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A collection of over 100 Carols ranging from the traditional to the less well known.
New York Times • Times Critics Top Books of 2021 The Times (of London) • Best Books of the Year Excerpted in The New Yorker Profiled in The Los Angeles Times Publishing for the centenary of her birth, Patricia Highsmith’s diaries “offer the most complete picture ever published” of the canonical author (New York Times). Relegated to the genre of mystery during her lifetime, Patricia Highsmith is now recognized as one of “our greatest modernist writers” (Gore Vidal). Beloved by fans who were unaware of the real psychological turmoil behind her prose, the famously secretive Highsmith refused to authorize a biography, instead sequestering herself in her Switzerland home in her final years. Posthumously, her devoted editor Anna von Planta discovered her diaries and notebooks in 1995, tucked in a closet—with tantalizing instructions to be read. For years thereafter, von Planta meticulously culled from over eight thousand pages to help reveal the inscrutable figure behind the legendary pen. Beginning with her junior year at Barnard in 1941, Highsmith ritualistically kept a diary and notebook—the former to catalog her day, the latter to brainstorm stories and hone her craft. This volume weaves diary and notebook simultaneously, exhibiting precisely how Highsmith’s personal affairs seeped into her fiction—and the sheer darkness of her own imagination. Charming yet teetering on the egotistical, young “Pat” lays bare her dizzying social life in 1940s Greenwich Village, barhopping with Judy Holliday and Jane Bowles, among others. Alongside Flannery O’Conner and Chester Himes, she attended—at the recommendation of Truman Capote—the Yaddo artist colony in 1948, where she drafted Strangers on a Train. Published in 1950 and soon adapted by Alfred Hitchcock, this debut novel brought recognition and brief financial security, but left a heartsick Highsmith agonizing: “What is the life I choose?” Providing extraordinary insights into gender and sexuality in mid-twentieth-century America, Highsmith’s diaries convey her euphoria writing The Price of Salt (1951). Yet her sophomore novel would have to be published under a pseudonym, so as not to tarnish her reputation. Indeed, no one could anticipate commercial reception for a novel depicting love between two women in the McCarthy era. Seeking relief from America, Highsmith catalogs her peripatetic years in Europe, subsisting on cigarettes and growing more bigoted and satirical with age. After a stay in Positano with a new lover, she reflects in her notebooks on being an expat, and gleefully conjures the unforgettable The Talented Mr. Ripley (1955); it would be this sociopathic antihero who would finally solidify her true fame. At once lovable, detestable, and mesmerizing, Highsmith put her turbulent life to paper for five decades, acutely aware there must be “a few usable things in literature.” A memoir as significant in our own century as Sylvia Plath’s journals and Simone de Beauvoir’s writings were to another time, Patricia Highsmith: Her Diaries and Notebooks is an historic work that chronicles a woman’s rise against the conventional tide to unparalleled literary prominence.
Arthur Sullivan is best known as W. S. Gilbert's collaborator in the Savoy Operas. Sullivan was regarded as the nation's leading composer of sacred oratorios on a par with Mendelssohn and Brahms. Ian Bradley provides the first detailed, comprehensive, critical study and review of Sullivan's church and sacred music.
Why is there such intense interest today in the idea of 'Britishness'? Does it really matter, and what is 'Britishness' anyway? Why does the notion of 'being British' seem to have most resonance amongst recent immigrant - especially Asian and Afro-Caribbean - communities? And why is that 'traditional' British values now seem to be most widely practised and cherished by newcomers, not by the dominant majority? This book answers these vital questions by making a unique contribution to the current debate about British identity. It investigates why Liverpool is the most British of UK cities, with a regional accent representing a medley of Welsh, Scots, Irish and English; how a small village off the M6 motorway is arguably Britain's spiritual heart; and what theme parks, airport shops and eating habits have to tell us about the contemporary national character. It is often claimed that Great Britain is one of the most secular nations on earth. But - controversially - Ian Bradley argues that Britishness is best envisaged as a series of overlapping identities which are at root religious. He views the 400 year-old Union Jack, with its overlaid crosses of three of the nation's four patron saints, as symbolising the United Kingdom's unparalleled combination of unity in diversity, the diversity of a society which now embodies Muslim, Jewish, Hindu, Buddhist and many other - including secular - traditions. He goes on to argue that 'Britishness' has special value as a broad church measure of spiritual and cultural inclusiveness - and as a positive alternative to fundamentalism, narrow nationalism and jingoism. The author explores in separate chapters the distinctive contributions to Britishness made over the centuries by the Celtic traditions of the Welsh and Irish, the Anglo-Saxon strain of tolerance and freedom associated with the English, the moral seriousness of the Scots, and the characteristics of exuberance, modesty and privacy introduced by new black and Asian Britons. Published to coincide with the three hundredth anniversary of the 1707 Act of Union, his book offers a number of radical proposals. These include re-designing the Union flag to incorporate a black cross on a gold background, to better reflect the hybridity of contemporary Britain, and replacing George, Andrew and Patrick with a new trinity of patron saints - Columba, Bridget and Edward the Confessor. Ian Bradley contends that a rejuvenated BBC, monarchy and Commonwealth all have a part to play in forging a new sense of British identity which combines myth, imagination and tradition with a broad, open-minded inclusivity and respect for difference. Believing in Britain makes a consistently thoughtful and challenging contribution to one of the most important discussions of our time.
Water has long been associated with the magical, the mysterious and the divine. From sacred springs to holy wells, and from hydropathic cures and temperance reform to the modern spa, Ian Bradley explores how water's creative, health-giving and restorative powers have been conceived, worshipped and marketed in an essentially spiritual way. In pre-Christian times, springs and rivers were seen as the dwelling places of deities with magical life-giving and curative powers, associated especially with the feminine and with ritual cleansing and rebirth. With the coming of Christianity, water was incorporated into Christian ritual and tradition through baptism and the cult of holy wells. From the 16th century onwards, the benefits of water came to be seen more in terms of therapeutic healing than the miraculous. Through the development of drinking and bathing cures, spas and hydrotherapy, a more scientific but still essentially spiritual understanding of the curative properties of water was developed. By the eighteenth century, spas and watering places had acquired their own enchanted and mysterious qualities, in many ways taking the place of medieval pilgrim shrines. Now, a new, more hedonistic kind of pilgrim comes to modern spas to experience a potent post-modern elixir of self-oriented well-being.
Carol Shields, the Pulitzer Prize-winner author of the novels Unless, The Stone Diaries and Larry’s Party was also a renowned short story writer. Now readers can enjoy all three of Carol Shields’s short story collections – Various Miracles, The Orange Fish and Dressing Up for the Carnival – in one volume, along with the previously unpublished story, “Segue,” her last. With an eye for the smallest of telling details – a woman applying her lipstick so “the shape of pale raspberry fits perfectly the face she knows by heart” – and a willingness to explore the most fundamental relationships and the wildest of coincidences, Shields illuminates the absurdities and miracles that grace all our lives. From a couple who experiences a world without weather, to the gentle humor of an elderly widow mowing her lawn while looking back on a life of passion, to a young woman abandoned by love and clinging to a “slender handrail of hope,” Shields’s enormous sympathy for her characters permeates her fiction. Playful, charming, acutely observed and generous of spirit, this collection of stories will delight and enchant Carol Shields fans everywhere. Excerpt from The Collected Stories of Carol Shields Let me say it: I am an aging woman of despairing good cheer — just look into the imaginary camera lens and watch me as I make the Sunday morning transaction over the bread, then the flowers, my straw tote from our recent holiday in Jamaica, my smile, my upturned sixty-seven-year-old voice, a voice so crying-out and clad with familiarity that, in fact, I can’t hear it anymore myself, thank God; my ears are blocked. Lately everything to do with my essence has become transparent, neutral: Good morning, Jane Sexton smiles to one and all (such a friendly, down-to-earth woman). “What a perfect fall day.” “What glorious blooms!” “Why Mr. Henning, this bread is still warm! Can this be true?”
This is the only monograph to consider the entire thirty-year career, publications, and influence of Britain's first female poet laureate. It outlines her impact on trends in contemporary poetry and establishes what we mean by ‘Duffyesque’ concerns and techniques. Discussions of her writing and activities prove how she has championed the relevance of poetry to all areas of contemporary culture and to the life of every human being. Individual chapters discuss the lyrics of ‘love, loss, and longing’; the socially motivated poems about the 1980s; the female-centred volumes and poems; the relationship between poetry and public life; and poetry and childhood and written for children. The book should whet the appetite of readers who know little of Duffy’s work to find out more, while providing students and scholars with an in-depth analysis of the poems in their contexts. It draws on a wide range of critical works and includes an extensive list of further reading.
Readers of the 'brilliant Telegraph Letters page', as Ian Hislop recently lauded it, will be fondly aware of the eclectic combination of learned wisdom, wistful nostalgia and robust good sense that characterise its correspondence. But what of the 95 per cent of the paper's huge postbag which never sees the light of day? Some of the best letters inevitably arrive too late for the 24/7 news cycle, or don't quite fit with the rest of the day's selection. Others are just a little too whimsical, or indeed too risque, to publish in a serious newspaper. And more than a few are completely and utterly (and wonderfully) mad, such as the missives you'll find within these pages from someone who signs himself merely as "M", and believes himself to be the head of MI6. Now, the Telegraph gives the authors of these unpublished letters the stage at last. Baffled, furious, defiant, mischievous, they inveigh and speculate on every subject under the sun, from the rubbish on television these days to the venality of our MPs, from Kate Winslet's decolletage to this country's unhealthy obsession with marmalade. All those Telegraph readers who wondered if anyone else had noticed that the lunatics had finally taken over the asylum and sat down to write to their favourite newspaper to test the waters - they need howl into the void no longer. They are not alone.
"The living tradition of carols, ever-changing and constantly being expanded, is celebrated in Ian Bradley's enjoyable, varied collection of over 100 songs. It reflects the richness of the genre both chronologically and geographically, placing each carol in its historical context. From the fifteenth-century 'boar's head' carol to more modern expressions of faith which refer to space travel, from African-American spirituals and a Caribbean calypso carol to old favourites like 'O Come, all ye faithful' and 'Away in a manger', here are new and well-known songs to read and sing along to, long-lost verses to add to your repertoire, fascinating anecdotes, stories to enjoy and tidings of comfort and joy for all."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Psychologist Tony Hill and ex-DCI Carol Jordan—the UK crime fighting partners from the TV series Wire in the Blood—face down a serial killer. International bestselling crime writer Val McDermid’s work speaks for itself: her books have sold millions of copies worldwide, won numerous accolades, and attracted a devoted following of readers around the globe. Cross and Burn picks up where The Retribution left off: following the best crime-fighting team in the UK—clinical psychologist Tony Hill and police detective Carol Jordan—who when we last saw them were barely speaking, and whose relationship will now be challenged even further. But just because they’re not talking doesn’t mean the killing stops. Women are being murdered—ones who bear an unsettling resemblance to Carol Jordan. And when the evidence begins to point in a disturbing direction, thinking the unthinkable seems the only possible answer. Cornered by events, Tony and Carol are forced to fight for themselves and each other as never before. “McDermid is as smooth a practitioner of crime fiction as anyone out there . . . She’s the best we’ve got.” —The New York Times Book Review