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Longlisted for the PEN/Hemingway Award for Debut Novel “Cuyahoga is tragic and comic, hilarious and inventive—a 19th-century legend for 21st-century America” (The Boston Globe). Big Son is a spirit of the times—the times being 1837. Behind his broad shoulders, shiny hair, and church-organ laugh, Big Son practically made Ohio City all by himself. The feats of this proto-superhero have earned him wonder and whiskey, but very little in the way of fortune. And without money, Big cannot become an honest husband to his beloved Cloe (who may or may not want to be his honest wife). In pursuit of a steady wage, our hero hits the (dirt) streets of Ohio City and Cleveland, the twin towns racing to become the first great metropolis of the West. Their rivalry reaches a boil over the building of a bridge across the Cuyahoga River—and Big stumbles right into the kettle. The resulting misadventures involve elderly terrorists, infrastructure collapse, steamboat races, wild pigs, and multiple ruined weddings. Narrating this “very funny, rambunctious debut novel” (Los Angeles Times) tale is Medium Son—known as Meed—apprentice coffin maker, almanac author, orphan, and the younger brother of Big. Meed finds himself swept up in the action, and he is forced to choose between brotherly love and his own ambitions. His uncanny voice—plain but profound, colloquial but poetic—elevates a slapstick frontier tale into a “breezy fable of empire, class, conquest, and ecocide” (The New York Times Book Review). Evoking the Greek classics and the Bible alongside nods to Looney Tunes, Charles Portis, and Flannery O’Connor, Pete Beatty has written “a hilarious and moving exploration of family, home, and fate [and] you won’t read anything else like it this year” (BuzzFeed).
In the 1960s, Cleveland suffered through racial violence, spiking crime rates, and a shrinking tax base, as the city lost jobs and population. Rats infested an expanding and decaying ghetto, Lake Erie appeared to be dying, and dangerous air pollution hung over the city. Such was the urban crisis in the "Mistake on the Lake." When the Cuyahoga River caught fire in the summer of 1969, the city was at its nadir, polluted and impoverished, struggling to set a new course. The burning river became the emblem of all that was wrong with the urban environment in Cleveland and in all of industrial America.Carl Stokes, the first African American mayor of a major U.S. city, had come into office in Cleveland a year earlier with energy and ideas. He surrounded himself with a talented staff, and his administration set new policies to combat pollution, improve housing, provide recreational opportunities, and spark downtown development. In Where the River Burned, David Stradling and Richard Stradling describe Cleveland's nascent transition from polluted industrial city to viable service city during the Stokes administration.The story culminates with the first Earth Day in 1970, when broad citizen engagement marked a new commitment to the creation of a cleaner, more healthful and appealing city. Although concerned primarily with addressing poverty and inequality, Stokes understood that the transition from industrial city to service city required massive investments in the urban landscape. Stokes adopted ecological thinking that emphasized the connectedness of social and environmental problems and the need for regional solutions. He served two terms as mayor, but during his four years in office Cleveland's progress fell well short of his administration’s goals. Although he was acutely aware of the persistent racial and political boundaries that held back his city, Stokes was in many ways ahead of his time in his vision for Cleveland and a more livable urban America.
Democratizing Cleveland: The Rise and Fall of Community Organizing in Cleveland, Ohio, 1975-1985 is the result of almost fifteen years of research on a topic that has been missing from local works on Cleveland history: the community organizing movement that put neighborhood concerns and neighborhood voices front and center in the setting of public policies in the late 1970s and early 1980s. Originally published in 2007 by Arambala Press, this important work is being reprinted by Belt Publishing for a new generation of activists, planners, urbanists, and organizers.
The year is 1812. A white trapper is murdered. And a young Chippewa Indian stands accused. Captured and shackled in leg irons and chains, Indian John awaits his trial in a settler’s loft. In a world of crude frontier justice where evidence is often overlooked in favor of vengeance, he struggles to make sense of the white man’s court. His young lawyer faces the wrath of a settlement hungry to see the Indian hang. And 13-year-old Rebecca Carver, terrified by the captive Indian right in her home, must decide for herself what—and who—is right. At stake is a life. Inspired by a true story, Crooked River takes a probing look at prejudice and early American justice.
It all started about a decade ago, when the Portal suddenly opened up over the stadium right in the middle of a game. Cleveland just hadn’t been the same since, what with electronic devices pretty much useless—unless you were willing to spend a fortune in digital protection and redundancy equipment—and all the dragons, elves, gnomes, dwarves, gargoyles, etc. who’d come through the Portal to take up residence within the areas covered by the Portal’s magical field. For Kline Maxwell, City Hall reporter for the Cleveland Press, magic-based Cleveland had long since become the status quo. At least until a fellow reporter named Morgan came down with a case of eyeballs growing all over his body. The diagnosis: stay out of Portal territory and he’d be just fine. But that meant Maxwell and all the other reporters were going to have to take up the slack. And Maxwell hated the thought of doing “fuzzy gnome” stories. Still, he took his job seriously, and when he was assigned to cover a dragon’s death by crash-landing into the Cuyahog, he headed over to the accident site with only a modest number of curses. But what should have been a simple accident report soon led Maxwell in search of a much bigger story—one that would see him kidnapped by elves, framed for murder, holding secret meetings with dragons, and fleeing not only from the cops but from pretty much everyone…
What is this madness all about? Being a Browns fan is just different. Why are we the only fans in the nation who ever demanded their team back -- and got it? Why have we endured years of heartache (The Fumble, The Drive, "Red Right 88"...) yet grown ever more attached to the experience? To answer that question, these 33 essays seek out the essential elements of being a Browns fan. It's about pride. It's about desire, tempered by crushing disappointment. It's about tradition, rivalry, and electrifying victory. It's about longing -- for a return to past championships, for future glory. It's about heart. If you're Brown, you'll enjoy the ride.
Simeon and Katharine Prior were married 10 months before the end of the American Revolution and for twenty years they made a life in New England, where their ancestors had lived since 1634. And then in 1802, Simeon having heard about the land beyond the Ohio during his service in the American Revolution, suddenly traded his land for a track of wilderness identified only as lot 25 in the Connecticut Western Reserve. He along with Katharine and their ten children spent more than forty days traveling to their new home on America's western frontier. The Prior Family established their settlement in 1802. And then almost nobody else settled in this remote location of the Cuyahoga Valley wilderness, directly adjacent to Indian territory, until after the Treaty of Fort Industry was signed. between the United States and the Indian nations of Wyandot (Huron), Ottawa, Ojibwe (Chippewa), Munsee, Lenape (Delaware), Potawatomi, and Shawnee on July 4, 1805. Significant numbers of settlers did not arrive until after the War of 1812. For the Priors, this meant their isolation at the edge of the frontier continued for ten years after their arrival. Simeon's musings about what lead him and Katharine to move their family into what they knew to be harm's way is poignant: "What of the many chances against us and should we survive the perils of the boisterous lake and the distressing sickness usually attendant in a new settlement, we might fall before the tomahawk and scalping knife, for well I knew that many a settlement was established in blood." Going further back in this family's history, it is sobering to think about what has transpired in the 385 years since these first pioneer families arrived on the shores of what is now the United States. The New World that the first colonists and their offspring found was a fundamentally difficult and generally violent place all the way up until after the Spanish-American War of 1898, when the American military finally began to focus outside of its borders. Bloody conflicts large and small on American soil between rival colonial powers, rival colonies, communities, neighbors, and indigenous peoples all shaped the colonial era and the first hundred years of United States history. To paint this span of time with a single brush that portrays in simplistic terms what happened or how people thought and behaved is astonishingly deceptive. What is amazing is that anyone survived at all. But survive they did.
Draws on contemporary accounts and a wealth of studies to produce this history of the Cuyahoga Valley. Tully pays special attention to how settlers' notions of private property--and the impulse to own and develop the land--clashed with more collective social organizations of American Indians. He also documents the ecological cost of settlement, long before heavy industry laid waste to the region. --From publisher description.
In this #1 bestselling page-turner from "the queen of beach reads" (New York Magazine), a Nantucket novelist has one final summer to protect her secrets while her loved ones on earth learn to live without their golden girl. On a perfect June day, Vivian Howe, author of thirteen beach novels and mother of three nearly grown children, is killed in a hit-and-run car accident while jogging near her home on Nantucket. She ascends to the Beyond where she's assigned to a Person named Martha, who allows Vivi to watch what happens below for one last summer. Vivi also is granted three “nudges” to change the outcome of events on earth, and with her daughter Willa on her third miscarriage, Carson partying until all hours, and Leo currently “off again” with his high-maintenance girlfriend, she’ll have to think carefully where to use them. From the Beyond, Vivi watches “The Chief” Ed Kapenash investigate her death, but her greatest worry is her final book, which contains a secret from her own youth that could be disastrous for her reputation. But when hidden truths come to light, Vivi’s family will have to sort out their past and present mistakes—with or without a nudge of help from above—while Vivi finally lets them grow without her. With all of Elin’s trademark beach scenes, mouth-watering meals, and picture-perfect homes, plus a heartfelt message—the people we lose never really leave us—Golden Girl is a beach book unlike any other.