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Introduction to curation and preservation of archaeological materials. Visit our website for sample chapters!
New Life for Archaeological Collections explores solutions to what archaeologists are calling the "curation crisis," that is, too much stuff with too little research, analysis, and public interpretation. This volume demonstrates how archaeologists are taking both large and small steps toward not only solving the dilemma of storage but recognizing the value of these collections through inventorying and cataloging, curation, rehousing, artifact conservation, volunteer and student efforts, and public exhibits. Essays in this volume highlight new questions and innovative uses for existing archaeological collections. Rebecca Allen and Ben Ford advance ways to make the evaluation and documentation of these collections more accessible to those inside and outside of the scholarly discipline of archaeology. Contributors to New Life for Archaeological Collections introduce readers to their research while opening new perspectives for scientists and students alike to explore the world of archaeology. These essays illuminate new connections between cultural studies and the general availability of archaeological research and information. Drawing from the experience of university professors, government agency professionals, and cultural resource managers, this volume represents a unique commentary on education, research, and the archaeological community.
Doing research with archaeological collections / Julia A. King -- Tribal voices on archaeological collections / Angela Neller -- Care, access and use: how Nagpra has impacted collections management / Sheila Goff -- Integrating curation training in academic programs and beyond / Danielle M. Benden -- Collaborative mitigation: creative success stories using archaeological collections / Heather L. Olson and Ralph Bailey -- Best practices for collections management planning / Teresita Majewski -- Being a curator: revisiting the curation of archaeological collections from the field to the repository / Lynne P. Sullivan and S. Terry Childs -- On whose grounds? the importance of determining ownership before there is a collection / Sara Rivers Cofield -- Orphans on the shelf (and in the attic) / Heather I. Olson and Danielle R. Cathcart -- The preservation and management of archaeological records / Sara Rivers Cofield and Teresita Majewski -- The possibility of deaccessioning federal archaeological collections / S. Terry Childs -- Every artifact is (not) sacred: a call to rethink historical archaeology's collection management assumptions and practices / Mark S. Warner -- Dodging the repository money pit: the Iowa experience / John L. Cordell, John F. Doershuk, Stephen C. Lensink -- Implications of limited collections policies and in-field analysis / Brian Crane and Michael Heilen.
From the practice of a museum institution, six chapters reflect on the challenge of change in the areas of digitization, narrative, inclusivity, and participation.
"This book offers a systematic overview of the responses made by museums and other repositories in the UK to the ownership, care, storage, display and interpretation of human remains." -- back cover.
Ethics in the field of archaeological research has become increasingly more complicated, particularly in response to the recent growth of contract archaeology. The past is not in fact "dead and buried," and ethical questions about this living record demand an ongoing discussion within the social and cultural groups who interpret this record. Authored largely by members of the Society for American Archaeology Ethics Committee, this up-to-date edited volume of original articles tackles issues such as the origins of and theory behind archaeological ethics, as well as archaeologists' responsibilities to the archaeological record, to diverse publics, to each other, and to their students. The book promises to fuel a critical debate among professionals and will be an important tool for training the next generation of archaeologists. Published in cooperation with the Society for American Archaeology. Published in cooperation with the Society for American Archaeology.
Biocultural collections are plants and animals used by people, products made from them, and/or information and archives about them. They are numerous and diverse, including biological specimens, natural products (e.g., medicine, food, fiber, oil, latex, etc.) and cultural artifacts (e.g., clothing, baskets, weaponry, tools, etc.) from around the world. Biocultural collections benefit scientists, conservationists, development workers, teachers, students, and the general public. However, these collections are poorly curated and data based - if at all - making them largely inaccessible for research and reference. At a time when wild crop relatives, landraces, and knowledge about traditional plant uses are being lost at an alarming rate, our biocultural collections are also degrading and being orphaned or lost. Curating Biocultural Collections aims to address these issues and develop standards of curation, and help institutions to properly care for collections that have been severely neglected and under-utilized. Written and edited by experts from around the world, this book demonstrates that with proper curation, data basing, and on-line and physical access, these valuable resources can be used in research, conservation, development and education, and preserved for future generations. Kew Publishing in association with Missouri Botanical Garden Press
The Museum Curator's Guide is a practical reference book for emerging arts and heritage professionals working with a wide range of objects (including fine art, decorative arts, social history, ethnographic and archaeological collections), and explores the core work of the curator within a gallery or museum setting. Nicola Pickering provides a clear introduction to current material culture and museum studies theories, and shows the practical application of these theories to museum collections. She considers the role of the curator, their duties and interaction with objects, and also examines the care or preservation of objects and the ways they can be catalogued, displayed, moved, arranged, stored, interpreted and explained in museums today. The Museum Curator's Guide represents an essential and lasting resource for all those working with the collection, preservation and presentation of objects, including students of collections management and curatorship; current gallery and museum professionals; and private collectors.
This wonderfully illustrated picture book presents a story about a young girl named Brea who was inspired to become an Archaeologist. Readers of all ages will learn about what Archaeology is and why it is important.