Web, Hui’s work develops an original, productive way of thinking about the data and metadata that increasingly define our world.
"Gillian Flynn is the real deal, a sharp, acerbic, and compelling storyteller with a knack for the macabre." —Stephen King This collection, available exclusively as an ebook, brings together the first two novels of Gillian Flynn, author of the #1 New York Times bestseller Gone Girl. In Sharp Objects, Flynn’s debut novel, a young journalist returns home to cover a dark assignment—and to face her own damaged family history. With its taut, crafted writing, Sharp Objects is addictive, haunting, and unforgettable. Flynn’s second novel, Dark Places, is an intricately orchestrated thriller that ravages a family's past to unearth the truth behind a horrifying crime. A New York Times bestseller and Weekend Today Top Summer Read, Dark Places solidified Flynn’s status as one of the most critically acclaimed suspense writers of our time.
Fed up with the lack of diversity in her small town and her peers' inclination to credit everything she does well to her Asian heritage, Chloe bonds with a new Korean-American teacher who invites her to explore her family history, with unexpected res