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The field of archaeology continues to face a major crisis of interpretation. The traditional view is that the basic business of archaeology is to reconstruct the history of cultures and civilizations through their material productions. Olivier challenges this view with a new approach to archaeological remains based on the works of French theorists such as Foucault, de Certeaux, and Derrida, with insight from Darwin and Freud. His thesis is that archaeology does not study the past itself but rather what materially remains of the past in our present. Olivier also develops an interpretation of material culture based on Aby Warburg’s and Walter Benjamin’s work in the anthropology of art. With wider implications for history and all social sciences, The Dark Abyss of Time is a major contribution to the theory of time, memory, heritage, and archaeology. This flawless translation makes Olivier’s elegantly written work available in English for the first time.
"A rich historical pastiche of 17th- and 18th-century philosophy, science, and religion."—G. Y. Craig, New Scientist "This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the early modern era. . . . [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects—Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."—Nina Gelbart, American Scientist
Society was rocked when the Cathedral appointed Allegra, Contessa of Marsina, to negotiate the delicate peace talks between the rebelling mage slaves and the various states. Not only was she a highborn mage, she was a nonbeliever and a vocal objector against the supposed demonic origins of witchcraft. Demons weren’t real, she’d argued, and therefore the subjection of mages was unlawful. That was all before the first assassination attempt. That was before Allegra heard the demonic shrieks. All before everything changed. Now Allegra and her personal guards race to stabilize the peace before the entire known world explodes into war with not just itself, but with the abyss from beyond. So much for demons not being real.
"The Italy of Massimo Carlotto is a different world entirely, a dangerous setting for serious crimes committed by cruel men." — The New York Times A riveting drama of guilt, revenge, and justice, Massimo Carlotto's Death's Dark Abyss tells the story of two men and the savage crime that binds them. During a robbery, Raffaello Beggiato takes a young woman and her child hostage and later murders them. Beggiato is arrested, tried, and sentenced to life. The victims' father and husband, Silvano, plunges into an ever-deepening abyss until the day, years later, when the murderer seeks his pardon and Silvano turns predator as he ruthlessly plots his revenge.
A book by Spain's greatest living writer weaves fiction and fact into a completely original and unforgettable hybrid. Called by its author a "false novel," Dark Back of Time begins with the tale of the odd effects of publishing All Souls, his witty and sardonic 1989 Oxford novel. All Souls is a book Marías swears to be fiction, but which its "characters"--the real-life dons and professors and bookshop owners who have "recognized themselves"--fiercely maintain to be a roman à clef. With the sleepy world of Oxford set into fretful motion by a world that never "existed," Dark Back of Time begins an odyssey into the nature of identity and of time. Marías weaves together autobiography, a legendary kingdom, strange ghostly literary figures, halls of mirrors, a one-eyed pilot, a curse in Havana, and a bullet lost in Mexico.
Descending into the depths of an unknown planet, Clive Foliott and his band of heroes struggle to survive the traps of a strange multileveled prison and to locate Clive's lost twin, Neville. And the only clues they have to the Dungeon are brief notes in Neville's journal!
An unstoppable force is headed toward Earth with weapons far beyond humanity's capabilities.The Solar Republic of Earth faces imminent destruction at the hands of the maniacal Collectors. In a desperate bid to stop them, Commander Tag Brewer leads a strike group of SRE warships deep into enemy territory. They seek to strike a devastating blow and free the countless beings who have been enslaved by the Collectors. But Tag fears they may be headed into a trap.Complicating their mission, they discover an alien race that may be even deadlier than the Collectors. Tag and his crew soon find themselves mired in a vicious conflict beyond anything they had anticipated.And it is not just Tag and his strike group whose lives are in jeopardy. The outcome of this conflict will determine the fate of humanity and every other free race.Tag must call on old and new allies if the SRE has any chance of survival in this thrilling conclusion to the Eternal Frontier series.
“To the novel—everyone’s novel—Sorrentino brings honor, tradition, and relentless passion.”—Don DeLillo “Sorrentino [is] a writer like no other. He’s learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino’s books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light.”—Jeffrey Eugenides “For a compelling, hilarious, and ultimately compassionate rendering of life in mid-20th-century America, forget the conscientious subjectors and take Gilbert Sorrentino at his golden Word.”—Harry Mathews “One of [Brooklyn]’s most intriguing and authentic homegrown talents, Sorrentino’s Bay Ridge deserves to be appreciated alongside Malamud’s Crown Heights, Arthur Miller’s Coney Island, Henry Miller’s and Betty Smith’s Williamsburg, Hamill’s and Auster’s Park Slope, and Lethem’s Boerum Hill.”—Bookforum Titled after a line from Henry James, Gilbert Sorrentino’s final novel consists of fifty narrative set pieces full of savage humor and cathartic passion—an elegiac paean to the bleak world he so brilliantly captured in his long and storied career. Mirroring the inexplicable coincidences, encounters, and hallmarks of modern life, this novel revisits familiar characters—the aging artists, miserable couples, crackerjack salesmen, and drunken soldiers of previous books, placing them in familiar landscapes lost in time between the Depression era and some fraudulent bohemia of the present . A luminary of American literature, Gilbert Sorrentino was a boyhood friend of Hubert Selby, Jr., a confidant of William Carlos Williams, a two-time PEN/Faulkner Award finalist, and the recipient of a Lannan Literary Lifetime Achievement Award. He taught at Stanford for many years before returning to his native Brooklyn and published over thirty books before his death in 2006.
This fairy tale doesn’t end with a kiss in this spellbinding Immortals After Dark tale from #1 New York Times bestselling author Kresley Cole! The terrifying king of hell... As a boy, Abyssian “Sian” Infernas had his heart shattered by a treacherous fey beauty who died before he could exact vengeance. Millennia later, a curse has transformed him into a demonic monster—just as she’s been reincarnated. Sian captures the delicate but bold female, forcing her back to hell. Meets his match. Princess Calliope “Lila” Barbot’s people have hated and feared Abyssian and his alliance of monsters for aeons. When the beastly demon imprisons her in his mystical castle, vowing revenge for betrayals she can’t remember, Lila makes her own vow: to bring down the wicked beast for good. Can two adversaries share one happily-ever-after? As Calliope turns hell inside out, the all-powerful Sian finds himself defenseless against his feelings for her. In turn, Lila reluctantly responds to the beast’s cleverness and gruff vulnerability. But when truths from a far distant past are revealed, can their tenuous bond withstand ages of deceit, a curse, and a looming supernatural war?
One of the feature stories of the Cthulhu Mythos, "The Shadow Out of Time" is the tale of a professor of political economics that is thrown into a mind-shattering journey through time and space, while his body is held hostage by an alien mind. Horrified and panic-stricken by the implications of his experiences, he hopes against all reason and evidence that he has merely lost his mind.