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The #1 selling scholarship guide from winners of more than $100,000 in scholarships. A directory of more than 1.5 million scholarships, grants and prizes that you can use at any college, The Ultimate Scholarship Book includes helpful indexes to pinpoint the best scholarships for you.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
The #1 selling scholarship guide from winners of more than $100,000 in scholarships. A directory of more than 1.5 million scholarships, grants and prizes that you can use at any college, The Ultimate Scholarship Book includes helpful indexes to pinpoint the best scholarships for you.
A “well-researched and very readable new biography” (The Wall Street Journal) of “the Thomas Edison of guns,” a visionary inventor who designed the modern handgun and whose awe-inspiring array of firearms helped ensure victory in numerous American wars and holds a crucial place in world history. Few people are aware that John Moses Browning—a tall, humble, cerebral man born in 1855 and raised as a Mormon in the American West—was the mind behind many of the world-changing firearms that dominated more than a century of conflict. He invented the design used in virtually all modern pistols, created the most popular hunting rifles and shotguns, and conceived the machine guns that proved decisive not just in World Wars I and II but nearly every major military action since. Yet few in America knew his name until he was into his sixties. Now, author Nathan Gorenstein brings firearms inventor John Moses Browning to vivid life in this riveting and revealing biography. Embodying the tradition of self-made, self-educated geniuses (like Lincoln and Edison), Browning was able to think in three dimensions (he never used blueprints) and his gifted mind produced everything from the famous Winchester “30-30” hunting rifle to the awesomely effective machine guns used by every American aircraft and infantry unit in World War II. The British credited Browning’s guns with helping to win the Battle of Britain. His inventions illustrate both the good and bad of weapons. Sweeping, lively, and brilliantly told, this fascinating book that “gun collectors and historians of armaments will cherish” (Kirkus Reviews) introduces a little-known legend whose impact on history ranks with that of the Wright Brothers, Thomas Edison, and Henry Ford.
In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.
The second novel in the Matthew Shardlake Tudor Mystery series—soon to be an original streaming series! In 1540, during the reign of Henry VIII, Shardlake is asked to help a young girl accused of murder. She refuses to speak in her defense even when threatened with torture. But just when the case seems lost, Thomas Cromwell, the king’s feared vicar general, offers Shardlake two more weeks to prove his client’s innocence. In exchange, Shardlake must find a lost cache of "Dark Fire," a legendary weapon of mass destruction. What ensues is a page-turning adventure, filled with period detail and history. "Atmospheric and engaging" (Margaret George), this second book in Matthew Shardlake Tudor Mystery series delves again into the dark and superstitious world of Cromwell's England introduced in Dissolution. Awarded the CWA Diamond Dagger – the highest honor in British crime writing
Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.
***Now a complete series*** What do a heartless Dragon Shifter, a cold-blooded Basilisk, an arrogant Lion Shifter and a brooding, tattooed Harpy have in common...?Me. Elise Callisto. Vampire. Angel of vengeance. And a girl on a mission to destroy one of them for murdering my brother. I just don't know which one did it yet. When I interrogated/accidentally killed a Werewolf who was high on a new and dangerous drug called Killblaze, his final words painted a dark reality for me. The King of Aurora Academy killed my brother. The trouble is, there's four kings at the academy and each of them have motive and bloodthirsty natures. Aurora Academy isn't a place for the faint of heart. To put it lightly, my town is the cesspit of Solaria where the most cutthroat Fae in the kingdom reside. The school itself is divided by the two gangs who run this city. The Lunar Brotherhood and the Oscura Clan. And guess what? Two of the kings run the gangs at the academy, their hatred for each other so fierce I hear a day doesn't go by without blood being spilled in the halls. I might be a petite, lilac-haired girl who looks like I couldn't hurt a fly, but they haven't been introduced to my fangs yet. And they don't know why I'm really here. Or that I'll do whatever it takes to bring down the Fae who took my flesh and blood from me. I don't believe in fate, but I do know this... the King who killed my brother is a dead man walking. And I'm prepared to sacrifice my heart, body and soul to ensure I get my revenge.
Of all the teachings of Christianity, the doctrine of hell is easily the most troubling, so much so that in recent years the church has been quietly tucking it away. Rarely mentioned anymore in the pulpit, it has faded through disuse among evangelicals and been attacked by liberal theologians. Hell is no longer only the target of those outside the church. Today, a disturbing number of professing Christians question it as well. Perhaps more than at any other time in history, hell is under fire. The implications of the historic view of hell make the popular alternatives, annihilationism and universalism, seem extremely appealing. But the bottom line is still God’s Word. What does the Old Testament reveal about hell? What does Paul the apostle have to say, or the book of Revelation? Most important, what does Jesus, the ultimate expression of God’s love, teach us about God’s wrath?Upholding the authority of Scripture, the different authors in Hell Under Fire explore a complex topic from various angles. R. Albert Mohler Jr. provides a historical, theological, and cultural overview of “The Disappearance of Hell.” Christopher Morgan draws on the New Testament to offer three pictures of hell as punishment, destruction, and banishment. J. I. Packer compares universalism with the traditional understanding of hell, Morgan does the same with annihilationism, and Sinclair Ferguson considers how the reality of hell ought to influence preaching. These examples offer some idea of this volume’s scope and thoroughness.Hell may be under fire, but its own flames cannot be quenched by popular opinion. This book helps us gain a biblical perspective on what hell is and why we cannot afford to ignore it. And it offers us a better understanding of the One who longs for all people to escape judgment and obtain eternal life through Jesus Christ.