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The Sheriff of Frozen's Murder Cases is the second volume in The Cumberland Mountain Trilogy. Sheriff Jake Herald's career was characterized by violence, intemperate outbursts against "Outsiders" (non-Mountaineers), high-handed and perhaps illegal campaign tactics, flights of fancy wherein he extols the beauties of the mountains and the virtues of its inhabitants, incarceration and intimidation of coal camp managers, police and owners, and, some say, inveterate womanizing. He did, however, quite remarkably, find the time to solve the occasional murder case. In this volume, Jake considers running for High Sheriff while being assailed by a series of difficulties, some of them quite bizarre. Violence from a near war in West Virginia between union miners and coal company "detectives" threatens to spill over into Chinoe County, Kentucky. Two bodies are found on the same stretch of railroad track. "Italian Bank Robbers" strike a nearby town, a young school teacher is stalked, and automobiles come to Chinoe with the introduction of a yellow Duesenberg and a Bluebird Overland. The series of murder cases that Jake Herald faces, and the methods he employs, build suspense and create the dramatic tension that propels the novel to its climax, and to an unforgettable resolution that promises a love interest readers are sure to look forward to in the final novel of the Cumberland Mountain Trilogy. Keywords: Romance, Action, History, War, Kentucky, Herald, Fiction, Iron Fist, Mystery, Veteran
The Sheriff of Hell's Murder Case is the final novel in Dr. Jack Justin Turner's highly-acclaimed Cumberland Mountain Trilogy. With a mangled arm, and with his long-barreled Luger close at hand, Sheriff Jacob Newton Herald must muster all the cunning and courage that saw him through The Great War to survive the sometimes savage place he calls home. Jake, as he is known by both friend and foe, has been described as a combination of Hamlet and Dirty Harry – but in this last volume Jake exhibits a quite different and endearing personality, when he makes two of the most important decisions of his life. Part murder mystery and part magnificent love story, The Sheriff of Hell's Murder Case again demonstrates Dr. Turner's powerful and insightful explanation of character and locale, in a page-turner that is perhaps unparalleled in modern Appalachian fiction. Turner obviously knows and loves the setting and its inhabitants and puts the lie to the work of a litany of literary carpetbaggers. As one reviewer put it, "Jack Justin Turner's voice rings so true that one might think the author is actually channeling the spirits of his early twentieth century characters. Seldom does a book transport a reader so surely to another place and time." Keywords: Romance, Revenge, Action, History, War, Kentucky, Herald, Fiction, Iron Fist, Mystery, Veteran
Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture. In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.
Originally published anonymously, it was later revealed that this classic work of political fiction was penned by Henry Brooks Adams, the renowned essayist and journalist best known for the autobiography The Education of Henry Adams. Though fictionalized, Democracy: An American Novel offers a gripping account of the vagaries and vicissitudes of political power that still rings true more than a century after it was first published.
Reprint. Originally published: New York: Atheneum, 1983.
Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.
The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.