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In this brief and easy-to-read IVP booklet, C. Baxter Kruger vividly retells the parable of the prodigal son (including the full text of Luke 15:1-32). His fresh interpretation focuses not on the prodigal son, but on the character of the father as it is revealed through his interaction with his two very different sons. Baxter asks you to consider with which son you most identify--the dutiful elder brother or the wayward younger brother. Then he helps you explore the spiritual implications of that identification. Finally, he shows you how an examination of the father of the two sons highlights important aspects of God's character: rejoicing, compassion and more. You'll come away from this short but profound study with new insight into the ways God the Father is at work in your own life.
The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.
Release the Kingdom through Dance! You can experience God’s presence and healing power through dance. Encountering God Through Dance equips believers to worship Jesus in wholehearted devotion—to express love without fear or shame. What people are saying: Encountering God Through Dance is the wonderful journey of a radical lover of God…and a manual for instruction and inspiration. —Bill Johnson, Senior Pastor, Bethel Church This is by far the most refreshing book I have read in a long time. Saara Taina has given her life to a core area of life that is far too marginalized in many churches. —Marc A. Dupont, Mantle of Praise Ministries, Inc. Rarely do you see a book that offers passion, testimonies, and biblical expertise so that others can be fully equipped. —Theresa Dedmon, Director of Prophetic Arts, Bethel Church We have personally experienced the breakthrough power of the dance many, many times in Succat Hallel, our 24/7 worship room that overlooks Mount Zion in Jerusalem. —Rick and Patti Ridings, Succat Hallel The author’s personal journey of devotion through dance has taken her worldwide. She wraps her exciting travels with a solid biblical framework for the importance of dance in the Kingdom of God—on earth, today!
Dancing With God is an exploration of the divine gifts of courage and grace in the face of evil. Moreover, it is a doctrine of God as the source of that courage. Baker-Fletcher presents an understanding of the work of the Trinity with regard to the problem of crucifixion, a metaphor she uses for unnecessary violence. She develops a process of relational, womanist theology that considers the empathetic omnipresence of God in the midst of unnecessary suffering and the healing power of God in movement of the Holy Spirit. She engages the contributions of a diversity of theologians like Paul Tillich, Karl Barth, Gordon Kaufman, John Cobb, Jr., Majorie Suchocki, Charles Hartshorne, Andrew Sung Park, and Katie Cannon in her discussion of the dance of the Trinity in creation, and the problem of sin, evil, and suffering. Through creative works like that of Alice Walker's The Color Purple and journalist Joyce King's account of the James Byrd, Jr. murder in Jasper County, Texas, Baker-Fletcher reveals the healing, encouraging power of the Holy Spirit in the lives of survivors of unnecessary violence.
From prizewinning journalist and Brazilian native Juliana Barbassa comes a deeply reported and beautifully written account of the seductive and chaotic city of Rio de Janeiro as it struggles with poverty and corruption on the brink of the 2016 Olympic Games. Juliana Barbassa moved a great deal throughout her life, but Rio was always home. After twenty-one years abroad, she returned to find her native city—once ravaged by inflation, drug wars, corrupt leaders, and dying neighborhoods—undergoing a major change. Rio has always aspired to the pantheon of global capitals, and under the spotlight of the 2014 World Cup and the 2016 Olympic Games it seems that its moment has come. But in order to prepare itself for the world stage, Rio must vanquish the entrenched problems that Barbassa recalls from her childhood. Turning this beautiful but deeply flawed place into a pristine showcase of the best that Brazil has to offer in just a few years is a tall order—and with the whole world watching, the stakes couldn’t be higher. Library Journal called Dancing with the Devil in the City of God “akin to Charlie LeDuff’s Detroit”—a book that “combines history and personal interviews in an informative and engaging work.” This kaleidoscopic portrait of Rio introduces the reader to the people who make up this city of extremes, revealing their aspirations and their grit, their violence, their hungers, and their splendor, and shedding light on the future of this city they are building together. Dancing with the Devil in the City of God is an insider perspective from a native daughter and “a fascinating look at the people who live in and aspire to change one of the world’s most impressive cities” (Booklist, starred review).
"A clear, sympathetic, and informed introduction to these people and their ceremonies ... should give every new onlooker a deeper appreciation of the dance which is really a prayer."--The Denver Post
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
Down-to-earth, engaging and psychologically astute, Dancing with God takes us inside the gospel stories, so we might explore these ideas through imagining ourselves to be in the presence of Jesus.
When Kent Nerburn received a letter from Jennifer, a young woman questioning her calling to spend her life in the arts, the writer and artist was struck by how closely her questions mirrored the doubts and yearnings of his own youth. Nerburn resolved that he would write his own letter: a letter of welcome and encouragement to all young artists setting out on the same strange and magical journey, sharing the wisdom of a life spent working in the arts. From struggles with money and the bitterness of rejection, to spiritual questions of inspiration and authenticity, Dancing With the Gods offers insight, solace and courage to help young artists on the winding road to artistic fulfilment. Tender and joyous, it is a celebration of art's power to transform the darkest of human experience and give voice to the grandest of human hopes.
A FEW ALTERATIONS Throckmorton P. Ruddygore, master wizard, had troubles--again! Ruddygore had defeated the Dark Baron and exiled him from the magical realm of Husaquahr to Earth. But he hadn't counted on the Baron's using an earthly computer to create even more effective spells. Of course, the Baron couldn't use those spells. But the forces of Hell soon sent him a second-rank wizard who could--and together they worked a scam so that Ruddygore couldn't cross the Sea of Dreams to deal with the Baron directly. Now the Baron was developing a scheme that would surely result in Armageddon before its time. Once again Marge the fairy and Joe the barbarian were called upon to do the dirty work. They had to return to their home world and stop the Baron--if they could . . . And that would be only the beginning of their assignment! "A damn fine storyteller . . . Chalker is a master." --Orson Scott Card