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The Dance of Illusion story covers the topics of courage, change and the power of choice in a way that has never been done before. Imagine the possibility we are all impaired at birth with the blessing of forgetfulness to the universal truth that separation is The Dance of Illusion and where there is love, Divine Love, there is no separation. This story calls humanity forward to awaken from an unidentified silent epidemic of an addiction to suffering caused by an underlying, unrecognized belief system rooted in separation. What is required as the entrance ticket to new beginnings in life? It is for the reader to answer an invitation to love, Divine Love that stands the test of time, with a resounding YES. Ultimately, The Dance of Illusion proposes a new way of living in the 21st century and beyond; to learn and live in joy, with suffering a distant memory of the past. This is a story laced empowerment, hope and new beginnings. This is one woman’s true story about awakening to something more in life and how to navigate through many sunrise and sunsets to find true love, Divine love that is found on a journey within. The basic universal truth offered for consideration throughout the story is that we are human beings having a spiritual experience. What is important along the way is to discover the building blocks of truth both personal and universal to rise out of tragedy to experience triumph. What is triumph you might ask? From the author’s point of view, it is the joy of living in freedom without suffering with great passion while consciously creating life with Divine Love as the foundation of faith upon which we stand. Every element of the story showcases an innovative, breakthrough process on how to thrive through difficult times of chaos and change, and how to quiet the passions of the mind in ways that are previously unimaginable and unavailable to millions of people today. The reader is encouraged to ask and seek the answer to a tough question, “How do we create peace in the world when so many millions of us are at war, an invisible war, an attack unrecognized within our own being, perhaps even sleepwalking through life?” The described paradigm creates the set up for denying the time to question the true meaning of life on earth beyond the obvious. In midlife, the author asked herself the question, “Who am I at the core of my being?” The answers sought were beyond the field of right and wrongdoing, beyond make a living and beyond material possessions. While this sounds serious and it is, there are many stories shared that will leave the reader laughing and asking for more. Time may just be the new currency of wealth in the 21st century. It is the author’s perspective; it is what we consciously choose to do with time, that is up for investigation throughout this story. In midlife, the author found herself in emotional and financial crisis which, unexpectedly led to a spiritual emergency. After experiencing great loss, she found herself experiencing deep depression, anxiety and nagging, never ending suicidal thoughts. Having been raised Catholic, she found herself feeling separate from God, family and everyone she loved. This is a story that has never been told before about suicide from a spiritual perspective. This is a must read for those who suffer from depression, anxiety and suicidal tendencies, those who love them and professionals who help them.
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
Created for drumset players who find themselves in a creative rut, this book and audio package easily breaks down the mystery behind subdivisions, rhythmic modulation, rhythmic scales and beat displacement. The author makes the transition from mathematics to musicality with an easy and systematic approach.
The definitive companion guide to Patrul Rinpoche’s Words of My Perfect Teacher, the classic text on Tibetan Buddhist practices and teachings This guide provides readers with essential background information for studying and practicing with Patrul Rinpoche's Words of My Perfect Teacher—the text that has, for more than a century, served as the reliable sourcebook to the spiritual practices common to all the major schools of Tibetan Buddhism. By offering chapter-by-chapter commentary on this renowned work, Khenpo Pelzang provides a fresh perspective on the role of the teacher; the stages of the path; the view of the Three Jewels; Madhyamika, the basis of transcendent wisdom; and much more.
When Cedric uses lies and deception to try to drive a wedge between the Guardians, the girls learn that true friendship cannot be broken.Will, Irma, Taranee, Cornelia and Hay Lin know all about illusions.Since they discovered their powers as Guardians of the Veil, they have kept their secret hidden.While the girls use deception only to protect people, Cedric uses lies to turn the girls against one another.It is not until Will's life is put in danger that the girls discover that the one thing that is not an illusion is true friendship.With full colour comic inserts at the start and end of the story.
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Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.
The Dance of Fate: A Tale of Angling and Redemption" is a book that blends the world of angling with elements of redemption. This book combines two uncommon themes, creating a unique experience for readers. The story follows a angler who grapples with personal conflicts and embarks on a journey of redemption through their beloved hobby.
A wide variety of writing is included in this anthology, from the practical criticism of Arlene Croce and David Denby to the more scholarly work of Rudoloph Arnheim, Suzanne Langer, and Havelock Ellis. The collection is divided into seven sections: What is Dance?; the Dance Medium; Dance andthe Other Arts; Genre and Style; Language, Notation, and Identity; Dance Criticism; and Dance and Society.