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In this new edition of his highly acclaimed work, Jiri Valenta adds his assessment of Soviet military decisionmaking in the 1980s to his earlier analysis of decisionmaking and crisis management in the Soviet bureaucracy and Warsaw Pact. Comparing the events of 1968 to the Kremlin's very different reaction to reforms now under way in Czechoslovakia and the rest of Eastern Europe, Valenta shows that Soviet politics were never simple. The USSR's foreign policy response to the "Prague Spring," he contends, was the result of a complex political process conditioned by bureaucratic inertia, coalition politics, and East European pressures.
This book explores Czechoslovakia's diplomatic relations with African states and places them within a wider Cold War historiography, providing contextual background information on the evolution of communist Czechoslovakia's pro-Soviet foreign policy orientation. This shift in Soviet foreign policy made Africa a priority for the Soviet bloc.
A revisionist examination of the important, yet often misrepresented, interplay between ideology and pragmatism in the interaction between the Third World and superpowers, this book explores the dynamics between Nigeria and the USSR from the time of Nigerian independence in 1960 up to the collapse of the Soviet Union in 1991. The author effectively argues that while the generic West may have underdeveloped' Africa, the continent's response to the challenges and opportunities presented by the Northern Hemisphere was progressively active and enterprising.'
The story of Czechoslovak television is in many respects typical of the cultural and political developments in Central Europe, behind the Iron Curtain. Martin Štoll, with unprecedented access to the Military Historical Archives in Prague, provides contextual insights into the issues of introducing television in the whole Socialist Bloc (save China, Mongolia and Cuba), from the introduction of television broadcasting in Czechoslovakia in 1921 through to the 1968 occupation and the Velvet Revolution in 1989 – encapsulating an important point in media history within two totalitarian states. Television and Totalitarianism in Czechoslovakia examines the variability of political interests as reflected on television in interwar Czechoslovakia, including Nazi research on television technology in the Czech borderlands (Sudetenland), the quarrel over the outcomes of this research as war booty with the Red Army, the beginning of the Czechoslovak technological journey, and, finally, the institutionalized foundation of Czechoslovak television, including the first years of its broadcasting as a manifestation of Communist propaganda. Revised and expanded from the Czech to include broader contexts for an English-speaking audience, Štoll expertly elucidates the historical, cultural, social, political, and technological frameworks to provide the first comprehensive study of the subject.
For about eight months in 1968 Czechoslovakia underwent rapid and radical changes that were unparalleled in the history of communist reform; in the eight months that followed, those changes were dramatically reversed. H. Gordon Skilling provides a comprehensive analysis of the events of 1968, assessing their significance both for Czechoslovakia and for communism generally. The author's account is based on all available written sources, including unpublished Communist Party documents and interviews conducted in Czechoslovakia in 1967, 1968, and 1969. He examines the historical background, the main reforms and political forces of 1968, international reactions, the Soviet intervention, and the experiment's collapse, concluding with his reasons for regarding the events of the Prague spring as a movement of revolutionary proportions. The author's account is based on all available written sources, including unpublished Communist Party documents and interviews conducted in Czechoslovakia in 1967, 1968, 1969. He examines the historical background, the main reforms and political forces on 1968, international reactions, the Soviet intervention, and the experiment's collapse, concluding with his reasons for regarding the events of the Prague spring as a movement of revolutionary proportions. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The 1968 Soviet invasion of Czechoslovakia brought an end to the Prague Spring and its promise of "socialism with a human face." Before the invasion, Czech reformers had made unexpected use of television to advance political and social change. In its aftermath, Communist Party leaders employed the medium to achieve "normalization," pitching television stars against political dissidents in a televised spectacle that defined the times. The Greengrocer and His TV offers a new cultural history of communism from the Prague Spring to the Velvet Revolution that reveals how state-endorsed ideologies were played out on television, particularly through soap opera-like serials. In focusing on the small screen, Paulina Bren looks to the "normal" of normalization, to the everyday experience of late communism. The figure central to this book is the greengrocer who, in a seminal essay by Václav Havel, symbolized the ordinary citizen who acquiesced to the communist regime out of fear. Bren challenges simplistic dichotomies of fearful acquiescence and courageous dissent to dramatically reconfigure what we know, or think we know, about everyday life under communism in the 1970s and 1980s. Deftly moving between the small screen, the street, and the Central Committee (and imaginatively drawing on a wide range of sources that include television shows, TV viewers' letters, newspapers, radio programs, the underground press, and the Communist Party archives), Bren shows how Havel's greengrocer actually experienced "normalization" and the ways in which popular television serials framed this experience. Now back by popular demand, socialist-era serials, such as The Woman Behind the Counter and The Thirty Adventures of Major Zeman, provide, Bren contends, a way of seeing—literally and figuratively—Czechoslovakia's normalization and Eastern Europe's real socialism.
Includes entries for maps and atlases.
This edited book fills a void in the existing research concerning anti-communist movements in Central and Eastern Europe, outlining the linguistic implications of the cultural, social and political metamorphoses brought about by the (change of) regime. The authors included in this volume approach the topic from a variety of perspectives, but, ultimately, focus on language seen as a fundamental tool for simultaneously subjugating and liberating, concealing and revealing truth, discouraging dissidence and fostering revolt. Readers are invited to discover the linguistic implications of the many shapes and forms that the 1989 anti-communist revolutions took. Equally interesting are the investigations of the revolution aftermath, in the first years of transition to democracy. Perceived as a whole throughout the Cold War (1947-1991), the so-called "Eastern Bloc" managed to reveal its heterogeneity, the singularity of each of its comprising states and the multitude of its internal contrasts, most vividly perhaps, in the manifold manifestations of the 1989 anti-communist fight. This book will be of interest to academics and researchers from various fields, including history, (socio)linguistics, political studies, and conflict studies.