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The Mahabharata is one of the most significant epics in Indian mythology, and its characters have become an essential part of the cultural fabric of the country. One such character is Shakuni, who is known for his cunning and manipulative nature. While Shakuni is a crucial character in the Mahabharata, much of his backstory and motivations remain untold. In this book, we explore the life of Shakuni and delve into the events that shaped his character. The Mahabharata is one of the greatest epics of Indian mythology, filled with complex characters and intricate plotlines. Among the many characters in the epic, one stands out for his cunning and manipulation: Shakuni. Shakuni is a controversial character whose actions have had a profound impact on the story of the Mahabharata. His story is one of tragedy and deceit, and his legacy continues to be felt in Indian culture and literature to this day. In this book, we explore the character of Shakuni in depth, examining his motivations, relationships, and legacy. Through a combination of historical analysis, mythological interpretation, and psychological examination, we seek to understand the complex nature of this fascinating character. Whether you are a fan of Indian mythology or simply interested in the psychology of complex characters, this book offers a unique perspective on one of the most controversial figures in Indian literature.
Mahabharat is such a great saga, such a great book that has all the essence of life, present in it. This has love, hate, conspiracy, friendship, hatred, loyalty, treachery and all other such emotions. Before the great war of Mahabhrat, the great continent of India was full of brave hearts and warriors, but after the war was over, only a few warriors survived in this land. This war of Mahabharat was the result of two pledges; one that was taken by Pitamah Bhisma and the other pledge that was taken by the ruler of Gandhar, Shakuni. If Bhisma Pitamah had not taken the pledge that he would not sit on the throne, there would have been no chance that this war would have happened and if Shakuni had not taken the pledge that he would destroy the Kuru dynasty, then he would have never left Gandhar and come to Hastinapur; this would ensure that the seed of enmity between the Kauravas and Pandavas would have never grown. The situational pledges that were taken by Bhisma and Shakuni, later on turned into a curse for them. The almighty created such a situation, that both of them started regretting their decisions of taking such pledges. Shakuni never knew that, the sister he loved more that his life would one day be married to the same kuru dynasty, whose destruction has been pledged by him. I have tried to enlighten many unknown facts about the life of Shakuni so that the readers could know more and more about Shakuni. This is my first composition and I would like to dedicate this to, not only my late heavenly mother, but all other mothers too. Since father, brother and other such relations can be formed again, but the selfless love of a mother, once lost can never be found again. The pain of losing one’s mother in childhood and not finding mother like love again, stays with you forever like emptiness. Maybe this pain encourages me to hold the pen and start writing.
The historical novel ‘Ashoka the Great’ is the life story of one of India’s greatest monarchs, living in the 3d century B.C. The Ashoka-chakra, the wheel of Dharma, adorns since India’s independence the Indian flag. His nearly 40 years’ government is viewed today by scholars as the first welfare state the world has known. In part 1 of the trilogy, The Wild Prince, we see how his passionate but honest character leads him often into difficulties. He is praised for his pride and courage yet feared for his direct tough actions, looking through the trickery of enemies. As the successor of his father he becomes The Wise Ruler, part 2, a governor ruling with wisdom, strict laws and justice. After a terrible war in which numerous people lost their life, he embraced Buddhism, forswearing all wars of attack. After years of ruling, applying the wisdom of Gautama the Buddha, he becomes Dharmashoka, the great admonisher, part 3.
The Pandavas and the Kauravas are returning to modern world in a different outlook but with same powers in this book “Barbarika”. While the Hindu Mythology says it is because of the boon Krishna gave to the “greatest warrior of the Dwapara Yuga” – Barbarika, Science says it is because of an epigenetics experiment conducted by “Master of Epigenetics” – Vishaka. The Kurushetra War begins here between Shyam and Dr. Meghvarna to attain the power every man wants.
Why did shakuni have to come to Hastinapur? His own gandhara folks believed that he wanted to take revenge against the Kauravas. They, however, knew nothing about shakuni’s disturbing secret and his actual intention. What was shakuni’s real motive? What was the secret he was trying to guard from the world with all his efforts? In Hastinapur, shakuni would get entrapped in an inescapable mesh of the past, the present, and the future. He could have freed himself from the tangle by cracking a particular riddle that he would only be able to solve too late. What was the riddle about? What made him finally realise that he had just been used? This is the untold story of shakti laced with love, desire, envy, Malice, and vengeance. This is a heart-rending chronicle of some grievously wounded people you can never hate, even if you fail to love or pity them.
Then, the exquisitely handsome body of Karna of generous acts, who should have been worthy of perpetual happiness, let go of that refulgent head with the kind of extreme reluctance evinced by a wealthy person in leaving his own prosperous home, or by a saintly one in forsaking virtuous company. [The Mahabharata, Karna-Parva; 91.53-54] In these lines of evocative pathos, the Mahabharata pays its ultimate tribute to Karna, who has hardly a rival in world literature to match his credentials as a uniquely nuanced heroes' hero – towering above Hector in righteous valour, above Arjuna in generosity, and above all else in conscientious attachment to the principles of noblesse oblige. This is the intriguing story of a hero who, despite being born to royalty was, like the Biblical Moses, cast away by his mother. Brought up lovingly by a lowly charioteer and his wife, his whole life was one great struggle against cruel destiny, and against all the odds placed in his way by the inequities of his time. In the process, he blazed a new trail of glory, emerging as the adorable exemplar of purushakaara (manly effort), with tremendous achievements both as a man and also as a warrior. Yet society never gave him his due, despite being as upright as Yudhishthira, as strong as Bhima, as skilful as Arjuna, as handsome as Nakula and as intelligent as Sahadeva. Rebuffed and insulted by society at every step, he developed some flaws engendered by a defiant spirit and nurtured by association with the evil designs of Duryodhana, his benefactor prince. But those very contrarieties seem to enhance and enliven the dramatic appeal of his character as one of the brightest stars of the Mahabharata's star cast. Written in an engagingly flowing style and with an imaginative transcreation of the epic storyline, Karna: the Unsung Hero of the Mahabharata should strike a responsive chord in the minds, specifically of today's Mahabharata aficionados and generally of all lovers of exalted human drama.
High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India’s greatest epic, the Mahabharata, originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu, and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.
In this exciting rendition of the renowned classic, Krishna Dharma retells this epic as a fast-paced novel, but fully retains the majestic mood of the original. As the divinely beautiful Draupadi rose from the fire, a voice rang out from the heavens foretelling a terrible destiny. “She will cause the destruction of countless warriors.” And so begins one of the most fabulous stories of all time. Mahabharata plunges readers into a wondrous and ancient world of romance and adventure. A powerful and moving tale, it recounts the history of the five heroic Pandava brothers and their celestial wife. Cheated of their kingdom and sent into exile by their envious cousins, they set off on a fascinating journey on which they encounter mystical sages, mighty kings, and a host of gods and demons. Profound spiritual themes underlie the enthralling narrative, making it one of the world’s most revered texts. Culminating in an apocalyptic war, Mahabharata is a masterpiece of suspense, intrigue, and illuminating wisdom.