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In this book's title-piece, the Cyclopean Mistress is a teacher with a single eye in the middle of her forehead, someone with 'unified vision'. The book too has unified vision: its short fictions and prose poems aren't separate forms but merge into each other like the continuous spectrum of colours in a rainbow. Redgrove begins with short fictions, but gradually withdraws the narrative scaffolding, asking the reader to respond instead to an alternative and possibly more dramatic pattern of imagery, where a narrative exists but is unspoken: 'It is like waking from a deep sleep and seeing the world new, but stripped of its procedures.' At the end of the rainbow, Redgrove's all-seeing eye penetrates the Esplumeor, Merlin's prison, variously interpreted as a bewitched bed, a house of glass, an observatory with 84 windows, a place where falcons moult or where the magician with sexual laughter puts off his accustomed forms, or a place where a person uses his plume or pen. His prose-poems here are about Cornwall, where he lives, 'and where it is not easy to tell whether one is in a dungeon or a paradise, as it depends on the way the wind is blowing'.
The present study uncovers the psychical stakes and dramas involved in Redgrove's practice, and in turn relates these stakes and dramas to the marked element of cultural critique to be found in Redgrove's nonfiction, but which is virtually absent from the poems."--BOOK JACKET.
Annie S. Swan's magazine.
The work of the poet Peter Redgrove is one of the great unexplored treasures of late twentieth century literature. His prolific output presents an intriguing variety of personae: magician, scientist, lover, psychologist, joker, madman. It is only now, with the publication of his Collected Poems and this biography, that we can see how and why these personae developed - and discover the full depth and range of this visionary writer. Born into an apparently conventional middle-class family that was in reality deeply disturbed, the poet finally emerged: transforming himself from the neurotic, Oedipal young scientist, through a process of mental breakdown, insulin coma therapy, erotic revelation and the discovery of poetic companionship at Cambridge - and particularly his friendship and rivalry with Ted Hughes. Neil Roberts explores the inner story of this emergence, and Redgrove's later development through marriage, family life, the fellowship of the 'Group', alcoholic excess, infidelity and marital breakdown to his triumphant later partnership with Penelope Shuttle. We also discover, for the first time, some darker secrets: his fascination with Aleister Crowley, his damaged and damaging relationship with his father, and the lifelong sexual fetish which he called the 'Game'. Drawing on the poet's intimate journals and correspondence, and interviews with family, friends and colleagues, A Lucid Dreamer tells the exceptionally inward and revealing story of an astonishing creative life.
Peter Redgrove, who died in 2003, was one of the most prolific of post-war poets and, as this Collected Poems reveals, one of the finest. A friend and contemporary of Ted Hughes and Sylvia Plath in the early 1950s, Redgrove was regarded by many as their equal, and his work has been championed by a wide variety of writers - from Margaret Drabble to Colin Wilson, Douglas Dunn to Seamus Heaney. Ted Hughes once wrote warmly to Redgrove of 'how important you've been to me. You've no idea how much - right from the first time we met.' In this first Collected Poems, Neil Roberts has gathered together the best poems from twenty-six volumes of verse - from The Collector (1959) to the three books published posthumously. The result is an unearthed treasure trove - poems that find new and thrilling ways of celebrating the natural world and the human condition, poems that dazzle with their visual imagination, poems that show the huge range and depth of the poet's art. In Redgrove's poetry there is a unique melding of the erotic, the terrifying, the playful, the strange, and the strangely familiar; his originality and energy is unparalleled in our time and his work was the work of a true visionary.
Vast riches were at stake in that made chase across the moons desolate surface
Poetry in English since the Second World War has produced a number of highly original narrative works, as diverse as Derek Walcott's Omeros, Ted Hughes' Gaudete and Anne Stevenson's Correspondences. At the same time, poetry in general has been permeated by narrative features, particularly those linguistic characteristics that Mikhail Bakhtin considered peculiar to the novel, and which he termed "dialogic". This book examines the narrative and dialogic elements in the work of a range of poets from Britain, America, Ireland, Australia and the Caribbean, including poetry from the immediate postwar years to the contemporary, and novel-like narratives to personal lyrics. Its unifying theme is the way in which these poets, with such contrasting styles and from such varied backgrounds, respond to and creatively adapt the language-worlds, and hence the social worlds in which they live. The volume includes a detailed bibliography to assist students in further study, and will be a valuable resource to undergraduate and postgraduate students of contemporary poetry.