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'The Curator's Egg' traces the growth of the museum concept from the opening of the Louvre to the current popularity of buildings by 'starchitects'. Encompassing curatorial, scholarly, political and cultural spheres, author Karsten Schubert addresses the concept of the museum from a variety of influences.
Indiana Jones meets the Men in Black... 'Fun and fascinating new world.' Book Sprout Death or Glory - just another day in the office. When a priceless Fabergé egg comes to light everyone is after it. Neith Salah is a quantum curator. It's her mission to get the egg; she doesn't know what it looks like, or where it is, but she knows it's not on her earth. Julius Strathclyde lives on a parallel earth. He's a Cambridge professor and an archivist; he loves tea, research and a quiet life. It's a pity then, that he's the only person alive who knows where the egg is. She has guns and attitude, he has a fountain pen. Together they are going to have to race against time to save the egg, before a hidden enemy gets there first. For fans of Ben Aaronovitch, Genevieve Cogman and Jodi Taylor. Download this fast-paced, witty novel today and enjoy a new take on adventure.
Natural history museums contain many thousands of zoological specimens and each has a tale to tell an often involving extraordinary people, daring explorations, unquenchable scientific curiosity, and strange coincidences. This perfectly presented book, with its engaging pictures, is rich in stories and unveils many secrets. Read about: the fate of a tortoise given as a gift by Captain Cook - the epic international voyage of the biggest known moa egg - the admiration induced by an ape from the jungles of Borneo - the barn owl of mysterious origins - the unfortunate fate of an angry young elephant - the quest to discover how a New Zealand heron turned up in a Florence museum - the strange arrival of an Australian banjo frog - and many other mind-boggling mysteries.
Illustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just 'keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space of learning for its visitors. Curating as a practice now describes the production of a number of cultural and creative outputs, ranging from exhibitions to art festivals; shopping environments to health centres; conferences to film programming as well as museums and galleries. Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Interviews with leading practitioners from international design and arts museums provide a spotlight on contemporary challenges and best practice in design curatorship.
Violence haunts 1915 Atlanta and so does the golem a group of girls creates A dark, lyrical blend of historical fiction and magical realism, The Curators examines a critically underexplored event in American history through unlikely eyes. All of Atlanta is obsessed with the two-year-long trial and subsequent lynching of Jewish factory superintendent Leo Frank in 1915. None more so than thirteen-year-old Ana Wulff and her friends, who take history into their own hands—quite literally—when they use dirt from Ana’s garden to build and animate a golem in Frank’s image. They’ll do anything to keep his story alive, but when their scheme gets out of hand, they must decide what responsibility requires of them. The Curators tells the story of five zealous girls and the cyclonic power of their friendship as they come of age in a country riven by white supremacy.
MUSEUM PR ACTICE Edited by CONAL MCCARTHY Museum Practice covers the professional work carried out in museums and art galleries of all types, including the core functions of management, collections, exhibitions, and programs. Some forms of museum practice are familiar to visitors, yet within these diverse and complex institutions many practices are hidden from view, such as creating marketing campaigns, curating and designing exhibitions, developing fundraising and sponsorship plans, crafting mission statements, handling repatriation claims, dealing with digital media, and more. Focused on what actually occurs in everyday museum work, this volume offers contributions from experienced professionals and academics that cover a wide range of subjects including policy frameworks, ethical guidelines, approaches to conservation, collection care and management, exhibition development and public programs. From internal processes such as leadership, governance and strategic planning, to public facing roles in interpretation, visitor research and community engagement and learning, each essential component of contemporary museum practice is thoroughly discussed.
Network Art brings an international group of leading theorists and artists together to investigate how the internet, in the form of websites, mailing lists, installations and performance, has been used by artists to develop artwork. Covering a period from the mid 1990s to the present day, this fascinating text includes key texts by historians and theorists such as Charlie Gere, Josephine Bosma, Tilman Buarmgartel and Sarah Cook, alongside descriptions of important projects by Thomson and Craighead, Lisa Jevbratt and 0100101110101101.org amongst many others. Fully illustrated throughout, and including many pictures of artworks never before seen in print, Network Art represents one of the first substantial attempts to place major artist's writings on network art alongside those of critics, curators and historians. In doing so it takes a unique approach, offering the first comprehensive attempt to understand network art practice, rooted in concrete descriptions of the systems and the process required to create it.