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Compelling romance and swashbuckling thrills. The dramatic and gripping story of one man with two lives and the woman he craves, but cannot have… He was the handsome aristocrat and charismatic adventurer who created a dynasty and she was the feisty, unconventional woman he loved. He was English and she was French, two strong-willed people determined never to give in to each other, and a devious, diabolical enemy determined to exact revenge on the smuggler who had constantly evaded him and thwarted his nefarious plans, Set at the end of the 18th century when France was on the cusp of a bloodthirsty Revolution, this is an exciting and unputdownable tale of daring escapes, broken promises, distrust and misunderstandings, all threaded through by a passionate and turbulent love affair, a scorching romance that wouldn’t be denied. Part 4: The Dangerous Harlot A cripple, his pregnant wife and a middle-aged valet. That is Marie-Catherine’s army, so everything is down to her. With every minute counting, only she can save The Shadow, and his uncle’s family who were bait in the trap set for him. But she wants revenge as well, passionately. His enemies are also her own, they owe her and she’s going to kill them, once and for all. She made a vow in the grim fortress prison in Rouen and the time has come to fulfil it, back in the very same place. But she isn’t ‘just a mere woman’… and she is determined. Still the headstrong, wilful and eccentric individual she’s always been, nothing is going to stop Marie-Catherine, even though her plan is risky in the extreme and the odds heavily stacked against her. And when she’s done that, because failure isn’t an option she can bear to contemplate, she’s going to return to England and try to save her wreck of a marriage. But with her very life at stake, and that of The Shadow already doomed, is all this a step too far, even for her?
Camilla Hearst is a Harlot.God forgives little girls who don't obey, but he forsakes women who surrender their bodies to desires of the flesh.Raised to believe her very existence was a sin, Camilla escaped her father's iron fist and chased the sun to Grand Haven, California, where one thing was for certain: It's a man's world.She was prepared to live in it until the day Camilla met the highest paid escort in the city-exposing an underground world where women rule like queens. Now Camilla finds herself offering her body to the highest bidder.Falling for Grand Haven's golden-boy and mafia attorney, Wilder Ridge, only strengthens her desire to break free from her dark past and control her own destiny. But in a society where everything has a price tag, she discovers her body isn't the only thing for sale.So is her life
How far will a wallflower go to win her husband's love? When her disguise as a courtesan backfires, Lady Helena finds herself entangled in a game of deception and desire with her husband Nicholas, the Marquess of Harteford... and discovers that he has dark secrets of his own. Discover this steamy #1 National Bestselling Regency Romance today!
A new commentary for today's world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible's grand story. The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding everyday readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is ideal for pastors, students, Sunday school teachers, and laypeople alike. Each volume employs three main, easy-to-use sections designed to help readers live out God's story: LISTEN to the Story: Includes complete NIV text with references to other texts at work in each passage, encouraging the reader to hear it within the Bible's grand story. EXPLAIN the Story: Explores and illuminates each text as embedded in its canonical and historical setting. LIVE the Story: Reflects on how each text can be lived today and includes contemporary stories and illustrations to aid preachers, teachers, and students. —Joshua— The book of Joshua continues the story of Genesis to Deuteronomy, bringing Israel into the land promised Abraham in Genesis 12. Joshua's emphasis on God’s gift of the land, the conduct of warfare and the treatment of Canaan's inhabitants, and the importance of obedience to the law of Moses all arise out of this long narrative. Edited by Scot McKnight and Tremper Longman III, and written by a number of top-notch theologians, The Story of God Bible Commentary series will bring relevant, balanced, and clear-minded theological insight to any biblical education or ministry.
A defiant woman…in a desert king's world! After inheriting a broken kingdom, Prince Rafiq made a vow—to restore its pride by winning a prestigious horse race. To ensure success, he hires an English expert. But even notoriously controlled Rafiq is shocked when his new employee is introduced…as Miss Stephanie Darvill! Stephanie is determined to leave her shameful past and broken dreams behind—she will prove to Rafiq she deserves his trust! But this hard-hearted desert sheikh calls to Stephanie in the most primal of ways… Dare she give in to her wildest desires?
The phrase "like a bride adorned" is one of the ways Revelation describes the new Jerusalem which descends from heaven. This phrase can also be read as describing one of the ways interpreters historically have understood the relationship between Revelation and its metaphorical language. In contrast to views that suggest Revelation's metaphorical language is simple adornment, Huber argues that Revelation's persuasive power resides within the text's metaphorical nature and she articulates a method for exploring how Revelation employs metaphor to shape an audience's thought. In order to gain a sense of how metaphorical language works in Revelation's highly metaphorical text,"Like a Bride Adorned:" Reading Metaphor in John's Apocalypse engages one set of conceptual metaphors in relation to Revelation's literary and social-historical milieu. Specifically, Huber explores the conceptual metaphors undergirding Revelation's nuptial or bridal imagery. Positioned at the culmination of the text's, nuptial imagery serves as one the text's final and arguably one of its most important characterizations of the Christian community. Examining the function of Revelation's nuptial imagery involves investigating how the text redeploys conventional metaphorical constructions used in the writings of the Hebrew prophets and how its imagery engages Greco-Roman depictions of women, weddings, and brides. Discourse about marriage and family was such an important part of Revelation's historical context, especially as it was shaped by the Roman Empire, that any discussion of the text's nuptial imagery must examine how it reflects and responds to this discourse. By addressing these questions, we see that Revelation's nuptial imagery serves to further the text's goal of shaping Christian identity in opposition to the social demands of the Roman Empire. Moreover, exploration of the conceptual metaphors undergirding Revelation's "bride adorned" reveals how John seeks to shape Christian identity as a transitional identity. Through metaphor, Revelation encourages its audience to envision the Christian community as a bride who constructs "her" own identity as she transitions into a new role in relation to God and the Lamb. Through the process of exploring Revelation's nuptial imagery with insights gained from conceptual metaphor theory, we uncover the ways that John employs metaphorical language to persuade his audience's thought about themselves and about others. Consequently, this work contributes both to our understanding of the text's nuptial imagery and to our knowledge of how Revelation employs metaphor as tool for persuasion.
This detailed study of the criminal justice system in Victorian Britain highlights the dilemmas facing those responsible for administering justice and protecting society from "the criminal." Encompassing the crimes of the never-identified Jack the Ripper, as well as many other equally intriguing criminals, Hooligans, Harlots, and Hangmen: Crime and Punishment in Victorian Britain is a detailed study of the criminal justice system as it evolved from the accession of Queen Victoria in 1837 to the outbreak of the "Great War" in 1914. The first section of the book considers crimes and criminals, while the second looks at the ways in which the Victorians sought to explain this deviant behavior. The third section focuses on the creation of criminals through the work of the constabulary and the courts. The final section considers the changing ways in which criminals were punished as the scaffold gave way to the prison as the dominant means of punishment. A brief introduction and conclusion set Victorian crime into its broader sociopolitical context and relates the issues society grappled with then to those of the present day.
Sex. Violence. Scandal. These are words we rarely associate with the sacred text of the Bible. Yet in this brilliant new book, Jonathan Kirsch shows that the Old Testament is filled with some of the most startling and explicit stories in all of Western literature. These tales of seduction and rape, voyeurism and exhibitionism, intermarriage and illegitimacy, assassination and murder have been suppressed by religious authorities throughout history precisely because they are so shocking. "You mean that's in the Bible?" is the common reaction of the contemporary reader to the stories that Kirsch retells and explores. In The Harlot by the Side of the Road, Kirsch recounts these suppressed and mistranslated tales in the grand storytelling tradition. Here is the tale of Dinah, the young Israelite daughter raped by a princely suitor. The price for her hand in marriage? The circumcision of every man in his kingdom. Here, too, is the story of Lot's daughters, who, when faced with the possibility that they are the last survivors on earth, must copulate with their drunken father to continue their race. And the story of Tamar, the harlot by the side of the road, who must disguise herself as a prostitute and seduce her father-in-law in order to bear the child who has been promised her. Kirsch places each story within the political and social context of its time, and delves into the latest biblical scholarship to explain why each story was originally censored. He also brings to light when and where each story was first written down, and how it found its way into the Bible. And he shows how these stories have something important to say to contemporary readers who might never pick up a Bible. Kirsch reveals that the Bible's real power lies in its unflinching lessons in human nature. And he illuminates the surprising modernity of the Bible's characters: these were, like us, people delicately balanced between their destructive and generous natures. Certain to excite controversy and ignite intellectual debate, The Harlot by the Side of the Road will undoubtedly be one of the year's most talked-about books.
Working at the intersections of feminist literary criticism, new historicism, and narratology, Chastity and Transgression in Women's Writing revises current understandings of nineteenth-century representations of prostitution, female sexuality and the 'rights of woman' debate. Eberle's project explores the connections and disjunctures between women writing during the Romantic period and those working throughout the Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.