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This fascinating account of a Yale-trained psychiatrist's twenty-year experience with Native American healing interweaves autobiography with stories of the Native Americans who challenged his medical school assumptions about their methods. While working as a family physicans in a Native American hospital in the Southwest, Carl Hammerschlag was introduced to a patient named Santiago, a Pueblo priest and clan chief, who asked him where he had learned how to heal. Hammerschlag responded almost by rote, rattling off his medical education, intership, and certification. The old man replied,"Do you know how to dance?" To humor Santiago, Hammerschlag shuffled his feet at the priest's bedside. Despite his condition, Santiago got up and demonstrated the proper steps. "You must be able to dance if you are to heal people,"he admonished the young doctor."I can teach you my steps, but you will have to hear your own music." Hammerschlag synthesizes his Jewish heritage with his experience with Native Americans to produce a practice open to all methods of healing. He discovers the wisdom of the Pueblo priest's question to his Western doctor, "Do you know how to dance?"
The story of a 26-year-old, newly minted doctor from Brooklyn who joins the Indian Health Service to begin a 20-year odyssey that transforms a young physician into a healer. Along the way he realizes that the genius of Western medicine can effectively treat some conditions but not others, and that there are many different ways to heal. His experiences force him to confront his old certainties about how people get sick and how they get well. This fascinating account interweaves autobiography with stories of the Native Americans who challenged his medical school assumptions about their methods.
For the Tumbuka people of Malawi, traditional medical practices are saturated with music. Steven M. Friedson explores a health care system populated by dancing prophets, singing patients, and drummed spirits.
Healing is often discussed but infrequently studied. Schenck and Churchill provide a systematic approach to the elements that make clinician-patient interactions themselves a source of healing, based on comprehensive interviews with 50 physicians and alternative practitioners. The authors present a compelling picture of how healing happens in the practices of extraordinary clinicians.
Walking in the Sacred Manner is an exploration of the myths and culture of the Plains Indians, for whom the everyday and the spiritual are intertwined, and women play a strong and important role in the spiritual and religious life of the community. Based on extensive first-person interviews by an established expert on Plains Indian women, Walking in the Sacred Manner is a singular and authentic record of the participation of women in the sacred traditions of Northern Plains tribes, including Lakota, Cheyenne, Crow, and Assiniboine. Through interviews with holy women and the families of women healers, Mark St. Pierre and Tilda Long Soldier paint a rich and varied portrait of a society and its traditions. Stereotypical images of the Native American drop away as the voices, dreams, and experiences of these women (both healers and healed) present insight into a culture about which little is known. It is a journey into the past, an exploration of the present, and a view full of hope for the future.
Using Native American experience as an example, the author provides advice on living wisely, well, and spiritually in an increasingly materialistic world.
One of the world's oldest continuing societies, the Ju/'hoansi, or Bushmen of the Kalahari Desert offer profound insights into what is fundamental to human existence. In the face of outside pressures that threaten the complete disruption of their communal way of life, the Ju/'hoansi find deep spiritual resources in their traditional healing dance. Their indigenous method of healing individuals is also a powerful affirmation of the community, and has recently become a means of settling land and property disputes, problems that never existed in the old days. The healing dance promises to be the crucial factor that allows the Ju/'hoansi to preserve their culture into the 21st century. These inspiring people set an example for us to look beyond the false promises of modern technology in search of the spiritual healing that is so desperately needed in our own culture and within ourselves.
This account of the ancient healing dances practiced by the Kung people of southern Africa's Kalahari dessert includes vivid eyewitness descriptions of night-long healing dances and interviews with Kung healers.
New York Times bestselling author Master Zhi Gang Sha reveals the significance and power of Tao Song, the highest and most profound Soul Song that can transform every aspect of life, and Tao Dance, movement guided by the Source. Tao is the Source and Creator. Tao is The Way of all life. Tao is the universal principles and laws. Tao Song is sound from the Source. Tao Dance is movement from the Source. Tao Song and Tao Dance carry Tao power and ability from the Source. In the ninth book of his revolutionary Soul Power Series, and his third book on Tao, Master Sha reveals new sacred Tao Song mantras that carry Tao frequency and vibration, which can transform the frequency and vibration of all life. Sacred Tao Song mantras and Tao Dance carry Tao love, which melts all blockages; Tao forgiveness, which brings inner joy and inner peace; Tao compassion, which boosts energy, stamina, vitality, and immunity; and Tao light, which heals, prevents sickness, purifies and rejuvenates soul, heart, mind, and body, and transforms relationships, finances, and every aspect of life. Tao Oneness Practice is created and released. Step into the Tao with Master Sha.