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The Damascene is an in-depth fictional expansion of the Old Testament's II Kings 5, which contains what may be the very first beauty-and-the-beast-like story. Personal transformation, whether physical or spiritual, is not initially sought by the main character, but he nevertheless experiences it on more than one level. Other characters as well are subjected to their own trials, some with which we all might identify. Infused with deep sensuality and spotted with bloody battles and suspenseful incidents of personal survival, this novel also offers a few moments of comic relief without diverting from its portrayal of true love graphically contrasted with lust, of personal weakness on a collision course with friendship and duty, of tribalism challenged by individualism, and of worldly skepticism in confrontation with the very idea that spiritual power may actually exist.
A brilliant new translation of the landmark poetry collection by “the most eloquent spokesman and explorer of Arabic modernity” (Edward Said) Written in the early 1960s, Songs of Mihyar the Damascene is widely considered to be the apex of the modernist poetry movement in the Arab world, a radical departure from the rigid formal structures that had dominated Arabic poetry until the 1950s. Drawing not only on Western influences, such as T.S. Eliot and Nietzsche, but on the deep tradition and history of Arabic poetry, Adonis accomplished a masterful and unprecedented transformation of the forms and themes of Arabic poetry, initiating a profound revaluation of cultural and poetic traditions. Songs of Mihyar is a masterpiece of world literature that rewrites—through Mediterranean myths and renegade Sufi mystics—what it means to be an Arab in the modern world.
This text presents an overall account of the life and work of St John Damascene, a one-time senior civil servant in the Umayyad Arab Empire who became a monk near Jerusalem in the early years of the eighth century.
Perichoresis (mutual indwelling) is a concept used extensively in the so-called Trinitarian revival; and yet no book-length study in English exists probing how the term actually developed in the "classical period" of Christian doctrine and how it was carefully deployed in relation to Christian dogma. Consequently, perichoresis is often used in imprecise and even careless ways. This path-breaking study aims at placing our understanding of the term on firmer footing, clarifying its actual usage in relation to doctrines of God, Christ, and salvation in the thought of John of Damascus, the eighth-century theologian, monk, and hymn writer who gave it its historically influential application. Since John summed up a whole theological tradition, this work provides not only an introduction to his theological vision but also to the key themes of Greek patristic thought generally and thereby lays an essential foundation for those who would dig deeper into the present-day usefulness of perichoresis.
"Christ the eternal Tao shows Lao Tzu's Tao Teh Ching as a foreshadowing of what would be revealed by Christ, and Lao Tzu himself as a Far-Eastern prophet of the Incarnate God."--Back cover
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
From the 17th century, ajami decoration was prevalent in the interior adornment of the houses of Damascene merchants and notables. This study, done from the stylistic, historical - as well as the technical, points of view, has resulted in a unique and valuable document on the history of Damascus decoration.
This book is about a barber, Shihab al-Din Ahmad Ibn Budayr, who shaved and coiffed, and probably circumcised and healed, in Damascus in the 18th century. The barber may have been a "nobody," but he wrote a history book, a record of the events that took place in his city during his lifetime. Dana Sajdi investigates the significance of this book, and in examining the life and work of Ibn Budayr, uncovers the emergence of a larger trend of history writing by unusual authors—people outside the learned establishment—and a new phenomenon: nouveau literacy. The Barber of Damascus offers the first full-length microhistory of an individual commoner in Ottoman and Islamic history. Contributing to Ottoman popular history, Arabic historiography, and the little-studied cultural history of the 18th century Levant, the volume also examines the reception of the barber's book a century later to explore connections between the 18th and the late 19th centuries and illuminates new paths leading to the Nahda, the Arab Renaissance.