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The term Fengshui, which literally means 'wind and water, ' is the ancient Chinese art of selecting an auspicious site to provide the most harmonious relationship between human and earth. The term is generally translated as "geomancy," and has had a deep and extensive impact on Korean, Chinese, and other East Asian cultures. Hong-key Yoon's book explores the nature of geomantic principles and the culture of practicing them in Korean cultural contexts. Yoon first examines the nature and historical background of geomancy, geomantic principles for auspicious sites (houses, graves, and cities) and provides an interpretation of geomantic principles as practiced in Korea. Yoon looks at geomancy's influence on cartography, religion and philosophy, and urban development in both Korea and China. Finally, Yoon debates the role of geomancy in the iconographical warfare between Japanese colonialism and Korean nationalism as it affected the cultural landscape of Kyongbok Palace in Seoul.
The first scholarly book to address Korean geomancy through an interdisciplinary lens. This book is a milestone in the history of academic research on the development and role of geomancy (fengshui in Chinese and p’ungsu in Korean) in Korean culture and society. As the first interdisciplinary work of its kind, it investigates many topics in geomancy studies that have never been previously explored, and contains contributions from a number of disciplines including geography, historical studies, environmental science, architecture, landscape architecture, religious studies, and psychoanalysis. While almost all books in English about geomancy are addressed to general readers as practical guides for divining auspicious locations, P’ungsu is a work of rigorous scholarship that documents, analyzes, and explains past and current practices of geomancy. Its readers will better understand the impact of geomancy on the Korean cultural landscape and appreciate the significant ecological principles embedded in the geomantic traditions of Korea; while researchers will discover new insights and inspirations for future research on geomancy not only in Korea, but in China and elsewhere.
Explains the fundamentals of feng shui with instructions, diagrams, and photographs, revealing how simple changes to the home can improve romance, health, and prosperity.
Feng Shui is a body of ancient Chinese knowledge that aims at creating a harmony between environment, buildings and people. It represented the most significant set of architectural theory and practice in Chinese history. Feng Shui knowledge reflected the traditional Chinese attitudes towards the natural and built environment. With a desire to improve the relationship between human and the environment, there is an increasing interest for architects, building professionals and other property practitioners to apply the concepts of Feng Shui in building design. As Feng Shui knowledge represents a holistic view in creating harmonized built environment, research into the application of Feng Shui to the built environment needs to be addressed.
This book is a milestone in the history of academic research on the development and role of geomancy (fengshui in Chinese and p'ungsu in Korean) in Korean culture and society. As the first interdisciplinary work of its kind, it investigates many topics in geomancy studies that have never been previously explored, and contains contributions from a number of disciplines including geography, historical studies, environmental science, architecture, landscape architecture, religious studies, and psychoanalysis. While almost all books in English about geomancy are addressed to general readers as practical guides for divining auspicious locations, P'ungsu is a work of rigorous scholarship that documents, analyzes, and explains past and current practices of geomancy. Its readers will better understand the impact of geomancy on the Korean cultural landscape and appreciate the significant ecological principles embedded in the geomantic traditions of Korea; while researchers will discover new insights and inspirations for future research on geomancy not only in Korea, but in China and elsewhere.
Looking for luck, love, wealth, and health? The world's best-selling writer on feng shui takes you step-by-step down the road to happiness! Lillian Too, renowned author of books and articles on this ancient Chinese art, divulges the secrets of controlling the powerful forces of ch'i to bring success into our lives. With 179 tips on everything from personalizing interior decoration to improving family relations, it's the most practical, thorough, systematic, and stunningly illustrated guide to eliminating every obstacle standing in the way of contentment. Enrich personal space by identifying auspicious corners, good fortune directions, and life-enhancing elements, and organize the household to intensify their beneficial qualities. Need to improve finances? Grow orange or lime plants, whose ripening fruits symbolize prosperity, or hang coins or bells on the doors. Sleep on an authentic Feng Shui bed, let carpets create solid foundations, and fill vases with the right flowers. Protect the home or office fr om the "shar chi" or "killing breath" of open shelves. And there's a reason traditional Chinese matriarchs keep cleaning paraphernalia out of sight-they know that visible brooms will "sweep away" the family's livelihood. Try one of many effective methods for ensuring togetherness and harmony between kinfolk, for helping children do well at school, and for attracting romance. As you put these time-tested ideas into practice, you'll feel your world getting better and better! 160 pages (all in color), 7 3/4 x 9 1/4. DELUXE PAPERBACK WITH FLAPS.
Changing realities, global power shifts, and societal upheavals are resulting in new tasks and challenges for Foreign Cultural and Educational Policy. In an age of globalisation, digitisation, and growing nationalism, there is a particular need to inquire into the notion of responsibility and available spaces of action: How can strategies and networks for successful international and intercultural cooperation be drawn up, and what role do civil society actors play?
In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese ‘Other’ have vied for predominance – in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct their own identities. It examines the role played by an imagined ‘Japan’ in the construction of national selves across the East Asian region, as mediated through a broad range of media ranging from school curricula and textbooks to film, television, literature and comics. Commencing with an extensive thematic and comparative overview chapter, the volume also includes contributions focusing specifically on Chinese societies (the mainland PRC, Hong Kong and Taiwan), Korea, the Philippines, Malaysia and Singapore. These studies show how changes in the representation of Japan have been related to political, social and cultural shifts within the societies of East Asia – and in particular to the ways in which these societies have imagined or constructed their own identities. Bringing together contributors working in the fields of education, anthropology, history, sociology, political science and media studies, this interdisciplinary volume will be of interest to all students and scholars concerned with issues of identity, politics and culture in the societies of East Asia, and to those seeking a deeper understanding of Japan’s fraught relations with its regional neighbours.
This remarkable book examines the complex history of Japanese colonial and postcolonial interactions with Korea, particularly in matters of cultural policy. E. Taylor Atkins focuses on past and present Japanese fascination with Korean culture as he reassesses colonial anthropology, heritage curation, cultural policy, and Korean performance art in Japanese mass media culture. Atkins challenges the prevailing view that imperial Japan demonstrated contempt for Koreans through suppression of Korean culture. In his analysis, the Japanese preoccupation with Koreana provided the empire with a poignant vision of its own past, now lost--including communal living and social solidarity--which then allowed Japanese to grieve for their former selves. At the same time, the specific objects of Japan's gaze--folk theater, dances, shamanism, music, and material heritage--became emblems of national identity in postcolonial Korea.