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The paintings of contemporary Thai artist Pichai Nirand (b. 1936) are a vivid exploration of the interplay between Thailand's Buddhist roots and its modern aspirations and struggles. Pichai engages fully with the world and belief system around him. Accompanying the full-color paintings is an incisive examination of the Thai moral and social themes of Pichai's paintings in terms of the Buddhist cycle of life. Philip Constable's sensitive analysis of the social, political, economic, and moral dimensions affecting the artist, coupled with careful reference to other contemporary Thai artists, illuminates the deep meaning and expression behind each painting. This book showcases a celebrated Thai artist who has spent a lifetime providing a Thai Buddhist perspective on the dilemmas and contradictions of the late twentieth and early twenty-first centuries.
Thai national artist Thawan Duchanee has spent his life creating art that deeply reflects Buddhist philosophy. He is internationally renowned, and his art is masterful both for its intricacy and for its subtle portrayal of Buddhism. Thawan expresses Buddhist wisdom with incredible versatility. His artworks depict the dangers of doubt, lust, fear, and lack of concentration, expose humankind’s pursuit of pleasure and escape from pain, and illustrate virtues exemplified in the previous lives of the Buddha. Using over one hundred images, the book succinctly examines these themes, often hidden deep within the art itself, and guides the reader through some of Thawan’s most interesting works. This is the first book to combine a focus on these works with an exploration of Thawan’s outstanding architectural and decorative achievements in Chiang Rai and Germany. Often told in his own words, this book offers insights into Thawan’s creative genius, explores his philosophy on the arts, examines his famous signature, and recounts his life story. It is fascinating reading for all those interested in Thai art and Buddhism. What others are saying “Larger-than-life Thai artist Thawan Duchanee is one of the foremost representatives of Thai and Asian art. His penchant for traditional Asian motifs and styles and his flamboyant personality have earned him popularity and renown as one of the leading lights of the international art scene.”—The Nation Highlights - The first book to examine Buddhist content in Thawan’s artworks - Features over one hundred illustrations - Explores Buddhist philosophy in relation to Thai modern art - Includes a biography of Thawan’s life - Compact overview of Thawan’s most well-loved and interesting work
This basic dictionary of South and Southeast Asian art offers clear and concise explanations of hundreds of useful terms. With over 1,300 entries and 112 line illustrations, this volume makes a handy reference for anyone interested and engaged in South and Southeast Asia Entries range from terms encountered in South and Southeast Asian history, religion, mythology, literature, to those specific to art and architecture, and are drawn from the diverse religious traditions of the region.
Special attention is given in the early chapters to King Chulalongkorn, whose patronage played a major role in disseminating Western art in Bangkok, and to the Italian art teacher, Silpa Bhirasri, a pivotal figure in the institutional development of modern art in Thailand in the 1930s and 1940s.
From artifacts of ancient pre-Thai civilizations to achievements of the Thai kingdom in the early twentieth century, the enduring vestiges and persistent vitality of Thai heritage continue to entice visitors, residents, and researchers. Photographer and author Jim Wageman traveled to both well-known and little-visited sites throughout Thailand to capture images that convey the breadth and intricacy of the country's heritage. Wageman presents his images in a gorgeous layout that is matched by solid, well-researched captions and explanations. Beautiful and incisive, The Timeless Heritage of Thailand is an outstanding compendium for anyone fascinated by the treasures of Thailand's cultural heritage.
The earliest phase of Thai history is an exciting but little understood period that bridged the gap between protohistory and the fully developed historical period. Ten international scholars examine the inception of the Dvāravatī period in the fifth century with a focus on archaeology and consider the art and architecture of the sixth to tenth centuries. Defining Dvāravatī provides an overview of the art historical characteristics of Dvāravatī style; collates the epigraphic evidence, including previously unpublished texts; considers the importance of trade and religion in cementing relationships between early Southeast Asian societies and as paramount incentives for its expansion and development; and discusses the end of the period.
This is the first comprehensive history of Burmese painting, from eleventh-century Pagan to the present, including over 175 painters and more than 300 photographs of work. The book explores the historical transformations of the art, with psychological interpretations of major artists, the legends which followed them, and analysis of their oeuvres. It also probes the unusual lateral dimensions of Burmese painting, where 1,000 years of tradition have continued to survive and shape a rich corpus of largely unknown work. Ranard links the traditional roots of Burmese painting in India with later influences from China, Thailand, Britain, Northern Europe, and America. Burma is an isolated country, but its art has been a major wellspring of inspiration in Southeast Asia. Today, the country struggles to reconcile complex pressures, and Ranard digs deeply to uncover layers of conflict reflected in Burmese painting.
"Excellent and absorbing.... Indispensable to any attempt to understand the Khmer Rouge." -William Shawcross New York Review of Books "A dramatic account of Pol Pot's rise to power in 1975 and his direction of Cambodia's autogenocide.... David Chandler has given us an absorbing and authoritative portrait of Brother Number One and a fascinating insight into Cambodia's cruel history." —Frederick Z. Brown New York Times Book Review "This first biography of Pol Pot is valuable not just for what it tells us about Cambodia's past, but for helping us understand the present and perhaps predict the future.... Superbly written, pioneering work. Chandler makes up for the paucity of details about Pol Pot's life by painting a rich tableau of his times and setting out the historical context of his policies.... The only plausible portrait of the man whose gentle persona and brutal actions remain an enduring paradox." -Nayan Chanda Far Eastern Economic Review "This book is particularly welcome. Although a work of scholarship, [it] has the fast pace of a thriller.... [Chandler's] analysis rings true, and he has no ideological axe to grind; he is willing to go where the evidence takes him." -Asian Wall Street Journal Weekly "Chandler's gracefully written biography of the enigmatic revolutionary of this century, Saloth Sar (alias Pol Pot), deserves wide readership.... Chandler successfully walks a fine line, condemning Pol Pot and all his works, but trying to understand what motivates him.... Recommended without reservation." -Choice "No biographer could hope for a more elusive or enigmatic subject than Pol Pot. From interviews and extensive research, Chandler pieces together a riveting account of the life of this inaccessible man who was alternately mild mannered, cultivated, and genocidal.... Highly recommended." -Library Journal In Cambodia's recent, tragic past, no figure looms larger or more ominously than that of Pol Pot. In this revised edition of the first book-length study of the man, the historian David P. Chandler throws light on the shadowy figure of Pol Pot, illuminating the ideas and behavior of this enigmatic man and his entourage against the background of post-World War II events, providing a key to understanding this horrific, pivotal period of Cambodian history.
Named a Best Book of the Year by NPR and LitHub Winner of the 2021 Science in Society Journalism Book Prize A fascinating and provocative new way of looking at the things we use and the spaces we inhabit, and a call to imagine a better-designed world for us all. Furniture and tools, kitchens and campuses and city streets—nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider—or reconsider—the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it—from cyborg arms to customizable cardboard chairs to deaf architecture—Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body’s stunning capacity for adaptation—rather than a rigid insistence on “normalcy”—look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.
Explores an aspect of opium that has largely been ignored--the art and accoutrements associated with opium smoking that reached a pinnacle in nineteenth-century China and in Chinese communities abroad, from Saigon to Singapore to San Francisco.